Hooked

Sadly gay storylines appear to be very limited. Here is yet another about gay prostitution. I don't believe this movie did anything to convince us that Max Emerson is a writer or a director. Yes, he is cute but you can only ride that so far. The movie itself was, like I said, a story that has been done several times. Can gay writers create a story that that deals with something other than being gay? A great story with a gay lead character would give us both a story and the chance to see a gay character living a day to day normal life. Unfortunately some of the biggest contributors to gay stereotyping are gays themselves.

What a waste of an attractive lead. The big failure was in making the protagonist so unlikable that you don't root for him. You just want him to go away.

I could write an essay on how terrible this movie was; but what I really came to mention was the insulting reference of Borderline Personality Disorder, where he (the character - though really the script writer) explains that this is the reason he stole an item from a store (!) and is "fcked up." Uh... no.

With all the content out there nowadays, it's hard for anything more than a few weeks old to get a 2nd viewing. Hooked absolutely deserves a rewatch! It's a much-needed conduit to some empathy, and not just for the LGBTQ+ community - everybody can find some trait in this group of characters to identify with.

A lot of movies in this genre collect plaudits by being ceaselessly bleak and grim - I'm thinking of Beach Rats as an example. Hooked sets itself apart by recognizing that human beings have an endless capacity to find laughter or moments of joy in the dark, to be jocular with fellow travelers in tough circumstances, to mock or exaggerate the labels people place on them... and just chew some scenery for the heck of it. It's confounding but real. When things are seemingly hopeless, you manage to move through the day anyway-sometimes even gleefully. If you worry there's little to lose, why not have some gallows humor about it?

New York operates the same way in the film- it has hard truths, danger and dark corners, but also a cast of characters that can populate any caper you come up with to distract.

That unlikely levity makes Hooked an enjoyable ride, and it ends up making the last 60 seconds really moving in a way I didn't see coming.

I saw one review quibbling with the audio track. I'd just say the obvious, that budgets for these films aren't growing on trees, and a million compromises are made to bring them to life. The writer-director Max Emerson didn't scrimp where it really counted: you'll be hard pressed to turn your attention from Conor Donnally as a disregulated-but-charismatic Jack. Sean Ormond, playing his love interest Tom, also succeeds in the quieter moments he's tasked with. Katie McLellan is at ease onscreen as a family matriarch who's exasperated at her situation but not without compassion, would love to see more of her. And somehow, through Jack's eyes, Emerson manages to make a regional flight to Miami look and feel like an exhilarating jaunt to a foreign country.

It's always cool to get to see a first-time director when they are at their rawest or most candid. Later stuff might be more honed but less alive, the edges dulled. What are you rewatching on a rainy Sunday? Jaws or...The Adventures of TinTin? That's what I thought!

Emerson has a POV that begs several more helpings and I hope they'll be coming!

If you're not convinced yet, there's an epic cameo from standup Tim Murray that's pitch perfect at just the right moment.

Just saw Hooked on iTunes and will keep this brief. It looks good, nicely shot but that's easier to achieve these days. The subject matter is honourable, LGBTI youth homelessness is an important issue. The central relationship is sweet and unique. The film's biggest flaw is some awkward acting, occasionally from the main couple but particularly from Terrance Murphy who plays the conflicted Ken - so wooden! Katie McClellan who plays his wife probably gives the most naturalistic performance in the film. There's certainly far worse queer cinema out there but there is better too.

In this his big screen directorial debut, Director/Writer Max Emerson (who is also an actor " Glee," " The Real O'Neals") unfortunately relishes in presenting exaggerated gay character stereotypes, fights ongoing sound issues, and can't reign in his main characters dialogue. This is too bad, because the story of hustler Jake (played nicely by attractive newcomer Conor Donnally) and his on-the-run boyfriend Tom (the shy Sean Ormond "50K" 2018) has the makings of an intriguing gay storyline. Set against a New York/South Beach backdrop, Jake hooks up with married closeted man Ken (the handsome Terrance Murphy "Burn Notice" TV), who whisks him off to Florida for the weekend, while his wife Jess (the terrific Katie McClellan "The Ultimate Legacy" 2015) sits at home with their baby. Seeing the excursion as a chance for him and Tom to leave their crowded NY hostel, Jake goes all in. When things don't turn out as planned, he picks up his craft in South Beach, coming face to face with psycho client Date-Rape-Dan (played superbly by Jay Alan Christianson "Black-ish" TV). Emerson has all the makings a plausible story, however, wearing too many hats, he was unable to see the excessive dialogue, nor help his actors who needed a little directorial assistance. You won't be "hooked" on "Hooked," but you also won't be disappointed.