Madeline's Madeline

We were able to get this movie on DVD from our public library. My wife chose to skip it, not her kind of movie.

Watching it I didn't expect to "enjoy" it. In fact there is nothing enjoyable about it. However there is something compelling about it, maybe in the same way that we can be fascinated watching a train wreck. I couldn't stop watching it.

Don't take my comment wrong, I believe the filmmaker made exactly the movie she wanted to make. But she is of the experimental camp, a quote from her is "The beautiful thing about making art is the enormous possibility of failure." In other words make a movie you want and don't worry whether anyone will actually like it. Woody Allen is also that way but to me Allen makes much better movies.

Nothing seemed authentic to me and maybe that is the point. While I can give it reasonably high marks for the quality of what was produced, the movie, I cannot consider it a good movie. I watch movies mainly for a good story and and characters that I like. This one doesn't have either. It is more like watching a train wreck and marveling at the debris.

I watched the whole film, but I have absolutely no idea what it was about. It is intolerable, indecipherable and incoherent. There's no plot. Avoid at all cost.

Dec 10, 2018 It's not difficult to see and appreciate the intent of director Josephine Decker's Madeline's Madeline, an artsy, indie movie about artsy, indie people, but it is difficult to become immersed in their world when the message about the process and the craft-no matter how vital the performances or justified the feelings-fails to be intriguing to anyone beyond this realm. I love to write, I love the creative process, and while acting terrifies me I find a person's ability to give themselves over to the confidence it takes to embody something other than who they're already trying to work up the confidence to embody completely admirable. And yet, Helena Howard's titular Madeline never comes off as a performer authentic in her love of the craft, but more a young and impressionable soul struck by the mystic intangibility of what being an actor means. Madeline's Madeline tries its damnedest to sidestep ones expectations of any kind of formula within its filmmaking, but in the process of avoiding such trademarks it forgets to create one of its own that both demystifies and enlightens the audience as to why they should care as much about the method as they should the final, prepared version presented on screen. In other words, I just didn't get it.

'MADELINE'S MADELINE': Three and a Half Stars (Out of Five)

An experimental indie drama about a teenage girl with severe mental issues, who begins bringing her personal drama into her theater performance. It was directed and co-written by Josephine Decker, and it stars newcomer Helena Howard. The film also costars Molly Parker and Miranda July, and it's gotten mostly positive reviews from critics. I really enjoyed it's bizarreness, and it's sensitive depiction of mental illness, but it's also really slow-paced and somewhat hard to follow (because it's so strange). The performances are all more than decent though, and the directing is more than adequate as well.

Movies about mental illness are a dime a dozen, and it's hard to find one that has a take on the subject that hasn't already been done, but "Madeline's Madeline" comes pretty close. It's a very experimental film in some ways and one that will likely frustrate some viewers. I will admit to finding my patience tested at times, but overall I will say that the movie rewards sticking with it until its ambiguous end.

Madeline is a young woman whose acting talent either encourages her illness or gives her an outlet for it, depending on your perspective. Certainly her mom, played by Miranda July, is suspect of Madeline's troupe of acting friends and especially her acting teacher, but whether this suspicion arises from a mother's natural instinct for managing her daughter's fragile mental state or the threat that her control over her daughter might be jeopardized is not made entirely clear. Perhaps it's a bit of both? Certainly she has some reason to be concerned, because Madeline's teacher has no qualms about exploiting her illness for what it brings to the vague theater project she's working on. I've always only half-jokingly believed that the very best artists the world has produced are always a little bit crazy, and "Madeline's Madeline" seems to suggest that the fine line between sanity and artistic brilliance is a fuzzy one.

The chaotic film making, with its abrupt cuts, jumpy camera, and disorienting whirls and spins can be read as a visual representation of Madeline's disassociated mental state, but I wished the director would have calmed down a bit.

Grade: B