बेग़म जान

A brilliant director , wonderful actors and a theme beyond imagination even then the film was disappointing. With all these advantages the film failed miserably to convey the emotional trauma of of displacement from home. The director has failed to take advantage of the theme , the team and of course the time of the story . Instead of making a film of Oscar dimensions what is churned out is a substandard film . At moments the film appeared dragging as it failed to narrate the human tragedy in its real sense . It failed to translate the human suffering when fate of poor people are decided by the power centers elsewhere and the orders are followed by petty officials clinging to their briefs in total disobedience to the travails of individuals driven out of their homestead resulting in human tragedy of catastrophic dimensions

Great casting! Apt locations! But am I the only one who thinks there was really no story to support the movie? Two aspects that were beyond my understanding - First, I am at a loss to understand a compelling reason for the ladies to live in that house, even at the cost of their lives. It is not as if a rogue neighbor or a local goon was kicking them off their property (and they didn't own the house either; the King did!]). It was a freaking partition of the country! And they weren't the only ones being marginally inconvenienced. Millions of people lost their homes and life savings; hundreds of thousands lost their lives because they couldn't escape early enough. Why did the ladies want to live there? They weren't leaving their farms behind. They could continue with their profession wherever they relocated! Second, the two gentlemen assigned to put a fence along the partition line - what was so compelling that they couldn't move the partition line by 100 meters so the house would safely fall in either of the countries? The ladies did not care if they were in India or Pakistan - all they wanted was live where they were and continue with their lives. What was so important that the country line had to be drawn through their house? What was so important about that piece of land that made it more important than the tens of lives they were willing to sacrifice? There are reasons why people prefer to fight for their rights even at the cost of their lives. And there are principles folks follow even if it costs lives. But neither of these seemed like a valid reason in the story.

Murder, rape and shattered families: 1947 Partition. The horror and the magnitude of suffering was unimaginable. Religious riots along with acts of oppression and cruelty marked this huge event as a dark blot on the history of the World.

Vidya Balan dives into her character with the fierceness and aggression, She is just amazing. Srijit Mukherji's direction appears to be colorless and purposeless at times. Background Music is not much good.

While the story is unique and interesting (written by Srijit Mukherjee, the director of the film), the movie has a bunch of good actors, it is the direction that falters at several points. This Story is so vast and heart-rendering, if they had made this movie so brilliantly then this movie was going to get an Oscar, Unfortunately missed! After all the faults you should watch this movie and feel the painful times during 1947.

This movie is a almost shot by shot remake of the Bengali film Rajkahini by same director and writer.

The Bengali movie has many problems as it doesn't holds up to the level as the story wants. This movie was way better than the the original. The director seems to be corrected all the mistakes and gaps and made it a good movie.

The acting is very good by every one specially Vidya Balan and all the girls are good. The main problem with the original is that it was not well acted by some of the supporting casts. But this one is and it gives every scene more gravitas.

The contract killer character portrayal of Chunky Pandey is not as good as the character portrayal in the original movie by Jisshu Sengupta.

This movie is bold as it can be on the screen. It has heavy dialogues. It is more suspenseful and more gory. The acting is good. Story is fantastic as it is known. Allover it is a very good and corrected remake of an average movie.........7/10...........

India Pakistan partition is back drop of this film. A brothel comes between the border line and then government officers from both side and brothel women stands against each other. It starts with conflict, ends with battle. Characterization is major problem of this film. As writer director had clear cut vision that every person outside the brothel should have been grey or dark. Due to his this point of view most of the characters behave abruptly or turn grey without much logic. When local Inspector fails to evict them, two powerful government officers, rather than seeking help from higher authorities, they jointly decide to take help of a brutal goon, as if they had some personal grievances against the brothel, which is not clear and if they did it, just for their ego satisfaction then they are stone hearted but then they get highly emotionally affected in climax!! Why it was so necessary to demolish the brothel, is not established. Brothel or border fence could have been shifted or at least tried for the same. How and why, brothel care taker Salim had collected so much guns and ammunition is not clear, yes he was dismissed Inspector. Just because of makers had thought to use all this in climax! Director is so desperate to prove himself that he used new way of taking shots and even repeated them many times without thinking of its effect like, India and Pakistan partition offices only half face in frame most of the time when they converse emotional. It could have been bearable just for once but this type of frame has been repeated. Dialogues are very good, especially the line at interval 'Maheena giinne toh hamen khoob aata hai saab......'. Climax is very heavy. Performance wise Vidya Balan as Begum Jaan is first rate. Good performance is the main strength of this film. Gauher Khan as Rubina shines in the scene when she speaks with Surjit at the stone of river. Her performance is very layered. Pallavi Shrada as Gulaboo is fine. Chunkey Pandey as Kabir is brilliant. His looks and expressions, both are terrific which create the much needed terror. Flora Saini as Maina is fine. Pitobash Tripathi as Surjit is impressive.