Sanpo suru shinryakusha

I can't really fairly review this movie because I pulled it off the internet and the home-made subtitles were often incomprehensible. But I can say that the trailer that inspired me to hunt this down was a lie. This is a two-hour movie with maybe 25 minutes of fighting and explosions, and the trailer made it look like a John Woo movie.

Instead, this is a rather slow-moving drama about extraterrestrials on earth to prepare an invasion. The most interesting idea in the film is that these aliens can only understand human concepts, like love or ownership, by absorbing them. Doing so removes that concept from the human, in some cases leaving them angry or confused but other times giving them a revelatory happiness.

I might have liked this movie more with better subtitles - certainly I would have been clearer on the fine points - but I would have rather watched the movie the trailer had promised me than the one I got.

Apparently, Kiyoshi Kurosawa, the director of the film, focus on expound the theme of the story mechanically, while structure of script is somewhat unsatisfactory. In addition, Kiyoshi Kurosawa did not deal with relationship well between the personal expression and mainstream value. However, because of veteran cinematography and proper performance, the executive ability of every single shot is very good. Therefore, in general, emotional expression is obviously better than the construct of world view in this film. In other words, the hesitation of director stops the film from becoming a classic work, if he could make a more determined decision, it will turn into a better film.

There's a lot of crappy Japanese sci-fi out there so this was a pleasant surprise. The music gets a little hokey occasionally but I was impressed with the acting, direction, and cinematography. As alien body-possession, other-dimensional movies go, this was enjoyable.

I very much enjoyed "Before we Vanish" at Serbia's FEST2018, the premise of an alien invasion allowing the film to stage an entertaining but believable depiction of humans robbed of very specific parts of their brains, namely the supposed segments which would contain ideas such as "property" and "self". Despite running for over 2 hours it stayed on course til the end, even against ever-escalating violence, and delivered a nice payoff with an ending worth talking about.

The predominantly youthful cast had fun with the script, in itself already full of laughs, though it never wandered off into goofiness for the sake of it. Really my only complaint of the whole experience regarded the person sitting next to my girlfriend, a college-student-looking dude who at first glance seemed like the best type of person to be sitting next to in the theater, making use of his time before the lights went out to read a very old looking book; only to disappoint us and many others in the venue by not making it more than thirty seconds without letting out a sneeze, cough or long sniffle. Even so, this seriously ill person managed to have a few chuckles of his own, supporting the film's notion that men left without crucial concepts like "contagion", "karma" or "decency" could still live enjoyable, if oblivious, lives.

Characteristic spooky Kurosawa romance but with added science fiction and suspense elements. The husband is acting strangely in hospital, the teenage girl emerges from the house blood stained and a cheery teenager connects with a reporter who shows up in a borrowed TV truck. The film spends most of it's not short running time exploring the mechanics of spaceman invasion and it's done through rather endearing aliens - even when they start wreaking havoc with very loud, government issue automatic weapons.

Scope filming and subdued playing register and the business of having the characters appear against backgrounds more brightly lit than they are manages to be eerie.