IMDb रेटिंग
6.2/10
3.2 हज़ार
आपकी रेटिंग
खामोशी के सिवा कुछ नहीं. एक क्रांतिकारी गीत के अलावा कुछ नहीं. हाथ की पांचों उंगलियों की तरह पांच अध्यायों में एक संपूर्ण कहानी को दर्शाया गया है.खामोशी के सिवा कुछ नहीं. एक क्रांतिकारी गीत के अलावा कुछ नहीं. हाथ की पांचों उंगलियों की तरह पांच अध्यायों में एक संपूर्ण कहानी को दर्शाया गया है.खामोशी के सिवा कुछ नहीं. एक क्रांतिकारी गीत के अलावा कुछ नहीं. हाथ की पांचों उंगलियों की तरह पांच अध्यायों में एक संपूर्ण कहानी को दर्शाया गया है.
- पुरस्कार
- 4 जीत और कुल 6 नामांकन
Jean-Luc Godard
- Narrator
- (वॉइस)
Wallace Beery
- Un acteur
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
Jules Berry
- Un acteur
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
Gaby Bruyère
- Une actrice
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
Roberto Cobo
- Un acteur
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
Jean Cocteau
- Un acteur
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
Eddie Constantine
- Un acteur
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
Danielle Darrieux
- Une actrice
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
Josette Day
- Une actrice
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
Douglas Fairbanks
- Un acteur
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
Jean Gabin
- Un acteur
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
Jean Galland
- Un acteur
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
Buster Keaton
- Un acteur
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
Jean Marais
- Un acteur
- (आर्काइव फ़ूटेज)
- (बिना क्रेडिट के)
फ़ीचर्ड समीक्षाएं
Complex, very complex, different, very different, many images, few sounds, a lot to say in few words, film clippings, reports, animations, war, pain, suffering, sometimes disconnected, but always very intense...
First work by Jean-Luc Godard that I watch, and I started with the most subjective, profound and strange... "The world is not interested in Arabs and Muslims, while Islam has political attention." Is about. That, about generalization, about Islamophobia, generalization, xenophobia, wanting to silence a nation...
In this movie Godard made a Video collage, images are exhausting for audience you will watch a cycle of images. The subject is; is this a movie or an audiobook? If you have chance to watch it twice you should only watch and in other watching you should listen what he is saying. Ideas, speeches are in every second of movie and you haven't got any time for thinking what Godard said. It's unregular for Godard the way he made this video. If you are really interested in his works you should watch but if you aren't you will probably bored while watching movie.
This film is not for everybody, so if you dislike it, it's okay.
But for me, this is really the best film I have ever seen. And I've seen Felini, Tarkovsky, Antonioni, Bertolucci, Haneke and many other great filmmakers. But GODARD IS THE GOD OF MONTAGE.
Sometimes I even forget that he's 88 years old. I just can't imagine how the hell he does these kind of things at his age.
This is my first review in Imdb. I just got registered, so I can write a review on this film, because everybody was complaining about how bad it was. I just realized I don't even have words to review. Sorry. This is it. At least I can tell you that you need to watch this before you die.
Complex, very complex, different, very different, many images, few sounds, a lot to say in few words, film clippings, reports, animations, war, pain, suffering, sometimes disconnected, but always very intense...
First work by Jean-Luc Godard that I watch, and I started with the most subjective, profound and strange... "The world is not interested in Arabs and Muslims, while Islam has political attention." Is about. That, about generalization, about Islamophobia, generalization, xenophobia, wanting to silence a nation...
The director suggested that not all scenes were translated, so that the image and sound would speak for themselves... Amazing...
My immediate reaction to this film was: a modern, edgy and less focused film comprable to Tarkovsky's "The Mirror."
I genuinely don't know what to rate this film. I'm pretty indifferent towards it. Throughout watching, I noticed my mind regularly wandering, and, unlike how I normally respond to that observation, I let it continue to happen. I feel like Godard would appreciate that because, at the end of the day, isn't that what film is? Visual and sonic stimulus that leads to inward thought? With allowing myself to drift came a meditative quality. The difference with this film is that inward thought inspired by the screen was incredibly immediate but far less direct. I say it's indirect because there doesn't seem to be any complete or clear idea throughout the film that I could have used to inwardly springboard off of.
Like the film, this review doesn't seem grounded in much concrete thought, and I think that's an appropriate response to have. That sounds like a negative statement but it truly isn't. The whole thing felt like an unabashed visual stream of consciousness into Godard's various woes with the world in which meaning can be more drawn from the form than the substance. It was a unique experience to say the least.
I genuinely don't know what to rate this film. I'm pretty indifferent towards it. Throughout watching, I noticed my mind regularly wandering, and, unlike how I normally respond to that observation, I let it continue to happen. I feel like Godard would appreciate that because, at the end of the day, isn't that what film is? Visual and sonic stimulus that leads to inward thought? With allowing myself to drift came a meditative quality. The difference with this film is that inward thought inspired by the screen was incredibly immediate but far less direct. I say it's indirect because there doesn't seem to be any complete or clear idea throughout the film that I could have used to inwardly springboard off of.
Like the film, this review doesn't seem grounded in much concrete thought, and I think that's an appropriate response to have. That sounds like a negative statement but it truly isn't. The whole thing felt like an unabashed visual stream of consciousness into Godard's various woes with the world in which meaning can be more drawn from the form than the substance. It was a unique experience to say the least.
क्या आपको पता है
- ट्रिवियाThe 45th and last feature film of French director Jean-Luc Godard.
- कनेक्शनFeatures L'arrivée d'un train à La Ciotat (1896)
- साउंडट्रैकQuintet with Piano, Op. 18
Composed by Moisey Vaynberg
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is The Image Book?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइटें
- भाषाएं
- इस रूप में भी जाना जाता है
- Image and Word
- फ़िल्माने की जगहें
- Tunisia(Some scenes according to Vincent Maraval)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $94,153
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $13,854
- 27 जन॰ 2019
- दुनिया भर में सकल
- $1,32,015
- चलने की अवधि1 घंटा 28 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.78 : 1
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