IMDb रेटिंग
6.2/10
3.7 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंAfter a wealthy celebrity falls in love with a mystery woman at his Christmas masquerade ball, he attempts to discover her true identity.After a wealthy celebrity falls in love with a mystery woman at his Christmas masquerade ball, he attempts to discover her true identity.After a wealthy celebrity falls in love with a mystery woman at his Christmas masquerade ball, he attempts to discover her true identity.
Niki Hexum
- Singer
- (as Nicole Hexum)
Rustin Duke
- Ballroom Dancer
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
'A Cinderella Christmas' did sound like it had a lot of potential to work. The story of 'Cinderella' is one of my all time favourites, and to see a Christmas twist on it fascinated me. Seeing trusted friends and reviewers rating it highly also added to the interest. And there have been times where Emma Rigby has impressed me, while she was inconsistent as Red Queen in 'Once Upon a Time in Wonderland' my memories of her powerful annorexia storyline in 'Hollyoaks' are still vivid.
On the most part, 'A Cinderella Christmas' was nicely done. It wasn't amazing to me, it was a bit uneven and it didn't impress me as much as others, but when it works it works very well indeed. Can totally understand its appeal and why it's gotten a good deal of love, while understanding some of the criticisms that have been directed against it. Really enjoyed 'A Cinderella Christmas' spin on the 'Cinderella' story and it and Christmas do mix, which was the most important thing. Saw another Christmas spin on another fairytale, 'A Snow White Christmas', months back, and 'A Cinderella Christmas' (which unlike that film is actually good) is miles better.
Shall start with what doesn't work. There are plot elements that are on the far-fetched and contrived side (i.e. The urgent wedding), complete with the odd frustrating character behaviours that make them look dumb on occasion. The romance did feel rushed in development at times.
Was not particularly keen on the performance of Sarah Stouffer, who overplays her very shallow and already exaggerated character. No subtlety or likeability whatsoever. A bit cheesy in the dialogue in spots.
There are many good things though. It is a nice looking film, especially the luminous scenery and Angie's dress. The music doesn't sound over-scored, too much of a dirge or over-quirky, having seen a lot of Christmas films over-time with intrusive and overdone music. The script has its cheesy moments, but it is genuinely amusing more than once and is far from bland emotionally, quite heartfelt actually without being syrupy. Likewise the story isn't perfect, but it captures the magic of the story it's loosely inspired from and the charm of Christmas beautifully and has a warm heart and honesty.
Excepting Candace, the characters are nicely written and not hard to relate to and the acting is better than average and often good. Rigby is immensely appealing as Angie and brings a lot of charm to her without going too far on the sentiment. Peter Porte is dashing and equally amiable, he and Rigby have an easy going chemistry and while their relationship is too hastily developed at times it flows more realistically than most similar relationships in Christmas films. Lesley Ann Downe is suitably sincere.
On the whole, nicely done with debits. 6/10.
On the most part, 'A Cinderella Christmas' was nicely done. It wasn't amazing to me, it was a bit uneven and it didn't impress me as much as others, but when it works it works very well indeed. Can totally understand its appeal and why it's gotten a good deal of love, while understanding some of the criticisms that have been directed against it. Really enjoyed 'A Cinderella Christmas' spin on the 'Cinderella' story and it and Christmas do mix, which was the most important thing. Saw another Christmas spin on another fairytale, 'A Snow White Christmas', months back, and 'A Cinderella Christmas' (which unlike that film is actually good) is miles better.
Shall start with what doesn't work. There are plot elements that are on the far-fetched and contrived side (i.e. The urgent wedding), complete with the odd frustrating character behaviours that make them look dumb on occasion. The romance did feel rushed in development at times.
Was not particularly keen on the performance of Sarah Stouffer, who overplays her very shallow and already exaggerated character. No subtlety or likeability whatsoever. A bit cheesy in the dialogue in spots.
