Laavor et HaKir

The movie centers around the decision of one Haredi (commonly called ultra-orthodox ) Israeli Jewish thirty-something woman's decision of if/when/whom to marry. She has been having trouble finding just the right person for herself, partly because of the men she has been meeting but partly because she is an unconventional woman in a number of ways. When her engagement is broken off , she has an unusual reaction which is the linchpin for the rest of the movie including an ending which may be surprising to some.

The movie was billed as a romantic comedy; there are indeed plenty of humorous moments, but I think it's real attraction is the issues it raises about the process of deciding to get married, what one is looking for and how it can be related to issues of faith. And although it involves the Haredi Jewish world, I think the insights and themes apply to other cultures as well , while at the same time the movie provides an entertaining window into the Haredi world.

The movie is very well directed and acted and went by quickly. Contraryto another review posted here, the audience I saw it clapped heartily at the end and lingered afterwards. Recommended.

After a slow wind, this film is sweetly romantic, spiritual, with flights of funny tenderness.

"Through the Wall" takes the form of a shaggy dog story. A woman sets herself a deadline for finding true love. Is this guy the one? Apparently not, but we're not sure. Time is running out. Is the next guy the one? Apparently not, but we're not sure. Time is running out. Is the next guy the one? And so on. The movie rests largely on the shoulders of the female lead, played by Noa Kooler, and she won Israel's annual Best Actress award. Simple though its structure is, the screenplay also won the best-of-year award. It has to do not only with finding Mister Right but with the question of whether it is nobler for a marriageable young woman (or, by implication, for anyone else) to hold onto the dream or to settle. If someone holds out, is that faith or is it arrogant self- centeredness? The same question, in fact, confronted the heroine of Rama Burstein's previous film, "Fill the Void," but this one has more comical exaggeration surrounding the protagonist while the lead actress herself, despite plentiful experience in comedy, plays it straight.

Michal (Noa Koler) is single, Orthodox Jewish woman in her thirties and living in Jerusalem. Desperate in her desire to be married, she arranges a wedding with the intent that God will help her find a groom in time for the ceremony.

Indeed, the premise is odd but it might have worked if director/writer Rama Burshtein had taken the approach of a comical farce. As the comical moments are too few and a more serious approach is used, the film falls flat by the second half even though it's fairly enjoyable in the earlier segments.

Koler is certainly likeable in the role but her character is repeatedly and annoyingly self-defeating. After a while, I had a "Cher/Moonstruck" fantasy where I wanted to bring Cher's character into this movie and slap Michal hard in the face twice and shout "Snap out of it" and then disappear and go back to "Moonstruck". (I also had this fantasy while watching the excruciatingly long "Zodiac". In that scenario, Cher's slap victim would have been the Jake Gyllenhaal character.)

By the time the conclusion rolls around, it doesn't seem to matter whether or not it is plausible. The rest of the movie before it had already lost momentum. - dbamateurcritic.

An orthodox Jewish girl, aged 32, is looking for a man to marry and spend the rest of her life with. Unfortunately, she has had no luck in finding a husband, despite countless first dates that don't work out for her. Either the suitors she chooses to date are either not her cup of tea, or else marry someone else.

The plot of the movie is very clever and compelling. Noa Kooler's performance is outstanding. Without a doubt she deserves the awards she has won.

Yes, there is a Hollywood style happy ending, but the path the movie takes to get there, especially the twist at the end, were most enjoyable.

A chick flick for the whole family.