IMDb रेटिंग
5.7/10
4.4 हज़ार
आपकी रेटिंग
रोक्को सिफ़्रेदी की मां चाहती थी कि, वह एक पुजारी बने, लेकिन वह इसके बजाए एक पॉर्न अभिनेता बन जाता है. कैमरे के सामने अपने अंतिम वर्ष में, रोक्को पॉर्न उद्योग का एक लिविंग लेजेंड बन जाता है.रोक्को सिफ़्रेदी की मां चाहती थी कि, वह एक पुजारी बने, लेकिन वह इसके बजाए एक पॉर्न अभिनेता बन जाता है. कैमरे के सामने अपने अंतिम वर्ष में, रोक्को पॉर्न उद्योग का एक लिविंग लेजेंड बन जाता है.रोक्को सिफ़्रेदी की मां चाहती थी कि, वह एक पुजारी बने, लेकिन वह इसके बजाए एक पॉर्न अभिनेता बन जाता है. कैमरे के सामने अपने अंतिम वर्ष में, रोक्को पॉर्न उद्योग का एक लिविंग लेजेंड बन जाता है.
- पुरस्कार
- कुल 1 जीत
Rosa Caracciolo
- Self - Rocco Siffredi's Wife
- (as Rozsa Tano)
Kirstin Halborg
- Self
- (as Kirsten Halborg)
फ़ीचर्ड समीक्षाएं
It is interesting enough to watch it. But after about an hour it becomes painfully obvious what the documentary is trying to show. Have they fired the first producer and brought in a second one to to wrap it up from the existing footage?
Rocco is a bare boned (sorry!) doc on porn superstar Rocco Siffredi who has reached the end of his career. Ultimately an uneven tale is told focusing on the last shoots he orchestrates w/his cameraman cousin who deserves a doc of his own. Herein lies the problem w/this story, how did Rocco get into this business? He mentions his obsession w/women & his mother's disappointment but how did this Neopolitan neophyte find his calling? A more rounded examination from Nick Broomfield or Errol Morris might've succeeded but as it stands, all the sex & foreplay is merely titillating w/nothing substantive gained in the end (sorry again!).
Many of the reviewers here were apparently expecting an hour and 45 minute long vlog by Rocco going about his daily life, which this is not about. Nor is it another sub-par "I use to do porn but now I am an advocate against it" type documentary.
Its an artistic film about Rocco's past and present with a behind the scenes look into some of the scenes and how he feels about it all. How he began to dislike what he did when his family came along and his sons began to grow up.
You also get to meet Kelly Stafford, a true unknowing victim of modern feminism, who basically needs to be choked and spit on during sex because she cannot meet a manly man in her real life. She aches for masculinity and dominance so she can succumb to her born-biological female need to be feminine and submissive.
The scenes may come across as "degrading" to some, but with masculinity so lacking in this day and age, its what these performers and the female viewers truly want and you get a first hand look into that.
This film digs deep into masculinity and femininity with a little background on the man so legendary for putting those very two things onto tape.
With all that in mind, enjoy.
Its an artistic film about Rocco's past and present with a behind the scenes look into some of the scenes and how he feels about it all. How he began to dislike what he did when his family came along and his sons began to grow up.
You also get to meet Kelly Stafford, a true unknowing victim of modern feminism, who basically needs to be choked and spit on during sex because she cannot meet a manly man in her real life. She aches for masculinity and dominance so she can succumb to her born-biological female need to be feminine and submissive.
The scenes may come across as "degrading" to some, but with masculinity so lacking in this day and age, its what these performers and the female viewers truly want and you get a first hand look into that.
This film digs deep into masculinity and femininity with a little background on the man so legendary for putting those very two things onto tape.
With all that in mind, enjoy.
The documentary "Rocco" opens with a close up of Rocco Siffredi's penis. It's an obvious place to start, but it also serves as a summation the entire documentary. No matter how many opportunities directors Thierry Demaizière and Alban Teurlai give the aging porn star to bare his soul, he usually ends up just showing his d--- instead, metaphorically if not always literally.
But Rocco's penis has served him well. His IMDb page lists over 500 "acting credits," dating back to 1986, including a few legit gigs, such as Catherine Breillat's "Anatomy of Hell" and the Italian comedy "Matrimonia a Parigi" ("Rocco" the documentary makes no mention of these forays into "real" movies). It's afforded him fame and fortune, far more than most performers in the adult industry can claim, and for far longer, too. Only Ron Jeremy's career is (ahem) longer, dating back to the late '70s. Yet Rocco, in much better shape in his 50s than Jeremy was in his 30s, thinks it's time to retire from performing. He cites concerns for his teen-age sons, who know what their father does for a living but are, as presented in the documentary, shielded from seeing their father in action. (Their mother, Rosa Caracciolo, was also once a porn star, another detail this documentary makes no mention of.) Mostly, though, he's just tired. To hear him tell it, having a generous endowment and hyperactive sex drive is as much a curse as a blessing. In fact, Rocco pretty much portrays himself as a sex addict, barely able to interact with women outside of sex. Even when grieving the death of his beloved mother Rocco is unable to keep his desires in check: he tells of an encounter with a friend of his mother after his mother's funeral, when he takes out his moneymaker and coerces the woman--a senior citizen, mind you--to fellate him. The story is simultaneously outrageous (it sounds like a scene out of an '70s-era French sex comedy) and unsettling. He's telling the story to illustrate how he's a helpless slave to sex, blithely ignoring that, as he's told it, he forced an old woman to give him a BJ.