There are many good things though. It is a nice looking film, especially the luminous scenery and Angie's dress. The music doesn't sound over-scored, too much of a dirge or over-quirky, having seen a lot of Christmas films over-time with intrusive and overdone music. The script has its cheesy moments, but it is genuinely amusing more than once and is far from bland emotionally, quite heartfelt actually without being syrupy. Likewise the story isn't perfect, but it captures the magic of the story it's loosely inspired from and the charm of Christmas beautifully and has a warm heart and honesty.
Excepting Candace, the characters are nicely written and not hard to relate to and the acting is better than average and often good. Rigby is immensely appealing as Angie and brings a lot of charm to her without going too far on the sentiment. Peter Porte is dashing and equally amiable, he and Rigby have an easy going chemistry and while their relationship is too hastily developed at times it flows more realistically than most similar relationships in Christmas films. Lesley Ann Downe is suitably sincere.
On the whole, nicely done with debits. 6/10.
...with flavor of old times. the music, the actors, the predictability. good points to a Christmas film looking for give a different image of classic fairy tale. and doing that in succesful manner. because it is one of well crafted films. the presence of Lesley - Ann Down represents one of clues . and , sure, the music and the right actors in the lead roles.
Keeping in mind this is a Christmas romance film, it's quite good. It's got everything you want from a Christmas romance:
Some plot points were a little farfetched, such as the urgent wedding, the fact that the bachelor couldn't work out who our protagonist was because she was wearing a mask, and of course, anyone believing the dress our protagonist wore was actually nice. Not to mention the stocking game which seems ridiculous because you're forced to give someone else five (5) of your possessions which have little-to-none monetary meaning but a whole lot of sentimental value. Personally, I'd rather keep the things that have no monetary value but great sentimental value because that's the point of keeping sentimental objects. Maybe, just maybe, the guests were supposed to return the stocking to the original owner, but considering that our protagonist and bachelor did not, I have no idea. Also. You were supposed to use the objects in the stocking to find the person who they originally belonged to, but neither our bachelor or protagonist did this. So, what's the point? Other than the risk of losing your five (5) possessions because someone else took them because they were supposed to, or took them because they just never returned them to you and went home with them (I'm looking at you bachelor and protagonist).
- A case of mistaken identity
- A rich and wonderful bachelor;
- A hard-working and generally good protagonist;
- A masquerade ball; and
- An evil step-sister (cousin) who is obviously toxic but so obviously that it makes you stop and think.
Some plot points were a little farfetched, such as the urgent wedding, the fact that the bachelor couldn't work out who our protagonist was because she was wearing a mask, and of course, anyone believing the dress our protagonist wore was actually nice. Not to mention the stocking game which seems ridiculous because you're forced to give someone else five (5) of your possessions which have little-to-none monetary meaning but a whole lot of sentimental value. Personally, I'd rather keep the things that have no monetary value but great sentimental value because that's the point of keeping sentimental objects. Maybe, just maybe, the guests were supposed to return the stocking to the original owner, but considering that our protagonist and bachelor did not, I have no idea. Also. You were supposed to use the objects in the stocking to find the person who they originally belonged to, but neither our bachelor or protagonist did this. So, what's the point? Other than the risk of losing your five (5) possessions because someone else took them because they were supposed to, or took them because they just never returned them to you and went home with them (I'm looking at you bachelor and protagonist).
This movie is cute, and as far as Hallmark movies go, it's one of my favorites. Here's a thought though...if the protagonists parents were dead from the beginning of the movie, why not let her be from the U.K.? I think her acting would have been better if she could just use her British accent. I could tell she was concentrating too hard on the American one. I know for an actress it's a challenge or rite of passage or whatever, but it was a distraction.
I thought this was a clever twist on the elements of the classic story. Acting wasn't the best, but the way the plot developed more than made up for that.
क्या आपको पता है
- ट्रिवियाEmma Rigby and Lesley-Anne Down are both British in real life.
- गूफ़सभी एंट्री में स्पॉइलर हैं
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- The Cinderella Christmas
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
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