Hotel Artemis

It's 2028 L.A. Waikiki (Sterling K. Brown) leads a robbery gang during a city-wide revolt against privatized water. His brother is shot during the escape and he seeks refuge at Hotel Artemis. It is a secured private hospital for criminal members run by a hard-nosed nurse (Jodie Foster). Everest (Dave Bautista) is her giant muscle. She risks everything by saving policewoman Morgan (Jenny Slate). Other patients include loud-mouth arrogant Acapulco (Charlie Day) and assassin Nice (Sofia Boutella) on a secret mission. Waikiki discovers that his brother had stolen jewels from crime boss Wolf King (Jeff Goldblum) who shows up looking for treatment.

I really like the concept but there are issues with the execution. It's a movie of outrageous potential. With a few questionable logistics, my biggest problem is that I don't feel connected with Sterling K. Brown's character. Jodie Foster is doing her hardest. Despite some fun ideas, it doesn't really rise to its possibilities. It's not crazy enough. It's not compelling enough. It is good enough to be watchable.

Greetings again from the darkness. The feature film directorial debut of Drew Pearce is original and clever, while teasing with hope for a bit more than it delivers. Mr. Pearce is best known for writing the screenplay for IRON MAN 3, and now as a first time director, he shows enough promise to leave us interested in what comes next.

The film is set in dystopian Los Angeles a mere 10 years in the future. The streets are flooded with desperate rioters after a mega-corporation shuts off the clean water supply. The company is the film's real villain, and the only one that The Nurse (Jodie Foster) can't treat. See, she runs Hotel Artemis, an underground hospital for top tier criminals - the element that can't just pop into the local community clinic for treatment on the latest bullet hole or knife wound. These patients follow a subscription plan and must stay current on their dues to gain admission.

The Nurse forgoes any attempt at personal vanity and is instead an agoraphobic, booze-chugging, (mostly) stick-to-the-rules type, who pops in anti-anxiety tapes and ear buds whenever her pulse quickens. She has run the place since it opened 22 years prior and is assisted by a mountain of man named Everest (get it?) played well by Dave Bautista. He's a combination bodyguard, bouncer, handyman and assistant healthcare professional (check his badge).

The set design by Ramsey Avery deserves special mention as the Hotel Artemis is quietly housed in the shell of a former grand art deco hotel, now a victim to the city's carnage - though the neon sign remains illuminated. Its vacation spot-themed rooms are a sight to behold, despite the frustratingly low lighting. Occupants are incognito and use their room names as identifiers. Sterling K Brown is Waikiki, a philosophical bank robber who dragged his brother Honolulu (Brian Tyree Henry) here for treatment after a heist went wrong. Acapulco (the always energetic Charlie Day) is a crass, motor-mouthed arms dealer, while Nice (Sofia Boutella, THE MUMMY) is a freakishly skilled assassin.

The stress level picks up when the biggest crime lord of Los Angeles shows up seriously wounded. Known as The Wolf King, an admittedly bad choice for a nickname, Jeff Goldblum brings some smooth-talking toughness, humor and twisted class to the proceedings. More than a few tentacles are attached to The Wolf King and other folks we've previously met, not the least of which is a very special ink pen stolen by Honolulu. Mix in an injured cop (Jenny Slate) with a personal link to The Nurse and her constantly alluded to tragic backstory, and the movie puts off a Graphic novel vibe ... missing only the off-the-cuff insanity. It's just a bit too grounded for its own good.

The high tech/low rent feel forces us to recall BLADE RUNNER AND ESCAPE FROM NEW YORK, but of course, this film isn't at the level of either, as it lacks top tier suspense. It is a terrific reminder of what a talented actress two-time Oscar winner Jodie Foster is, and what a shame that we haven't seen her in such a substantial screen role since 2013's ELYSIUM. She really sinks her teeth into this odd character, and more than the action scenes, she keeps us interested the entire run time. The score is a bit too heavy on the droning electronic bass line, and while the Florida joke and nod to John Phillips (The Wolf King, "California Dreamin'") earns some bonus points, it's really the performance of Ms. Foster and the set design that saves a too-safe script.

Shocked at the low score and haters for this really entertaining film. Writer and making his major film directorial debut Drew Pearce, did an outstanding job on both fronts. The all star cast where excellent, funny and entertaining. The cinematography was perfect and the sets where on point. The story was done really well considering it was primarily based inside one floor of a building. Much better than I expected. A well deserved 8/10 from me.