There are more graphic examples of Rocco's uneasy relations with women in the industry. At his Budapest-based porn production company, he's charming and even fatherly when chatting with his female performers before putting them in an uncomfortably rough group-sex scene, the kind that leaves women with rug burns on their backsides. (The only sex shown in this movie is of the rough variety.) He's equally charming in Los Angeles when meeting scene partner Abella Danger, then takes her up on an offer to demonstrate her ability to swallow his entire hand. Danger may not be doing anything against her will, but that doesn't make it any easier to watch her, gagging and with tears streaming down her face, as Rocco pushes his entire hand into her mouth.
The co-star Rocco chooses for his final scene is English porn star Kelly Stafford, much to the dismay of his hot-headed cousin and business partner, director Gabriel "Gabby" Galetta, who makes his dislike of the outspoken Stafford plain. One gets the idea that the fact that Stafford speaks at all is an issue in Galetta's eyes. Stafford is a handful, but I liked her for being a confident woman who won't do anything with which she'd be uncomfortable. In other words, she's not the type to let a man shove his hand down her throat just to prove she's compliant.
Though "Rocco" has its moments of levity, like a shot of naked male performers standing outside for a smoke break between takes, or the perplexed faces of crew members at Kink.com's studios, where Rocco's supposed final scene is being shot, as they listen to Galetta's confusing directions, they are overshadowed by the more depressing aspects of porn the documentary inadvertently exposes. Turns out enacting people's sexual fantasies is as dehumanizing and grueling as working on a factory assembly line. As for Rocco himself, he's personable if a little self-absorbed, not nearly as introspective or sensitive as he'd like us to believe, and his treatment of women is just a tad bit rape-y. Mostly, though, he's a guy who has a big penis.
But Rocco's penis has served him well. His IMDb page lists over 500 "acting credits," dating back to 1986, including a few legit gigs, such as Catherine Breillat's "Anatomy of Hell" and the Italian comedy "Matrimonia a Parigi" ("Rocco" the documentary makes no mention of these forays into "real" movies). It's afforded him fame and fortune, far more than most performers in the adult industry can claim, and for far longer, too. Only Ron Jeremy's career is (ahem) longer, dating back to the late '70s. Yet Rocco, in much better shape in his 50s than Jeremy was in his 30s, thinks it's time to retire from performing. He cites concerns for his teen-age sons, who know what their father does for a living but are, as presented in the documentary, shielded from seeing their father in action. (Their mother, Rosa Caracciolo, was also once a porn star, another detail this documentary makes no mention of.) Mostly, though, he's just tired. To hear him tell it, having a generous endowment and hyperactive sex drive is as much a curse as a blessing. In fact, Rocco pretty much portrays himself as a sex addict, barely able to interact with women outside of sex. Even when grieving the death of his beloved mother Rocco is unable to keep his desires in check: he tells of an encounter with a friend of his mother after his mother's funeral, when he takes out his moneymaker and coerces the woman--a senior citizen, mind you--to fellate him. The story is simultaneously outrageous (it sounds like a scene out of an '70s-era French sex comedy) and unsettling. He's telling the story to illustrate how he's a helpless slave to sex, blithely ignoring that, as he's told it, he forced an old woman to give him a BJ.
There are more graphic examples of Rocco's uneasy relations with women in the industry. At his Budapest-based porn production company, he's charming and even fatherly when chatting with his female performers before putting them in an uncomfortably rough group-sex scene, the kind that leaves women with rug burns on their backsides. (The only sex shown in this movie is of the rough variety.) He's equally charming in Los Angeles when meeting scene partner Abella Danger, then takes her up on an offer to demonstrate her ability to swallow his entire hand. Danger may not be doing anything against her will, but that doesn't make it any easier to watch her, gagging and with tears streaming down her face, as Rocco pushes his entire hand into her mouth.
The co-star Rocco chooses for his final scene is English porn star Kelly Stafford, much to the dismay of his hot-headed cousin and business partner, director Gabriel "Gabby" Galetta, who makes his dislike of the outspoken Stafford plain. One gets the idea that the fact that Stafford speaks at all is an issue in Galetta's eyes. Stafford is a handful, but I liked her for being a confident woman who won't do anything with which she'd be uncomfortable. In other words, she's not the type to let a man shove his hand down her throat just to prove she's compliant.
Though "Rocco" has its moments of levity, like a shot of naked male performers standing outside for a smoke break between takes, or the perplexed faces of crew members at Kink.com's studios, where Rocco's supposed final scene is being shot, as they listen to Galetta's confusing directions, they are overshadowed by the more depressing aspects of porn the documentary inadvertently exposes. Turns out enacting people's sexual fantasies is as dehumanizing and grueling as working on a factory assembly line. As for Rocco himself, he's personable if a little self-absorbed, not nearly as introspective or sensitive as he'd like us to believe, and his treatment of women is just a tad bit rape-y. Mostly, though, he's a guy who has a big penis.
An excuse to show porn as a documentary and it wasn't even very interesting. I forward wound after the first five minutes to see if it got better and the answer was no!
क्या आपको पता है
- कनेक्शनFeatures Rocco's Perfect Slaves 9 (2016)
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Rocco?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषाएं
- इस रूप में भी जाना जाता है
- Рокко: Легенда крупним планом
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- दुनिया भर में सकल
- $29,950
- चलने की अवधि
- 1 घं 45 मि(105 min)
- रंग
- पक्ष अनुपात
- 2.39 : 1
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