Sanpo suru shinryakusha

It was more creative and successful than I expected. The story and the alien design were original in my opinion. Their acting and emotional experiences were also good. As an American cliché, the low scores of non-American films are due to the stereotypical members of IMDb.

I very much enjoyed "Before we Vanish" at Serbia's FEST2018, the premise of an alien invasion allowing the film to stage an entertaining but believable depiction of humans robbed of very specific parts of their brains, namely the supposed segments which would contain ideas such as "property" and "self". Despite running for over 2 hours it stayed on course til the end, even against ever-escalating violence, and delivered a nice payoff with an ending worth talking about.

The predominantly youthful cast had fun with the script, in itself already full of laughs, though it never wandered off into goofiness for the sake of it. Really my only complaint of the whole experience regarded the person sitting next to my girlfriend, a college-student-looking dude who at first glance seemed like the best type of person to be sitting next to in the theater, making use of his time before the lights went out to read a very old looking book; only to disappoint us and many others in the venue by not making it more than thirty seconds without letting out a sneeze, cough or long sniffle. Even so, this seriously ill person managed to have a few chuckles of his own, supporting the film's notion that men left without crucial concepts like "contagion", "karma" or "decency" could still live enjoyable, if oblivious, lives.

Characteristic spooky Kurosawa romance but with added science fiction and suspense elements. The husband is acting strangely in hospital, the teenage girl emerges from the house blood stained and a cheery teenager connects with a reporter who shows up in a borrowed TV truck. The film spends most of it's not short running time exploring the mechanics of spaceman invasion and it's done through rather endearing aliens - even when they start wreaking havoc with very loud, government issue automatic weapons.

Scope filming and subdued playing register and the business of having the characters appear against backgrounds more brightly lit than they are manages to be eerie.

There's a lot of crappy Japanese sci-fi out there so this was a pleasant surprise. The music gets a little hokey occasionally but I was impressed with the acting, direction, and cinematography. As alien body-possession, other-dimensional movies go, this was enjoyable.

Seen at the Viennale 2017: At the beginning I liked this movie. I like the succinct dialogues that appear to be very often a trademark of Japanese movies. But with ongoing time, I sat in the cinema thinking: come on!, we got it, please show us the next scene. I did not look for the time. But it became a pain. Very often I thought, okay now comes the logical end. But no. Another intermediate dialogue had to be followed. And another one. And another one. At the end I was really exhausted.