अपनी भाषा में प्लॉट जोड़ेंA three part TV miniseries about Lanarkshire's Detective William Muncie and his quest to bring to justice notorious killer Peter Manuel.A three part TV miniseries about Lanarkshire's Detective William Muncie and his quest to bring to justice notorious killer Peter Manuel.A three part TV miniseries about Lanarkshire's Detective William Muncie and his quest to bring to justice notorious killer Peter Manuel.
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- 1 जीत और कुल 5 नामांकन
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There has to be more episodic television programs about Detective Muncie of Police Scotland! The serious crimes and their investigative solutions by this man warrant much more television or movie exposure. If he was a Londoner or a New Yorker, everyone would know about this Detective and his accomplishments!
Looking for advice on the new Miss Mary McCormack drama with the same name I clicked this one by accident. It seemed more interesting, so I streamed all 3 episodes. Oh so glad I did. It is a Police drama set in 1980s Scotland, which I can only describe as a sort of whodunnit in reverse. Very recommendable.
Compelling good guy / bad guy duel.
Captivating procedural set in 1950s Scotland... and that's what is going to make it heavy going for some - because the dialogue is entirely in Scottish.
But I reckon it's worth the effort because this is a really good, unpretentious and straightforward yarn based somewhat on real events which devastated a small Scottish community back at a time when a murder was always front page news.
A Lanarkshire police detective, William Muncie (all-around good cop and family man) is living in an age where cops plod along looking for cold hard facts and old fashioned evidence. The idea of people killing just for fun doesn't compute and Muncie has a tough time selling his newfangled ideas.
The story is simple and focuses on the drama and conflictions between the good and the evil of the two leads. The conclusion is inevitable so our focus is guided more towards the drama rather than the action. And the drama is gripping in parts, scary in other parts and always tense.
Both leads are excellent although it has to be said that Martin Compston is particularly compelling as the baddie. Thankfully this commercial TV production didn't feel the need to trot out the same tired faces to play all the parts so it has an added bonus of feeling fresh and original.
Of the two IMDb reviews submitted so far the American complained that the pacing was sluggish and the Brit seemed to not have an issue with that. Worth bearing in mind before you engage yourself to this. As with all British TV, the locations, cinematography and attention to set details are world class.
If you binge watch all 3 episodes it racks up just over two hours of your time of which I'm sure you'll think was well spent.
Captivating procedural set in 1950s Scotland... and that's what is going to make it heavy going for some - because the dialogue is entirely in Scottish.
But I reckon it's worth the effort because this is a really good, unpretentious and straightforward yarn based somewhat on real events which devastated a small Scottish community back at a time when a murder was always front page news.
A Lanarkshire police detective, William Muncie (all-around good cop and family man) is living in an age where cops plod along looking for cold hard facts and old fashioned evidence. The idea of people killing just for fun doesn't compute and Muncie has a tough time selling his newfangled ideas.
The story is simple and focuses on the drama and conflictions between the good and the evil of the two leads. The conclusion is inevitable so our focus is guided more towards the drama rather than the action. And the drama is gripping in parts, scary in other parts and always tense.
Both leads are excellent although it has to be said that Martin Compston is particularly compelling as the baddie. Thankfully this commercial TV production didn't feel the need to trot out the same tired faces to play all the parts so it has an added bonus of feeling fresh and original.
Of the two IMDb reviews submitted so far the American complained that the pacing was sluggish and the Brit seemed to not have an issue with that. Worth bearing in mind before you engage yourself to this. As with all British TV, the locations, cinematography and attention to set details are world class.
If you binge watch all 3 episodes it racks up just over two hours of your time of which I'm sure you'll think was well spent.
A very watchable and well-made piece of television drama.
The period detail was excellent, as was the cinematography and the acting from both lead actors. The writing was workmanlike, but lacked cohesion, and this dribbled through to the edit which was a bit choppy and uneven.
Certain events (which really happened) were referred to in the dialogue but were never shown, leaving me wondering a few times if I'd accidentally skipped an episode. Also, certain aspects of the storytelling were poorly executed, leaving me unclear about the order of events; for example, in the middle of a crime-spree the bad guy was suddenly in prison with no scenes explaining why/how he came to be there. At first I thought I must have dozed-off and missed the big arrest. (Upon reading about the real-life events on Wikipedia I discovered that he'd been out on parole and then went back inside for previous crimes unrelated to the story being told).
The directing was also somewhat uneven, with the interior scenes featuring small groups of people being far better directed than those on location with larger crowds. He seemed not to know where to place the camera, and the blocking was awkward. This is surprising, considering that the man credited as Director, John Strickland, is highly experienced and has produced an impressive body of work. Maybe he just wasn't inspired by the material.
But overall, and despite a few niggles, it was a perfectly acceptable dramatization of events which may not otherwise have been spectacular enough to make it to the screen, and I now know about a historical serial-killer case that had previously eluded me, so it was educational too.
The period detail was excellent, as was the cinematography and the acting from both lead actors. The writing was workmanlike, but lacked cohesion, and this dribbled through to the edit which was a bit choppy and uneven.
Certain events (which really happened) were referred to in the dialogue but were never shown, leaving me wondering a few times if I'd accidentally skipped an episode. Also, certain aspects of the storytelling were poorly executed, leaving me unclear about the order of events; for example, in the middle of a crime-spree the bad guy was suddenly in prison with no scenes explaining why/how he came to be there. At first I thought I must have dozed-off and missed the big arrest. (Upon reading about the real-life events on Wikipedia I discovered that he'd been out on parole and then went back inside for previous crimes unrelated to the story being told).
The directing was also somewhat uneven, with the interior scenes featuring small groups of people being far better directed than those on location with larger crowds. He seemed not to know where to place the camera, and the blocking was awkward. This is surprising, considering that the man credited as Director, John Strickland, is highly experienced and has produced an impressive body of work. Maybe he just wasn't inspired by the material.
But overall, and despite a few niggles, it was a perfectly acceptable dramatization of events which may not otherwise have been spectacular enough to make it to the screen, and I now know about a historical serial-killer case that had previously eluded me, so it was educational too.
Seemingly, everything should be in place - the script based on true characters and events, leading roles performed by good character actors (Douglas Henshall and Martin Compston), apparently realistic observance of the era, 3 episodes only... But something was not there - and I am unable to express what exactly; or perhaps I am spoilt by so many good UK series, including with the presence of the actors mentioned. Usually I tend to eagerly wait for the following episode, but not with this series. Partially because the solution was known anyway.
Still, In Plain Sight is above average and if interested in realistic crime with historical touch, then your time is not wasted.
Still, In Plain Sight is above average and if interested in realistic crime with historical touch, then your time is not wasted.
क्या आपको पता है
- ट्रिवियाThe programme is set in the 1950s, but the characters' story began in 1943 when Muncie first arrested 16-year-old Manuel for housebreaking and multiple sexual assaults. He served nine years in Peterhead Prison in Aberdeen before being released.
- साउंडट्रैकMaybellene
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- How many seasons does In Plain Sight have?Alexa द्वारा संचालित
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