Mum

I loved Him & Her, and going into Mum I had no clue it was the same writer/creator, but you can feel it when you watch, almost as if the two are related in some way.

The pacing is excellent and the characters are so wonderfully realised. Casting is top notch and Kelly is equally one of the most endearing and irritating characters I've ever watched.

So surprised by how much I enjoyed this show, everything about it was enjoyable, including the soundtrack. S2E6 just made me cry and cheer, out loud, like a freakin' crazy person. you have to give props to a show that balances bitter/sweet so well.

Watch this. You won't regret it.

Divided opinions, I see. Today, I watched episode 1., just to see what it was like. Two hours later, I'd exhausted catch-up, and am bereft. There has never been a TV character, (same name!) who is ME, before. She is me, and she is all my middle-aged, single, female friends with grown-up children. She's much nicer, and more patient than me, but that is my life, I swear. Apart from the patient, strong, devoted admirer, alas. There are criticisms above of the characters of Kelly and Pauline. I couldn't disagree more. Those women aren't just flawed and a bit annoying, like most of us in real life, they have a back-story that is rather tragic, and beautifully played. Beautifully. My middle son has an ex who is Kelly. The ex is a Ph.D student, but the life and chat and mannerisms are the same as Kelly's. Even the face, figure and hair are almost identical, but I can't credit casting with that!

OH, how I enjoyed it. Along with the laughs, I suddenly burst into tears at Kelly's mum's behaviour, and Kelly's reaction. That struck a chord. Have bossed my Facebook friends into watching MUM at the soonest opportunity. I congratulate everyone involved. Thank You.

After getting rid of our satellite and cable tv in the US, we've been busy finding English, Irish, Scottish, and Australian shows for quality writing and rewarding viewing. Every time we stumble upon a smart and witty series, we're excited. We eagerly watched both seasons over the weekend and fell in love with every part of the show. The characters, scenes, and dialogue are very well-written, and the actors are accomplished and savvy with their words and actions. Mum/Cathy is lovely, patient, and so sweet, yet we are able to receive her real, personal only thoughts once in awhile, and it's worth the wait. Michael is such a sweetheart, and you root for them to be happy. Every show makes me cry and laugh. Kelly is fantastic as a dumb blond stereotype, but she also provides thoughtful, caring, and observant points at times, surprising the viewer and storyline. Everyone in the show offers a special and unique portrayal of perhaps real people dealing with life's travails in whatever way they know how. Even though it's only filmed in the home, it seems to be a bigger world that the writers explore and add. The older couples remind us of a few that we know - caustic and bitter at times but also loving and in it for the long haul. We're looking for other shows and films that the actors have done because they're that good.

I watched "Mum" on a whim and I was hooked from the opening credits (the "Cup" song is both catchy and apt for this series - you'll see why),

I'm familiar with both lead actors Peter Mullan and Lesley Manville and they bring heavyweight class ability to the rolls of divorcée and widow respectively. Now add in some younger talent, great writing, direction and production values and you know you're in the for a treat. While "Mum" is often dry and wryly observed, it's equally laugh-out-loud funny.

TL;DR version (there are lots of long reviews) if you like beautifully-observed, family dynamic comedy of the type only the Brits are good at, this is a a delight. With a colourful cast of larger-than-life oddballs, Manville and Mullan lead us through a year in the life of the world's most tolerant widow.

Just be thankful you're not there and please, do make your tea in a pot!

In some ways, Stefan Golaszewski's comedy 'Mum' is a very conventional sitcom: a regular cast of characters, two sympathetic central protagonists supported by a variety of comic monsters, and a setting in a three-bed-roomed suburban semi. In other respects, it's less conventional: no laughter track, and a subdued comic feel that is awfully close to the bone - human beings really do behave this way, even if not quite so relentlessly. It's unusual, however, in that its six episodes are set over a year, and tell a very slowly unfolding story, while desire for a second series has seemingly precluded the natural happy ending where you might have expected it to conclude. But it's nicely drawn, and its unfashionable basic message is that small flashes of human decency can compensate for the disappointments of life. I liked it.