IMDb रेटिंग
8.0/10
8.7 हज़ार
आपकी रेटिंग
प्रसाद और श्रीजा विवाह के बंधन में बंधते हैं और अपना बाकी जीवन बिताने के लिए एक नई जगह पर जाते हैं. जब एक छोटा चोर एक बस की यात्रा के दौरान श्रीजा की सोने की चैन चुरा लेता है, उसके बाद से प्... सभी पढ़ेंप्रसाद और श्रीजा विवाह के बंधन में बंधते हैं और अपना बाकी जीवन बिताने के लिए एक नई जगह पर जाते हैं. जब एक छोटा चोर एक बस की यात्रा के दौरान श्रीजा की सोने की चैन चुरा लेता है, उसके बाद से प्रसाद के साथ बुरी घटनाएँ शुरू हो जाती हैं.प्रसाद और श्रीजा विवाह के बंधन में बंधते हैं और अपना बाकी जीवन बिताने के लिए एक नई जगह पर जाते हैं. जब एक छोटा चोर एक बस की यात्रा के दौरान श्रीजा की सोने की चैन चुरा लेता है, उसके बाद से प्रसाद के साथ बुरी घटनाएँ शुरू हो जाती हैं.
- निर्देशक
- लेखक
- स्टार
- पुरस्कार
- 22 जीत और कुल 1 नामांकन
फ़ीचर्ड समीक्षाएं
10ahsanahd
Thondimuthalum driksakshiyum is one of the best malayalam movies made in recent years that is successful because of its brilliant script and poignant performances from the entire cast. This film is extremely realistic and builds upon situations that we come across in our daily life. The characters are very well-written and well- acted that they stay with us even after the movie ends. Biggest credit must go to Fahadh Faasil for yet another superb performance which is one of the best in his career and the way he changes our view of his character at different points in the story is just wonderful. Suraj Venjarammood shines in a very serious role and proves yet again that he deserves more serious roles like this. The debutant Nimisha Sajayan has also done justice to her character. What made Dileesh Pothan's first film "Maheshinte Prathikaram" successful was the way humour was managed in that movie without any kind of artificiality. That kind of Basheerian humour which arises out of realistic scenarios and without any kind of gimmick is again seen here which makes this film very entertaining. The focus of the script and the intensity is never lost in any part of the film thanks to Pothan. He must also deserve credit for the way so many new actors are used in the police station scenes and the acting by Alencier and other policemen are extremely natural. The script written by Sajeev Pazhoor is tight and never loses focus at any point in the movie. In fact one of the best things about this film is the use of very short dialogues in some crucial scenes which reveals so much about the characters and their motives without useless blabber. I rate this film 10/10 & hoping for more good realistic films like this rather than over-hyped masala movies.
This movie breaks the stereotypes where its often said that the film should have an item song, and no story. There was modesty in this film. I couldn't believe that an actor like Fahadh would take such a role. I was so impressed by his performance that I couldn't stop myself from praising him... Loved the story which was so normal and real and the way it was shown on the screen..
Enjoyed watching thia film which I cannot pronounce easily..
10subojhan
This kind of movies are the way to Indian cinema instead of overhyped movies. Dileep Pothan once again deliver a pure film for the cinema lovers. Recommend for all audience.
Dileesh Pothan's second venture (after the critically acclaimed 'Maheshinte Prathikaaram') turns out to be yet another excellent character study. The film builds itself up slowly yet steadily, with an assortment of characters each with their unique set of traits and sense of humor. At 2h 15 min, not once does the film feel like a drag. The viewer is constantly kept on toes with each passing scene. Kudos to the excellent casting choices by the crew. 'Thondimothalum Driksakshiyum' boasts of excellent all- round performances from the entire ensemble which comprises of a few seasoned actors such as Fahadh, Suraaj and Alencier while a good number of supporting actors are all newbies, just as in 'Maheshinte Prathikaaram'.
It would seem disparaging if I don't intend to applaud the extremely grounded and realistic portrayals of some of the characters such as the culprit who is handed a punishment of bringing water to the station, the Sub Inspector, some of the Constables, the cop who always walks around in mufti (plain clothes), the Circle Inspector, the shopkeeper and so on. Each character leaves a solid impression on the viewer.
