Bar Bahar

I don't know what "Bar Bahr" means in Arabic, but I liked the English title-- "In Between"-- less than the Hebrew, which is "Neither Here Nor There." The movie is about how its three heroines suffer from belonging neither to traditional Arab society nor to secular Westernized society. Any base that they may seem to have established for themselves "in between" seems to crumble beneath their feet.

Despite the serious predicament, though, the movie is also very much about sisters doing it for themselves. There's an automatic solidarity whereby women-- at least young women of similar ages-- are all automatically soulmates; and men, it almost goes without saying, are swine. (Well, the gay guy is of course okay and a bit amusing.) Despite those stereotypes, the movie holds interest by virtue of believable acting and believable situations. My wife says it's one of the best we've seen in recent years, and she had the chance to appreciate it a little better than I did not only because she's a woman but also because she understands Arabic somewhat. For those who don't understand Arabic, though, there's still the added benefit of a look into another culture. The Israeli press was particularly impressed that not only traditional Arabic life is glimpsed, but also the small, rarely-explored community of young Arabs in Tel Aviv. (Is it possible that they all really smoke that much?) We see a succession of situations that by no means always involve much action or even much tension, although a couple of crises do come up. Mostly the appeal of the movie is in allowing us to feel like a fly on the wall among interesting people facing interesting day-to-day challenges.

This Israeli production about Palestinian roommates in Tel Aviv presents a rich and moving array of the quandaries faced by young women on the uneven ground between traditional values and self-determination in a modern, urban landscape.

Leila, a young lawyer, and Salma, who begins the story as a sous chef and then takes a job as a bartender but also moonlights as a rave DJ, are modern young party girls who drink, smoke cigarettes, and do occasional pot and coke when their male friends are offering. Into their apartment moves Noor, an ostensibly traditional Muslim girl who never appears in public without a hijab, and is affianced to an activist who works in an NGO devoted to helping Muslims get by. He's not happy that she's studying computer science at university, and hopes she'll stay at home to raise their children eventually.

All three women collide with their culture's - and especially families' - traditional expectations. Salma's parents introduce her to various unappealing bachelors; Leila meets and dates a filmmaker who has studied and worked in New York but turns out to have some sticking points about her choices. Noor hits the hardest wall, but the way her initially unsympathetic roommates come together for her is beautiful and very satisfying.

Although this story centers on young women, and most of the men are forgettable at best or unpleasant (save for a queen-y gay friend of Leila's and, surprisingly, Noor's father, in a pivotal scene late in the movie), I wouldn't call it a "chick movie." It's well written and acted, and I found it not a great stretch to recognize that some men and families oppress young women in the U.S. in ways that are not so different, even today.

"In Between" is a lovely and solid piece of work.

The subject matter intrigued me a lot, and there were some big, relevant topics and themes that are important and current and always worth addressing. That was my main incentive for seeing 'In Between', as well as wanting to see as many films released in 2017 in my country as possible.

'In Between' is a great, interesting and more than worthwhile film that is worthy of more exposure. It's not one of my favourites certainly but as far as 2017 films go, it is one of the year's most under-appreciated and under-viewed. Read that the mayor of Umm al-Fahm forbade the film and that Maysaloun Hamoud had a fatwa issued against her, and it is a shame that she and the film have been treated that way and really they deserve much better. Subtlety is not a strong suit, with parts that are a touch too heavy-handed and contrived, like how the characters are written at times, which considering what is being talked about was always going to be a danger. Although it might be different for others, there wasn't anything that offended me or came over as questionable.

Having said that, the points that Hamoud makes in 'In Between' are well worth paying attention to. As said, 'In Between' addresses some big, sensitive topics and themes that are very much relevant anywhere, it deals with them in a way that provokes a lot of thought and intrigue. The story, with all the various aspects of the characters' lives (like Jewish neighbour relationships, reactions to a same sex relationship, resistance to suppression and underground culture), is nimbly handled with a lot of genuinely powerful moments.

Visually, 'In Between' is deftly and beautifully shot and edited, while Hamoud directs with adept control and the writing is full of good intentions and certainly makes an impact. The music adds a lot to the atmosphere and emotion.

Shaden Kanboura, Mouna Hawa, Sana Jammelieh and Henry Andrawes all give powerful performances, especially the truly affecting Kanboura.

All in all, may not be the easiest of watches but a great and very interesting film. 9/10 Bethany Cox

I saw this film at the BFI on International Women's Day which was very appropriate. The film was a revelation. As an Israeli woman free to live my life as I please, I never gave a thought to the Israeli Arab women living in our midst who are increasingly integrating into the labour market though less visible in the social scene which is still largely segregated. The three women characters were believable, warm, expressing solidarity to each other despite their very different personalities and life styles. The theme of personal conflicts between tradition and modernity is not new. What makes this film different is that the issues are very real and current and those outside the tradition don't see it. All three actresses are very good, the script is believable and the direction flawless. Go and see it to get an insight into the lives of Israeli Arab women torn between tradition and personal freedom.

...that's what jumped into my head as the ending credits rolled. Bar Behar / Lo Po Lo Sham packs a wallop: It's a powerful feminist film that shows us a little-known world: that of twenty-something Palestinians – from both the Palestinian Authority and inside Israel – who move to Tel Aviv to escape the confines of their conservative, patriarchal society.

Despite their differing backgrounds – one Christian, one secular Muslim, and one traditional Muslim – the three roommates stand by each other through their respective patriarchy-based crises with exquisite nurturing and tenderness. Must see.