सुपरमैन को अपनी विदेशी क्रिप्टोनियन विरासत और रिपोर्टर क्लार्क केंट के रूप में अपनी मानवीय परवरिश के बीच सामंजस्य बिठाना होगा. सत्य, न्याय और मानवीय जीवन के प्रतीक के रूप में, वह जल्द ही खुद... सभी पढ़ेंसुपरमैन को अपनी विदेशी क्रिप्टोनियन विरासत और रिपोर्टर क्लार्क केंट के रूप में अपनी मानवीय परवरिश के बीच सामंजस्य बिठाना होगा. सत्य, न्याय और मानवीय जीवन के प्रतीक के रूप में, वह जल्द ही खुद को एक ऐसी दुनिया में पाता है जो इन्हें पुराने ज़माने का मानती है.सुपरमैन को अपनी विदेशी क्रिप्टोनियन विरासत और रिपोर्टर क्लार्क केंट के रूप में अपनी मानवीय परवरिश के बीच सामंजस्य बिठाना होगा. सत्य, न्याय और मानवीय जीवन के प्रतीक के रूप में, वह जल्द ही खुद को एक ऐसी दुनिया में पाता है जो इन्हें पुराने ज़माने का मानती है.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 2 कुल नामांकन
फ़ीचर्ड समीक्षाएं
Unfortunately, this time James Gunn left me disappointed. The biggest issue is the script. For some reason, the director chose to throw the audience straight into the middle of the action, with almost no background or introduction for the main character. Some might argue that Superman's origin story is no longer necessary, but in my view, it's absolutely essential for a full-fledged reboot. This is David Corenswet's first appearance as Clark Kent, and the film clearly lacks at least 30 minutes of emotional buildup to help us connect with him. Without that foundation, it's hard to truly care about his character.
The same goes for the rest of the cast. Lex Luthor lacks a clear motivation: he wants to destroy Superman right from the start, but there's no deeper reasoning behind it. Clark's relationship with his adoptive parents is barely shown - they appear only in a few short scenes. His connection with Lois Lane also feels shallow. There's no real chemistry between them, and their relationship seems to develop entirely off-screen. As a result, it feels more like we're watching the second installment in a franchise rather than the first.
Another serious flaw is the overload of secondary heroes. The audience is thrown into a new world packed with characters: Green Lantern, Mister Terrific, Hawkgirl, Metamorpho, The Engineer, Ultraman - all of whom show up, but almost none receive meaningful screen time (Mister Terrific is arguably the most developed). They're hard to remember, let alone care about. For the average viewer unfamiliar with the DC Universe, it's genuinely overwhelming. «BATMAN V SUPERMAN» was heavily criticized for a similarly chaotic structure, yet despite sharing the same flaws, Gunn's latest film is somehow receiving mostly positive reviews. I just don't get it.
So, for the first film in the rebooted DC Universe (DCU), I expected a more coherent, emotionally rich, and self-contained story. For many viewers - especially newcomers - this movie might feel chaotic and overcrowded. And, in essence, that's exactly how it is. In just two hours of runtime, Gunn packed in so much that it could have easily been stretched out into an entire season of a TV series.
6/10
P. S. I'm not a Zack Snyder fan, even though I'm aware of his massive fanbase. Personally, I see him as a strong visionary but a weak writer and director. Still, I have to be honest: his «MAN OF STEEL» left a far deeper impression on me than James Gunn's new «SUPERMAN». As disappointing as that is - especially given how much I admire Gunn's previous work - I have to speak frankly about how I feel.
This felt like a comedy first and superhero second. Too much needless changes from the source material as well just made me feel like yet another DC reboot or remake is too little too late.
A reasonable attempt but falls short of being good.
The movie opens with a tone that hints at something deeper - maybe a layered origin story or a grounded emotional arc. For a moment, it feels like James Gunn might give Superman the complexity he deserves. But that promise fades fast. Instead of evolving into something meaningful, the story flattens into a series of lighthearted moments, cheesy one-liners, and safe, predictable beats.
It's like the film is afraid to take itself seriously for more than five minutes. Every time it flirts with depth, it quickly retreats to humor or surface-level charm. That approach might work for younger audiences, but for anyone hoping for a mature or compelling Superman narrative, it's a letdown.
Most of the cast did a decent job - nobody was outright bad, but no one really stood out either. The performances felt safe, almost like everyone was playing within tight creative boundaries. Even characters who are supposed to command the screen - like Superman and Lex Luthor - felt surprisingly muted.
