My Days of Mercy

I like the characters, they are pretty good written. I like how the story goes - the beginning is really interesting. It's not only that, because the scenario around the two main characters fits perfectly. But at about the middle of the movie it becomes a nerving war, because the characters beginn to act (partly) totally cheesy. Then it becomes like a teenage nerv rampage. That destroyed the good impression the movie made in it's beginning. I recommend this for teenies. ;)

No this wasn't a perfect movie. The screenplay was a bit cheesy and sometimes the words seemed crammed in to make a point or more plainly to force an emotional moment, however,that does not take away the fact that it's a good story,and the acting. while not perfect, is damn good. Ellen page is a tour de force and Kate Mara plays a difficult role with ease and charm. Even without the whole lesbian element this is a good film just on the merits of the acting and story. Yes I would define this as an "indie" film, but don't let that keep you from watching, it's a damn good indie film.

If you think the film will showcase a beautiful story about people on opposing sides coming to understand each other like the plot suggests, you'll be disappointed. This movie could have been profound I imagine, given its serious material and relevance to the current political divides in our world, but it's really just a sad story with no real resolution.

It annoyed me immensely that the writers didn't even bother making up a good excuse for why these two female characters were drawn to each other. I mean, we're really given nothing. Kate's character sees a downtrodden and frumpy Elliot Page stepping out of a camper in the distance and that's enough for Kate to pursue her like there's no tomorrow? It's like - one minute she's super passionate about being pro-capital punishment, and the next she's awkwardly inviting her anti-capital punishment "enemy" to a night out. And the worst part is we don't even get to see the relationship unfold into something deep where they challenge each others' stances and such. However we do get some sexy love scenes. But there's no depth to the relationship.

Page's acting was compelling, per usual, though. It is what carries the film.

Greetings again from the darkness. There have been some fine movies centered on death row. These include: THE GREEN MILE (1999), DEAD MAN WALKING (1995), THE LIFE OF DAVID GALE (2003), and TRUE CRIME (1999). The only one I can remember that even comes close to also being a love story is MONSTER'S BALL (2001), and if you've seen it, you would likely agree that it's not exactly a warm and fuzzy story of romance. With this latest, however, Israeli director Tali Shalom-Ezer and British writer Joe Barton combine for a romantic story where death row plays a vital part.

Ellen Page stars as Lucy. She travels around the country in a well-worn motorhome with her older sister Martha (Amy Seimetz, UPSTREAM COLOR) and their little brother Benjamin (Charlie Shotwell, CAPTAIN FANTASTIC), as they partake in the anti-death penalty demonstrations outside the prison gates as the next execution takes place. Across the parking lot, the pro-death penalty side hold their own signs and keep their own vigil. Lucy's eyes lock on those of a striking young woman from the other side. When they meet, the ironically named Mercy (Kate Mara) aggressively flirts with the shy and confused Lucy, and the two sneak out for drinks at a bar.

Soon Lucy is anxiously awaiting the next protest so that she can meet up with Mercy. The sexual tension builds as they get to know each other, and their awkward friendship turns romantic. Their activism for different sides of an important topic doesn't have any negative impact on their attraction to each other. Each woman has been personally affected by the death penalty, and as viewers we struggle with the idea that these two lovebirds part each time with what amounts to 'see you at the next execution!'

Elias Koteas (TEENAGE MUTANT NINJA TURTLES, 1990) plays Lucy's death row dad, and Brian Geraghty (THE HURT LOCKER) plays the attorney who is simultaneously working on his case and on Lucy's sister Martha. The acting here is top notch as Kate Mara balances the two sides of Mercy, and Ellen Page flashes her familiar JUNO snark - albeit with the heft of a wisened adult. Ms. Seimetz adds to her list of always-interesting characters, and has a couple of truly outstanding scenes.

Blending love and the death penalty makes for an unusual combination, and we do understand that folks choose their side based on personal belief and circumstances. For the film, the death penalty issue is a bit of a distraction to the story of these two people, though it's admirable that Mr. Barton chose to give them a personal stake in two different cases, rather than the same - which we would expect in a lesser movie. The use of "last meals" is quite creative, as we see the actual food, as well as the name of the inmate, the crime, and the prison.

The fallout from executions is widespread. Perhaps no one wants a narrative film focused entirely on such a depressing and divisive topic. We do ask ourselves if a romantic relationship is even possible for two who are diametrically opposed on such an emotional topic. It's an ending that lets no one off the hook easily. Life is hard. So is death. Make your choices wisely.

This movie fits the "indie movie" mold. Short, sweet, leaves you wanting more of these characters. Amy Seimetz is excellent, and a very believable older sister to Ellen Page. This movie had me crushing on Kate Mara to the point that I immediately followed her on Instagram.