Fahadh's intro is cleverly executed (his expressive eyes convey a lot yet can hide even more!). His character is constructed in a manner that is supposed to leave the viewer slightly baffled. Pothan ensures that he does not spoon-feed the audience in elucidating the various character arcs, instead leaves the job of construing behavioral traits and motives to the viewer. Laugh-out loud moments ensue when Alencier and Fahadh take centrestage during the interrogation scenes. The revelations made are so interestingly packaged that they seem both hilarious and believable at the time.
Suraaj and newcomer Nimisha Sajayan who play Prasad and Sreeja share good on-screen chemistry as a run-away couple who get embroiled in a chain-snatching case where Fahadh's character (another Prasad) is the accused. What's additionally worth noticing is the brilliant social commentary it makes on the side, while the story keeps moving forward. Instances of mob frenzy, caste discrimination, land disputes and scams are also inculcated neatly in the screenplay (penned by Sajeev Pazhoor). Dialogues by National Award Winner Syam Pushkaran are able to strike a chord with the viewer instantly. The initial scenes of how a case is handled at the police station tend to remind the viewer of Nivin Pauly starrer 'Action Hero Biju'. But the similarity is only in the setting; the treatment is completely different.
Rajeev Ravi's cinematography adds a dash of pragmatism to the scenes. The sepia color tone blends with the mood of the flick almost perfectly. Music and BGM by Bijibal is minimal yet effective. It is also quite intriguing to observe that the viewer is able to associate better with the comportment of each central character (especially the victim, the witness, the cop-in-charge and the accused) by the time the credits start to roll. Even the supposed exhibit (a necklace) has a specific purpose. A minimal dose of artsy ambiguity only helps.
Alencier plays A.S.I Chandran to perfection while Suraaj puts on a mature show (unlike what's usually seen of him). Fahadh lends an eerie air to his character retaining a sense of delightful mystery throughout. 'Thondimothalum Driksakshiyum' is a must-watch. Keep shining Pothetta!
It would seem disparaging if I don't intend to applaud the extremely grounded and realistic portrayals of some of the characters such as the culprit who is handed a punishment of bringing water to the station, the Sub Inspector, some of the Constables, the cop who always walks around in mufti (plain clothes), the Circle Inspector, the shopkeeper and so on. Each character leaves a solid impression on the viewer.
Fahadh's intro is cleverly executed (his expressive eyes convey a lot yet can hide even more!). His character is constructed in a manner that is supposed to leave the viewer slightly baffled. Pothan ensures that he does not spoon-feed the audience in elucidating the various character arcs, instead leaves the job of construing behavioral traits and motives to the viewer. Laugh-out loud moments ensue when Alencier and Fahadh take centrestage during the interrogation scenes. The revelations made are so interestingly packaged that they seem both hilarious and believable at the time.
Suraaj and newcomer Nimisha Sajayan who play Prasad and Sreeja share good on-screen chemistry as a run-away couple who get embroiled in a chain-snatching case where Fahadh's character (another Prasad) is the accused. What's additionally worth noticing is the brilliant social commentary it makes on the side, while the story keeps moving forward. Instances of mob frenzy, caste discrimination, land disputes and scams are also inculcated neatly in the screenplay (penned by Sajeev Pazhoor). Dialogues by National Award Winner Syam Pushkaran are able to strike a chord with the viewer instantly. The initial scenes of how a case is handled at the police station tend to remind the viewer of Nivin Pauly starrer 'Action Hero Biju'. But the similarity is only in the setting; the treatment is completely different.
Rajeev Ravi's cinematography adds a dash of pragmatism to the scenes. The sepia color tone blends with the mood of the flick almost perfectly. Music and BGM by Bijibal is minimal yet effective. It is also quite intriguing to observe that the viewer is able to associate better with the comportment of each central character (especially the victim, the witness, the cop-in-charge and the accused) by the time the credits start to roll. Even the supposed exhibit (a necklace) has a specific purpose. A minimal dose of artsy ambiguity only helps.
Alencier plays A.S.I Chandran to perfection while Suraaj puts on a mature show (unlike what's usually seen of him). Fahadh lends an eerie air to his character retaining a sense of delightful mystery throughout. 'Thondimothalum Driksakshiyum' is a must-watch. Keep shining Pothetta!
