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Possessor

  • 2020
  • 18
  • 1 घं 43 मि
IMDb रेटिंग
6.5/10
51 हज़ार
आपकी रेटिंग
लोकप्रियता
873
2,052
Christopher Abbott in Possessor (2020)
From the visionary mind of writer/director Brandon Cronenberg, POSSESSOR is an arresting sci-fi thriller about elite, corporate assassin Tasya Vos. Using brain-implant technology, Vos takes control of other people’s bodies to execute high profile targets. As she sinks deeper into her latest assignment Vos becomes trapped inside a mind that threatens to obliterate her.
trailer प्ले करें2:12
3 वीडियो
99+ फ़ोटो
Body HorrorCyber ThrillerPsychological HorrorPsychological ThrillerHorrorMysterySci-FiThriller

एक संभ्रांत हत्यारा अन्य लोगों के शरीर पर कब्ज़ा पाने के लिए ब्रेन इम्प्लांट तकनीक का उपयोग करता है.एक संभ्रांत हत्यारा अन्य लोगों के शरीर पर कब्ज़ा पाने के लिए ब्रेन इम्प्लांट तकनीक का उपयोग करता है.एक संभ्रांत हत्यारा अन्य लोगों के शरीर पर कब्ज़ा पाने के लिए ब्रेन इम्प्लांट तकनीक का उपयोग करता है.

  • निर्देशक
    • Brandon Cronenberg
  • लेखक
    • Brandon Cronenberg
  • स्टार
    • Andrea Riseborough
    • Christopher Abbott
    • Jennifer Jason Leigh
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.5/10
    51 हज़ार
    आपकी रेटिंग
    लोकप्रियता
    873
    2,052
    • निर्देशक
      • Brandon Cronenberg
    • लेखक
      • Brandon Cronenberg
    • स्टार
      • Andrea Riseborough
      • Christopher Abbott
      • Jennifer Jason Leigh
    • 417यूज़र समीक्षाएं
    • 276आलोचक समीक्षाएं
    • 72मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 15 जीत और कुल 40 नामांकन

    वीडियो3

    Official Trailer
    Trailer 2:12
    Official Trailer
    Teaser Trailer
    Trailer 1:18
    Teaser Trailer
    Teaser Trailer
    Trailer 1:18
    Teaser Trailer
    Possessor
    Trailer 1:18
    Possessor

    फ़ोटो102

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 96
    पोस्टर देखें

    टॉप कलाकार28

    बदलाव करें
    Andrea Riseborough
    Andrea Riseborough
    • Tasya Vos
    Christopher Abbott
    Christopher Abbott
    • Colin Tate
    Jennifer Jason Leigh
    Jennifer Jason Leigh
    • Girder
    Rossif Sutherland
    Rossif Sutherland
    • Michael Vos
    Gabrielle Graham
    Gabrielle Graham
    • Holly
    Hanneke Talbot
    Hanneke Talbot
    • Katherine
    Matthew Garlick
    • Elio
    Daniel Junghuan Park
    Daniel Junghuan Park
    • Policeman
    • (as Daniel Park)
    Hrant Alianak
    Hrant Alianak
    • Lead Technician
    Rachael Crawford
    Rachael Crawford
    • Dr. Melis
    Gage Arbuthnot
    Gage Arbuthnot
    • Ira Vos
    • (as Gage Graham-Arbuthnot)
    Kathy Maloney
    Kathy Maloney
    • Reporter
    Megan Vincent
    Megan Vincent
    • Alice
    Danny Waugh
    Danny Waugh
    • Patrick
    Tuppence Middleton
    Tuppence Middleton
    • Ava Parse
    Christopher Jacot
    Christopher Jacot
    • Reid Parse
    Sean Bean
    Sean Bean
    • John Parse
    Ayesha Mansur Gonsalves
    Ayesha Mansur Gonsalves
    • Martha
    • निर्देशक
      • Brandon Cronenberg
    • लेखक
      • Brandon Cronenberg
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं417

    6.550.8K
    1
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    फ़ीचर्ड समीक्षाएं

    6siderite

    Too Cronenberg for no reason at all

    The son of David Cronenberg wants to to a movie like Existenz, but he ultimately fails to do so. The acting is good, but the plot is really drawn out and says almost nothing in the end. Also, as many others noted, there is some gratuitous gore and violence put in which doesn't really advance the story in any way, and that extends to some other things as well.

    The entire thing revolves around people that "jockey" other people in order to do very mundane things like assassinations. The very idea is lacking imagination, considering that the premise of this film is killing people for other people that want their money and the very obvious alternative is to jockey the people directly and take their money. And then there is an entire exploration of what it means to inhabit other people's lives and minds, but it goes nowhere other than hallucinating some images.

    At least the end was good because the jockey finally got back on track and remembered her work ethic! I am kidding. The end was bad.

    Bottom line: an overly long film that shouts "Cronenberg!!!!" but needed very little of the signature characteristics of a Cronenberg movie to tell this story. I hope Brandon will find his own voice rather than bank on the same ideas his father explored. Or was it really Brandon? Maybe his father was jockeying him!
    8amonteirojr

    Daddy must be proud

    There aren't enough people doing this kind of stuff anymore, you know, the kind of movies David Cronenberg used to do, low budget but well crafted, high concept and not afraid to disturb, then lo and behold, looks like his son took the torch and I couldn't be happier. Possessor has some great performances and nice visual choices, the body horror bits do not disappoint as well and I thought the narrative was engaging from start to finish, found no issues with the pacing whatsoever.

