The Work

Watching what this group of people go through in 4 days was a unforgettable experience. This group of men provided so much support, so much love. The inmates that participate in this program managed to change their life completely. They became people that I would love to be with and learn from. I just cried all the way through. Each one of the participants carries his wounds, the wounds that drove some of them to violence. Each one of the participating inmates used the time in prison to become a better person. If they can do it we all can do it. This brings so much hope. It is done brilliantly. I admire the outside group of men for the willingness to experience this and fully participate. I wish there were groups like this in all prisons and also for women.

One of the most impressive aspects of this beautifully photographed, riveting documentary is the way the filmmakers catch the generosity of the prisoners who give their all to help the non prisoners and fellow inmates. The organizers of The Work and the participants deserve a lot of credit. I don't know of a single man, including my male patients who couldn't benefit from this four day event. Hopefully, women who watch this will understand some of the internal pain that most men carry.

This film would not succeed without brilliant characters, brilliant moments and brilliant editing, and this film has all three, to the point that it's astonishing that this film isn't a work of complete fiction. There are so many intimate, raw, emotional breakthroughs, to the point that this film could have used some clearly defined moments of pure levity to avoid dulling them as the film goes on. This film's structure is incredibly well organized, with every character getting the spotlight in a way that seems bizarrely coordinated. There is so much character to all the characters, and they are all memorable. The filmmaker's ability to articulate the shared struggle made me cry, and as of writing this, this is the only film that has made me cry purely because of the quality of the filmmaking. It's especially impressive that not only that the three members of the public that are focused on have their moments of emotional enlightenment, but that their emotional struggles also seem thematically linked, and this thematic link is even acknowledged through a line of dialogue by one of the inmates. I sometimes forgot that I was watching a documentary because of how smooth the journey was, but even the elements of the film which remind me that this wasn't filmed in a controlled environment only enhanced their scenes. If this film turned out to be completely fabricated, I would not be surprised, nor would it devalue the film for me whatsoever.

Anybody who has had any kind of meaningful therapy knows one unequivocal truth...if it isn't HARD it's not effective. This movie at its core is a thoughtful examination of group therapy for MEN....the presence of any female would have changed the dynamic entirely. Men on the outside get up close and personal with real life CONVICTS...there could probably be an interesting movie made solely about any of these men but the movie doesn't linger on their stories....what this therapy (and this movie) does is focus on the themes that ALL men struggle with...betrayal, hurt, loss. My voyeuristic side wanted more of the back story of the convicts but the movie wisely did not dwell on that...another truism about REAL therapy is that it often leads to more questions than answers.

The Work was extremely well-received during its world premiere at Austin SXSW Film Festival where it won the Grand Jury Prize in Documentary Feature Competition. This is one of the most intense films that you will ever see and it literally takes your breath away. It is follows several prisoners – many serving long sentences for violent, often gang-related, crimes - in a group therapy program at Folsom Prison over a four-day period in which they push each other to confront their demons. They discuss their betrayals which often involve deep-seated and painful issues in their family lives. They confront each physically and emotionally. They open up the darkest corners of their lives so that outside observers can understand that much of the anger that made them criminals comes from deep well-springs of personal suffering and often abuse.

Indirectly, this film asks a very deep question about our criminal justice system: Is it supposed to warehouse and punish offenders or is it supposed to rehabilitate them to return to society? If it is the former it is doing so at a very great cost. If it is the latter than we need to invest in programs like this so that we can return these men to as productive members of society. This film shows us what rehabilitation looks like and subtly makes that argument. We need a national conversation about how the criminal justice system is failing and about how we can begin to repair it. We have begun discussing some aspects of this complex problem including reconsidering the "War on Drugs," but we also need to be discussing how to rehabilitate those currently imprisoned as well. I hope that it gains distribution so that a wider audience can see this powerful and compelling film and begin this conversation about the criminal justice system.