Wonka

How are the graphics for the new movie worse than the old movie ?

It literally makes no sense why the graphics are so bad You could of made the flying chocolate look more real

Too much singing And not enough catchy songs They should of spent more time on developing this and not having unneeded songs

I liked the oompa loompa I'm not sure why everyone was giving him a hard time

The ending was very endearing But, it's not what I wanted Focus on wonka Not noodles family situation

I wanted to give this a higher score The graphics ruined it for me There was definitely some funny parts The movie was entertaining Just the execution wasn't there.

Proving that his work on the one two punch that was Paddington and then it's universally praised sequel was not per chance, British director Paul King has managed to bring the same amount of energy, charm, heart and smarts he delivered with his marmalade loving bear to this high profile Willy Wonka prequel that should become the crowd pleasing hit of this years festive/holiday period.

Utilising his comedy background and career making work on the cult UK TV series The Mighty Boosh (fans of which will be pleased to see a key role for Rich Fulcher here), King ensures that his musical infused adventure that follows Timothée Chalamet's young Willy Wonka during his first attempts to conquer the chocolate world with his magical inventions and colorful showmanship, is a film that constantly is on the move and one that ensures it's filled to the brim with wonder, whimsy and wackiness that should find it appealing to a wide ranging age-group and audience.

It's not as though the world was exactly crying out to find out more about the beloved character many of us fell in love with either in Roald Dahl's original book or the Gene Wilder starring classic film from 1971 but King and his screenwriting partner Simon Farnaby instantly make us engaged and interested in this tale that has a wide ranging reach and works in a number of facets without ever losing momentum.

Rarely pausing for breath between its colourful character interactions, enjoyable song and dance numbers and more poignant aspects that make Wonka more than just all sugar and no substance, King's enjoyable ride harbours a clear labour of love at its core that gels perfectly with its more old-school film-making vibe and delivery that once more acts as an example that Hollywood's incessant nature to try and be "hip" and boundary pushing isn't always needed to find a winning formula.

Within King's winning Wonka formula he has managed to create and gift a number of memorably fun performances from his talented cast and while Chalamet gives it his best shot in easily his most challenging performance yet, his role as Willy Wonka doesn't always seem ideally suited to his acting sensibilities, it's in the supporting cast that Wonka finds its comedic gold.

From Olivia Colman's yellow-toothed nasty Mrs. Scrubbit, Tom Davis's wild-haired Bleacher, Keegan-Michael Key's sweet-toothed police chief and Hugh Grant's (bizarrely controversial) scene-stealing Oompa-Loompa, Wonka's cast of newbies and industry vets alike all have a blast playing their parts here and Wonka's overall feeling and end result seems to be the product of a film that was a lot of fun to make and bring to life.

There may not be any groundbreaking new messages taking place here and I don't suspect Wonka will ever be regarded as the type of family friendly all-time classic as its original source material or first film iteration are seen as but it would take a hard-hearted and Scrubbit like viewer to not find enjoyment from such an entertaining and imaginative new take on one of the worlds most well-known properties.

Final Say -

Another resounding success for director Paul King, who has here further established his reputation as the leader of family friendly cinematic adventures, Wonka is a charming and enjoyable big screen ride that deserves to be this years most resounding holiday hit.

4 unsolved murders out of 5.

Jordan and Eddie (The Movie Guys)

Listen, I liked this movie. It was good, I just wished it gave me more. Felt like there was some underutilizing of potential, so it felt s little hollow for me.

It didn't tug on my heart strings or emotions ever, but it made it chuckle and Timothee was great as Wonka. A lot of unecessary singing. I can fully get into a good musical if the songs are good and properly placed and spread out, but I can't stand it when they sing songs just to sing, when they could just... talk. Some of the songs the movie weren't really catchy or even good, and felt pointless.

Positives: great casting, funny, beautiful sets and costumes. Could watch it at home just to watch a cozy movie (if you're into musicals), but not worth seeing in the theaters like I did.

Paul King, the director behind the enchanting Paddington films entered the fold to direct a prequel to Gene Wilder's Charlie and the Chocolate Factory. Unfortunately, this outing is overproduced and overdone. And just like chocolate; some things are best had in moderation. Roald Dahl's work in recent times has regrettably been tampered with to remove language related to race, gender, weight, and mental health that today's readers might deem offensive. This film feels like a continuation of that craven desire to be inoffensive. The result is a slightly safe and garden variety end-product which isn't much of a tribute to Dahl, if it even wanted to be.

For me, all things Willy Wonka should be almost like an experiential hallucination; self-contained, a bit mysterious, and open to interpretation, without the need for any elaborate backstory spelling things out. Wonka should be an experience, not a storyboard. He ought be unpredictable, a one-off. In the book he is innovative, flamboyant, stubborn, arrogant, and authoritarian. We saw the innovative and the flamboyant, but none of the rest. Or how those latter qualities might have taken, or were taking, shape. Timothee Chalamet's portrayal, for all its innocent charms and trinkets, simply did not have the comedic and deliciously unpredictable edge of either Wilder or Depp's Wonkas; the dimensionality just wasn't there. That "edge" would have bounced off the sassiness of the stubborn Oompa Loompa perfectly, helping the audience to see how Wonka wins them over (besides just a paltry supposed bribe of chocolate tasting). Here, it's Hugh Grant outsmarting, outshining, and outwitting a bumbling wide-smiling, bright-eyed and bushy-tailed Wonka in most of the scenes they share. The musical genre of this film wasn't a bad call, given the iconic hit of Wilder's "Pure Imagination," why not try out a musical style? The original songs here could have a little more oomph, though, lyrically and musically. The trio of main villains were excellently cast, with Matt Lucas, Paterson Joseph (stealing the show), and Mathew Baynton. All three were a treat to see on-screen.

Overall this film is relatively unchallenging for children compared to Wilder's 1971 work under the original source material, or Tim Burton's satirical 2005 outing. Imagining Willy Wonka as sweet, cloying and one-toned as he's shown here with Chalamet doesn't quite hit the sweet spot.

6.8/10.

On paper, Wonka is a cynical cash grab of an idea but in the hands of the extremely talented duo of Paul King and Simon Farnaby it becomes another heartwarming story of a kind person who just wants to make the world a better place. Even if it feels its run time more than King and Faranby's previous work it still remains thoroughly entertaining and emotionally investing.

Timothée Chalamet lacks the darker edge with this interpretation of Willy Wonka and that really doesn't matter considering what the film is going for. His Wonka is innocent to a fault, morally pure with a high level of quirk that Chalamet is able to communicate in his enunciation and movement. It's a nice change of pace compared to his usual roles.

The supporting cast is full of comedians who take it in turns stealing scenes. Hugh Grant's Oompa Loompa is an uncanny highlight who takes a while to appear and is absolutely worth the wait. Paterson Joseph excels at playing a full on pantomime villain complimented by Matt Lucas and Matthew Baynton to make for a delightfully evil trio.

Paul King's direction brings the expected whimsy with a nice level of energy to the musical numbers. The songs by Neil Hannon are generally fine, suitably entertaining in the moment without staying power so it successfully goes back to Pure Imagination a few times, with Joby Talbot's score happily sprinkling it in throughout.