    We need more creative works like this on horror-fantasy.
    5fciocca

    An ethereal movie with lots of good ideas, but the development is mediocre and disappointing

    The incipit is really good: an agency that perform contract killings, use a very innovative technology that implants a device on the brain of a designated target that allows to the killer to remotely wire. Therefore the person is replaced, his free will is canceled and the killer is then able to complete the assignment, without being directly involved. The concept is really good, but the movie has a lot of issues.

    The movie has an ethereal kind of narration, which is a good choice, considering the main theme, but the pace is too slow. The director, which is also the main screenwriter, wanted to experiment, by creating strange effects and applying weird sound design and music, which I personally appreciated, but the story is not going on. There are a lot of stuff that are not explained: we never know what this agency is, why it exists, is it some kind of secret government project? Who are these agents? Why they are doing what they are doing? Do they receive a special training? Because none of this is clarified, I did not care about the context nor characters, I could not bound with them. The main character, Tasya Vos, played by Andrea Riseborough, has clearly some personal issue with the ex fiancée, or maybe husband, I don't get to know, but why her relationship is broken? What happened? Is it because of her job? You see how many questions I am writing in this review? There tons of plot holes.

    After an interesting and involving intro, the screenplay starts to crumble. I have understood that the director wanted to keep a mistery-vibe, but you cannot keep your audience completely blind for the entire movie. There was a lot of potential, but it was wasted, because the director decided to play too much with visual effects, instead on focusing more on the story.
    7mjsreg

    Makes a change from the usual

    I think this is one of those films you will love or hate.

    It is quite slow moving and you do have to pay attention to get the most from it. Personally, I enjoyed it, and it makes a change from the usual sci-fi 'factory' movies churned out by Hollywood.

    The acting, writing, and production are superb.
    8popovic_vlada

    The spirit of David Cronenberg lives!

    Ok, i don't usually write reviews here, although I am an avid movie fanatic.

    To be frank i wasn't familiar with Brandon Cronenberg and his work up until now, and I must say this is a treat for the fans of his Dad's work.

    The beginning is kind of meh I admit and nothing special but from the mid point towards the end it keeps getting better and better and the main thing is the beautiful atmosphere and cinematography and visuals and practical effects in the style of 80s masterpieces of his famous father.

    This is by far the most interesting movie in this "subgenre" of horror in years and maybe even from the 80s/90s and since David shifted more towards the "mainstream" if that is something you can ever say about David Cronenberg.

    Also the acting is great as is the casting. The colors and the mood of the film are really on point. Shot out to Director of photography.

    To top it all of the "ending theme" or "possessor" as it is credited in the soundtrack by Jim Williams is nothing short of a masterpiece.

    If you loved David Cronenberg's "Videodrome" or "The Scanners" or even "Dead Ringers" you will surely appreciate this one..

    Do not be thrown away by the bad reviews and take a look for yourself!

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    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      Most of the special effects in the film were done practically, with an effort to use as little VFX work as possible. The hallucination scenes' effects in particular were done in-camera. Cronenberg credits his effects specialists, Dan Martin and Derek Liscoumb, and his longtime cinematographer Karim Hussain for being able to pull off convincing visuals with a minimum of CGI.
    • गूफ़
      When John Parse is being mutilated, his skin in the close-up shots of the wounds on his face looks completely different than it does in the rest of the scene. Mainly, it has a different color and is much smoother.
    • भाव

      Colin Tate: Just think, one day your wife is cleaning the cat litter and she gets a worm in her, and that worm ends up in her brain. The next thing that happens is she gets an idea in there, too. And it's hard to say whether that idea is really hers or it's just the worm. And it makes her do certain things. Predator things. Eventually, you realize that she isn't the same person anymore. She's not the person that she used to be. It's gotta make you wonder, whether you're really married to her... or married to the worm.

    • इसके अलावा अन्य वर्जन
      Possessor exists as a cut US R rated version and an uncut MPA Unrated Version titled Possessor Uncut. The producers were keen to differentiate between the two versions and the 'Uncut' tag is an official re-titling of the film. UK releases are the Uncut Version and are 18 rated.
    • कनेक्शन
      Featured in Possessor/Possessor Uncut Review (What's the difference?) (2020)
    • साउंडट्रैक
      Detroit II
      Written by Shigeto (as Zachary Shigeto Saginaw) & Marcus Elliott

      Performed by Shigeto

      Published by The Ghostly International

      Administered by Kobalt Music Publishing Ltd. & Copyright Control

      Licensed courtesy of Ghostly International

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल19

    • How long is Possessor?Alexa द्वारा संचालित
    • When will this be available to stream?

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 9 अक्तूबर 2020 (कनाडा)
    • कंट्री ऑफ़ ओरिजिन
      • कनाडा
      • यूनाइटेड किंगडम
      • ऑस्ट्रेलिया
    • आधिकारिक साइटें
      • Official Facebook
      • Official Instagram
    • भाषा
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Possessor: Controlador de mentes
    • फ़िल्माने की जगहें
      • टोरोंटो, ओंटेरियो, कनाडा(Shot on location)
    • उत्पादन कंपनियां
      • Rhombus Media
      • Rook Films
      • Arclight Films
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    बॉक्स ऑफ़िस

    बदलाव करें
    • US और कनाडा में सकल
      • $7,52,885
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $2,52,664
      • 4 अक्तू॰ 2020
    • दुनिया भर में सकल
      • $9,11,180
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    बदलाव करें
    • चलने की अवधि
      1 घंटा 43 मिनट
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      • Dolby Digital
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      • 1.78 : 1

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    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Christopher Abbott in Possessor (2020)
    टॉप गैप
    What was the official certification given to Possessor (2020) in Spain?
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