Thondimuthalum Dhriksakshiyum

Thondimuthalum driksakshiyum is one of the best malayalam movies made in recent years that is successful because of its brilliant script and poignant performances from the entire cast. This film is extremely realistic and builds upon situations that we come across in our daily life. The characters are very well-written and well- acted that they stay with us even after the movie ends. Biggest credit must go to Fahadh Faasil for yet another superb performance which is one of the best in his career and the way he changes our view of his character at different points in the story is just wonderful. Suraj Venjarammood shines in a very serious role and proves yet again that he deserves more serious roles like this. The debutant Nimisha Sajayan has also done justice to her character. What made Dileesh Pothan's first film "Maheshinte Prathikaram" successful was the way humour was managed in that movie without any kind of artificiality. That kind of Basheerian humour which arises out of realistic scenarios and without any kind of gimmick is again seen here which makes this film very entertaining. The focus of the script and the intensity is never lost in any part of the film thanks to Pothan. He must also deserve credit for the way so many new actors are used in the police station scenes and the acting by Alencier and other policemen are extremely natural. The script written by Sajeev Pazhoor is tight and never loses focus at any point in the movie. In fact one of the best things about this film is the use of very short dialogues in some crucial scenes which reveals so much about the characters and their motives without useless blabber. I rate this film 10/10 & hoping for more good realistic films like this rather than over-hyped masala movies.

So, the first time I watched, I was stunned. Second time I watched with my boyfriend, who is a non-malayali and I laughed so much. Third time, I watched with my Mom, Dad, Brother and Sis-in-Law and we all laughed and cried and commented throughout the movie. Every scene tells a tale. There's plenty to read between the lines and this is one of the finest movies that has come from Mollywood in a long time. It is an experience each time. I wouldn't mind watching it a 100 times more. You'll be gripped throughout the movie. Fantastic and real-time acting as well as plots. This should be translated and re-made in many languages! Satires and ambiguity is weaved throughout the piece. It was a beautiful trip for me!

When a simple plot is presented with impressive film making skills, then you get movies like Thondimuthalum Dhriksakshiuyum( The mainour & the witness). The film starts off with a normal pace but due to an unexpected event, the movie follows a different direction and ends in a unique way. Malayalam movie makers are day by day improving their skills in screenplay & cinematography and this film proves it to be. The characters in the movie have done a great job especially Fahadh Faasil has given one of the best performances in his career. Another special quality is the fahadh's unique character; he is a thief with a different mindset & has his own philosophy in life. The music has also been uniquely crafted. If you believe a film doesn't win through a simple plot, go check this out.

This kind of movies are the way to Indian cinema instead of overhyped movies. Dileep Pothan once again deliver a pure film for the cinema lovers. Recommend for all audience.

Dileesh Pothan's second venture (after the critically acclaimed 'Maheshinte Prathikaaram') turns out to be yet another excellent character study. The film builds itself up slowly yet steadily, with an assortment of characters each with their unique set of traits and sense of humor. At 2h 15 min, not once does the film feel like a drag. The viewer is constantly kept on toes with each passing scene. Kudos to the excellent casting choices by the crew. 'Thondimothalum Driksakshiyum' boasts of excellent all- round performances from the entire ensemble which comprises of a few seasoned actors such as Fahadh, Suraaj and Alencier while a good number of supporting actors are all newbies, just as in 'Maheshinte Prathikaaram'.

It would seem disparaging if I don't intend to applaud the extremely grounded and realistic portrayals of some of the characters such as the culprit who is handed a punishment of bringing water to the station, the Sub Inspector, some of the Constables, the cop who always walks around in mufti (plain clothes), the Circle Inspector, the shopkeeper and so on. Each character leaves a solid impression on the viewer.

Fahadh's intro is cleverly executed (his expressive eyes convey a lot yet can hide even more!). His character is constructed in a manner that is supposed to leave the viewer slightly baffled. Pothan ensures that he does not spoon-feed the audience in elucidating the various character arcs, instead leaves the job of construing behavioral traits and motives to the viewer. Laugh-out loud moments ensue when Alencier and Fahadh take centrestage during the interrogation scenes. The revelations made are so interestingly packaged that they seem both hilarious and believable at the time.

Suraaj and newcomer Nimisha Sajayan who play Prasad and Sreeja share good on-screen chemistry as a run-away couple who get embroiled in a chain-snatching case where Fahadh's character (another Prasad) is the accused. What's additionally worth noticing is the brilliant social commentary it makes on the side, while the story keeps moving forward. Instances of mob frenzy, caste discrimination, land disputes and scams are also inculcated neatly in the screenplay (penned by Sajeev Pazhoor). Dialogues by National Award Winner Syam Pushkaran are able to strike a chord with the viewer instantly. The initial scenes of how a case is handled at the police station tend to remind the viewer of Nivin Pauly starrer 'Action Hero Biju'. But the similarity is only in the setting; the treatment is completely different.

Rajeev Ravi's cinematography adds a dash of pragmatism to the scenes. The sepia color tone blends with the mood of the flick almost perfectly. Music and BGM by Bijibal is minimal yet effective. It is also quite intriguing to observe that the viewer is able to associate better with the comportment of each central character (especially the victim, the witness, the cop-in-charge and the accused) by the time the credits start to roll. Even the supposed exhibit (a necklace) has a specific purpose. A minimal dose of artsy ambiguity only helps.

Alencier plays A.S.I Chandran to perfection while Suraaj puts on a mature show (unlike what's usually seen of him). Fahadh lends an eerie air to his character retaining a sense of delightful mystery throughout. 'Thondimothalum Driksakshiyum' is a must-watch. Keep shining Pothetta!