'Hotel Artemis' has its fair share of cinematic kerfluffles from story structure to pacing. However, it's a lot of fun. This is mostly because it has a cast that is given roles that they excel at. It's such an odd assortment of actors that came together to create a stylish film that seems familiar yet unique at the same time.

There are rules at the Hotel Artemis, a secret, high tech hospital for the underworld of Los Angeles. In order to remain a member of this elite criminal's emergency room, you have to respect the staff and the other patients, much in the same way that The Continental from 'John Wick' has rules. It's neutral ground where egos, grudges, and guns have to be checked at the door. The reason for these rules is because it houses an odd assortment of colorful characters from all walks of life. The only thing they all share in common is that they are the worst of the worst when it comes to dirty dealings in a city known for its outlaws.

Jodi Foster stars as the nurse that runs the Hotel Artemis. She's a washed-up drunk who has long since lost her medical license, but not her skills when it comes to saving the lives of those who probably shouldn't be saved. Foster's portrayal of Nurse is much richer than the character probably deserves in a sci-fi action film. Tormented by the death of her son, she hasn't set foot outside the hotel for decades due to crippling anxiety. Despite this she is a no-nonsense tough as nails caretaker who won't hesitate to call upon her orderly, Everest, played by David Bautista, to expel unruly guests from the premises. Her character is the very cornerstone of the film and what everything and everyone is built off of.

The rest of the cast features the likes of Sophia Boutella as a beautiful and deadly assassin, Sterling K. Brown as a devastatingly handsome bank robber, and Charlie Day as an obnoxiously entitled arms dealer. The three are at odds given that the hotel houses criminals and criminals can't be trusted, and to make matters worse a full-blown riot is taking place on the streets below. Luckily, there is honor among thieves for the most part. That doesn't last long though, because, well, what fun would that be?

'Hotel Artemis' is the feature directorial debut of Drew Pearce, who also wrote the film. While he's proven to be an exceptions writer in the past his directing isn't quite up to par with the concepts and characters he's put together. While the actors all do what they do best with the roles they're given, the pacing and cinematography feel flat, which undermines the urgency of the situation. There's such a focus on putting together the leads in the film, that the overall threat that they end up facing by the end of the film doesn't feel like it's truly worthy of them and ends with a disappointing third act.

Despite the cinematic issues 'Hotel Artemis' faces, it is fun watching events unfold. Brown is unbelievably charming as a suave and debonair bank robber trying to get out of the underworld once and for all. Most of his scenes are shared with Boutella who has exploded onto the scene since 'Kingsman: The Secret Service.' Since then she's become a name I look for on movie posters and while her films might not always be great, I'm never disappointed in her performances. Then there is Bautista who has become incredibly popular since joining the MCU and is an actor that takes his art very seriously. He's someone who remains humble and works hard for everything he has. While the role of Everest might not be as juicy as say, Sapper in 'Blade Runner 2049,' he manages to use his imposing physicality perfectly in Hotel Artemis.

As we like to say here, "not all great movies are good." That isn't to say that 'Hotel Artemis' is a great movie, because it definitely isn't. However, it's a fun movie. It's a film that is mindless entertainment with enough interesting concepts (from medical nanites to 3D printing organs) to keep audiences intrigued with what's unfolding. It's just unfortunate that it never seems to achieve what it's aiming for. At its core, it's a film with great characters and an interesting premises, so much so that it almost feels wasted. That being said, it still a movie that I quite enjoyed sitting through. There are certainly better films that came out this week, but I feel like Hotel Artemis really rounds out the choices at the cinema. It's not a movie for everyone, but for those who enjoy trashy movies with reliable and talented actors, it's definitely going to hit the spot.

In a dark version of the future the streets are violent and the police corrupt. The hotel Artemis is a haven where wealthy people of a dubious nature can get themselves patched up.

The idea sounds great and the star of the show should be the hotel. I expected the hotel to be some kind of interesting ecosystem where the privileged and the scum of the underworld are forced to rub shoulders.

This happens to a small extent but the film concentrates more on the characters, which would be OK if the characters weren't so lame.

After twenty seconds of dialogue you know exactly what each character is about and you can predict if, when and how each one will die. **What you mean the sexy fem fatal isn't a helpless bimbo but is in fact a one woman army in stilettos! Well blow me down!**

Jodie Foster is (predictably) awesome and has the only character of any merit. Everyone else talks poo for a while, killing time until the inevitable fight at the end.

This is not a bad movie, it just sounded like it would be something different but is actually a hash of a cheesy, generic 80/90's Sci-fi flick that could easily have stared Van Damme.

The production is pretty good and there is some fun to be had here it is is just painfully predictable and feels tired.