Thondi Muthalum Driksakshiyum (2017) :
Brief Review -
Fahadh Faasil runs absolute RIOT in Dileesh Pothan's instant classic of human derivation. What a film and what a performance by Fahadh Faasil! This is easily one of the most innovative and exciting storyline came from Malayalam Cinema in the last decade. No hard-core drama, no emotional fetching but all it has got is pure realistic sense of human nature and our law system. Thondi Muthalum Driksakshiyum is about Prasad and Sreeja who enter wedlock and move to a new place to continue the rest of their lives. Unfortunate events begin to take place after Prasad, a small-time thief, robs Sreeja's gold chain during a bus journey. The police investigation follows only to make things uneasy for everyone included there. A small idea of chain thief could get such a big amount of cinematic content, i wouldn't have believed it if someone has told me but now i believe because I have experienced in the last 125 minutes i spent watching the film. Sajeev Pazhoor's excellent writing deserves all the praise for making every character look rich despite unwell scenarios. At one moment you feel angry at him but later you start loving his wrongdoings, how? That's the power of writing. That's the skills of a writer to grab you completely over the narrative with the help of detailed characterisations. Fahadh Faasil appears little late but what a mind-blowing performance he has given. Absolutely riot. Suraj Venjaramoodu and Nimisha also leave an impact with their adorable chemistry. Lopez sir shines like a star in the crowd, that luminous thing in the sky. Dileesh Pothan has made three films till date and i have seen all three of them, so i have no second thoughts on calling Thondi Muthalum Driksakshiyum as his Best Film So Far. That's it, that's all i guess. A deserving and real Classic, unlike some of those overrated fanboys material.
RATING - 8/10*
By - #samthebestest.
Fahadh Faasil runs absolute RIOT in Dileesh Pothan's instant classic of human derivation. What a film and what a performance by Fahadh Faasil! This is easily one of the most innovative and exciting storyline came from Malayalam Cinema in the last decade. No hard-core drama, no emotional fetching but all it has got is pure realistic sense of human nature and our law system. Thondi Muthalum Driksakshiyum is about Prasad and Sreeja who enter wedlock and move to a new place to continue the rest of their lives. Unfortunate events begin to take place after Prasad, a small-time thief, robs Sreeja's gold chain during a bus journey. The police investigation follows only to make things uneasy for everyone included there. A small idea of chain thief could get such a big amount of cinematic content, i wouldn't have believed it if someone has told me but now i believe because I have experienced in the last 125 minutes i spent watching the film. Sajeev Pazhoor's excellent writing deserves all the praise for making every character look rich despite unwell scenarios. At one moment you feel angry at him but later you start loving his wrongdoings, how? That's the power of writing. That's the skills of a writer to grab you completely over the narrative with the help of detailed characterisations. Fahadh Faasil appears little late but what a mind-blowing performance he has given. Absolutely riot. Suraj Venjaramoodu and Nimisha also leave an impact with their adorable chemistry. Lopez sir shines like a star in the crowd, that luminous thing in the sky. Dileesh Pothan has made three films till date and i have seen all three of them, so i have no second thoughts on calling Thondi Muthalum Driksakshiyum as his Best Film So Far. That's it, that's all i guess. A deserving and real Classic, unlike some of those overrated fanboys material.
RATING - 8/10*
By - #samthebestest.
क्या आपको पता है
- ट्रिवियाActor Soubin was the original choice to play the role of thief. He declined the role because he was busy with his first film as a director.
- कनेक्शनReferenced in Madhuraraja (2019)
- साउंडट्रैकAayilyam Kaavum
Written by Rafeeq Ahammed
Produced by Bijibal
Performed by Govind Vasantha and Sithara Krishnakumar
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Thondi Muthalum Driksakshiyum?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषा
- इस रूप में भी जाना जाता है
- Thondimuthalum Driksaakshiyum
- उत्पादन कंपनी
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $8,03,887
- चलने की अवधि2 घंटे 15 मिनट
- रंग
इस पेज में योगदान दें
किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
टॉप गैप
By what name was Thondimuthalum Dhriksakshiyum (2017) officially released in Canada in French?
जवाब