David Corenswet as Superman checks the boxes visually, but his performance doesn't leave much of a mark. There's no real emotional weight, no moment where you truly feel what Clark is going through. And Nicholas Hoult's Lex Luthor, while an interesting casting choice on paper, lacks the menace or charisma that makes the character memorable. He's just... there.
It's frustrating, because these are some of the most iconic roles in comic book history - and yet the film doesn't give the actors enough material to make them feel iconic.
Are bright, the costumes pop, and some of the early shots are eye-catching - at least for a second. But once you settle into the movie, it all starts to feel a bit stale. The CGI is fine, but nothing we haven't seen before. The action scenes are clean but lack intensity or creativity. There's no real visual identity that sets it apart from every other superhero film.
It's like eating candy with no flavor - it looks fun, but you stop caring pretty quickly.
Superman (2025) feels like a movie made to play it safe - colorful enough to distract, light enough to entertain kids, but ultimately hollow for anyone expecting more. It had the opportunity to bring real depth and emotion to one of the most iconic heroes in fiction, but instead settles for a flat, overly sanitized version of the character.
If you're under 10, you might love it. For everyone else, it's just another cape in the crowd.
David Corenswet, while a decent lookalike, completely fails to capture the commanding presence and charisma that Henry Cavill brought to the role. Cavill had gravitas - a balance of strength, vulnerability, and quiet intensity. Corenswet feels... light. Like he's playing dress-up rather than embodying Earth's greatest protector.
Worse, the theater itself reflected the film's flat tone. The room was dead quiet - barely a chuckle, almost no reaction. It was a sharp contrast to the electric energy I felt during Deadpool vs Wolverine, where the whole crowd was engaged, laughing, reacting. This Superman? It just didn't land.
Compared to Man of Steel, which had emotional depth, stunning visuals, and a powerful score, this version feels hollow. It might please kids or hardcore nostalgia fans, but it's missing soul.
Rating: 6/10 - Looks like Superman, but lacks the heart, presence, and impact. For something truly heroic, revisit Man of Steel.
James Gunn Talks 'Superman' and DC's Future
James Gunn Talks 'Superman' and DC's Future
क्या आपको पता है
- ट्रिवियाNathan Fillion insisted that Guy Gardner sport the same bowl cut he does in the comics despite early discussions about changing the hairstyle. He said, "There was some talk about different hairstyles. There was some talk about some different types of things we were going to go. I was team bowl cut the whole way. It's canon. It's set. I said, If we don't do a bowl cut, we're going to hear about it."
- गूफ़Superman's fortress is mentioned in the film to be in Antarctica. But in Metropolis, presumably in the northern hemisphere, it appears to be summertime, and at that time of year, it is perpetual night in Antarctica.
- भाव
Lois Lane: We're so different. I was just some punk rock kid from Bakerline and you're... Superman.
Superman: I'm punk rock.
Lois Lane: [laughing] You are not punk rock.
Superman: I like the Strangle Fellows, the P.O.D.s, and the Mighty Crabjoys.
Lois Lane: Those are pop radio bands, they're not punk rock. The Mighty Crabjoys suck.
Superman: Ah, well, a lot of people love 'em.
Lois Lane: My point is I question everything and everyone. You trust everyone and think everyone you've ever met is, like... beautiful.
Superman: Maybe that's the real punk rock.
- क्रेज़ी क्रेडिटThere is a scene at the end of the closing credits: Superman and Mr Terrific work on rebuilding Metropolis.
- इसके अलावा अन्य वर्जनIn India, the film was censored in order to achieve the U/A 13+ classification. The Central Board of Film Certification (CBFC) asked the studio to delete the foul words wherever they were mouthed. An eight-second shot involving a 'foul gesture' was asked to be removed. It was replaced by a two-second shot. Lastly, the CBFC's members deleted a 'sensual visual' lasting 33 seconds and spread across two scenes.
- कनेक्शनFeatured in AniMat's Crazy Cartoon Cast: The End of a Pokémon Master (2022)
- साउंडट्रैकOriginal Superman Theme
By John Williams
टॉप पसंद
Superman Through the Years
Superman Through the Years
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Superman
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $22,50,00,000(अनुमानित)
- US और कनाडा में सकल
- $33,47,53,133
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $12,50,21,735
- 13 जुल॰ 2025
- दुनिया भर में सकल
- $58,50,53,133
- चलने की अवधि
- 2 घं 9 मि(129 min)
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1