Damsel

"The Old West is not a certain place in a certain time; it's a state of mind. It's whatever you want it to be. -" Tom Mix

I should have liked the Zellner brothers' Western comedy, Damsel, much better than I did. It has elements of Mel Brooks and the Coen brothers when they mine the satire of a genre very long in the tooth. The difference: writing.

Brooks with his inspired goofiness (Blazing Saddles) and the Coens with their light-hearted larceny (Raising Arizona), have characters using language much smarter than they are, whereas The Zellners' lines are deadpan but dull even though they use elevated diction as the Coens so often do. Using contemporary lingo like "win win" and "real deal" doesn't titillate as it should. In addition, Zellners' language lacks strong affinity with bigger issues.

Samuel (Robert Pattinson), a rich pioneer, engages a sham preacher, Henry (David Zellner), to officiate at Samuel's wedding to Penelope (Mia Wasikowska). In their journey with a miniature horse, gift to Penelope (not the waiting Penelope of the Odyssey), the two must deal with their naiveté and the vagaries of raw Western staples like rot-gut whiskey, duplicitous Indians, and bad campfire ballads (Samuel's ballad to Penelope, called My Honeybun, is a weak companion to Brooks' notorious campfire scene)

While this set-up is rich fodder for satire, most of the jokes fall as flat as Penelope's affect and as dry as the joke about a fool in a barrel being strung up for no obvious reasons. Westerns are ripe for satire, but the flat line here comes not from the fine performances but the tepid minimalist script and uninspired cinematography.

Wasikowska is marvelous as the independent and bitter love interest, Pattinson showing once again that he is much more than a teen heart-throb. The Zellners have the right motif about loneliness; they just need to beef up the languid language and droll action.

I still do not understand why some folks can get away with a single paragraph review, and the rest of us must write at least 600 words before we can post our own.

Much like how the film Damsel has comedy all over the place, yet it really tries to cram it in in both unexpected and expected places.

The average film is going to be predictable to a certain degree these days, but even though that is the case, the ridiculous moments of hilarity in this film through my family and I for a loop.

"What is this random film?" I would shout.

I often thought this was directed by the Cohen ( Coen?) Brothers, but the timing was a bit too off most of the time. THe whole movie just could not decide if it really was a comedy or a pure western. Very arthousey therefore, and worth a watch if you are bored. Just dont expect too much. Some laughs may ensue. YOu are welcome for a nonsensical revies lol.

With very deliberate pacing and dark humor that seldom works effectively, this movie just added up to a difficult watch for me. Robert Pattinson and Mia Wasikowska are fine actors but they can only do so much with this flat script. Save yourself the trek.

It was very slow and boring at first, especially I found the speech scenes at the beginning of the movie meaningless but I must say it has an interesting topic. When I got a little bored at the beginning of the movie, it got more interesting and fluent as it progressed, it was aroused curiosity, the acting was also very good. Generally speaking, a strange movie is already a western comedy but an absurd comedy movie.

My wife and I watched this at home on DVD from our public library. I wanted to see it mainly for the actors, knowing little about the actual story.

It was written and directed by the Zellner brothers, and each has a featured role in the movie. The basic story is a man, Robert Pattinson as Samuel, heads west to find his damsel who he thinks has been kidnapped. He plans to rescue her and ask her to marry him. The damsel is Mia Wasikowska as Penelope.

The opening scene sets the tone, David Zellner plays a man new to the west, fascinated by the prospect of meeting real Indians, and waits for the stagecoach with an old pioneer (Robert Forster) who is tired and headed east. The stagecoach doesn't show up but the old man gives away his belongings including a tattered bible, so the new man takes on the name Parson Henry.

There is no advantage in describing the story in greater detail, suffice to say Samuel has a total misunderstanding of the situation and it doesn't turn out well for him. When the movie was over we were both a bit puzzled as to why this particular story was put to film and what the filmmakers were really trying to accomplish.

I cannot recommend it to anyone I know.