Herrens veje

(My first review on IMDb. This series deserves more than the 1 whiny review of the first episode mostly about the supposedly bad colour balance.)

I recently watched Season 1 - all there is so far, as of early 2018. Based on the voting for other series on IMDb, this should be mid 8s or higher. It's easily as good as writer Adam Price's earlier creation Borgen - which has justifiably raving reviews on here and is one of my all-time favourite series.

Thank you to him and everyone involved. This is an intelligent, profound, gripping series, addressing the most important things in life in a serious way, yet joy is never too far away. It's not essentially bleak or noirish.

Lars Mikkelsen is amazing as the troubled priest-patriarch Johannes. He's given space here to show what he can do, and he's astoundingly good. This will hopefully silence those who thought his brother Mads a better actor. The rest of Johannes' family are outstanding performances too. One son, a priest, goes to a war zone with the Danish army, and his life is forever changed. The other son, exuberant and somewhat ethically-challenged, goes travelling to the Himalayas with a friend, and his life is forever changed. Ann Eleonora Jørgensen as Johannes' long-suffering wife is also excellent.

I can't wait until the next season! I can't think of anything negative to say about it at all. It's about family, Danish traditions, religion (without being particularly pro- or anti-religion), one's values in life, kindness, happiness, betrayal, angst, personal transformations, one's calling in life, love etc. I read a very good Adam Price interview where he says the show was aimed to get people talking about religion, not to present any particular point of view. It's a fascinating look at religion, from many perspectives. Also there's a hallucinogenic drug party, a same-sex love affair, haunting visions, near-death experiences; can't go wrong.

Extremely gripping, emotional, funny, touching. In short: WATCH IT!!

I am not often deeply moved by screen drama, the only time up to now was by Bergman films. Now another Scandinavian screen drama has done it, this time TV by Adam Price. He touches on so many intellectual, emotional and spiritual triggers in this series with a story arc that soars. This is, without doubt totally unique screen drama without precedence. After watching 19 of the 20 episodes, I know it must end, but I am invested with every character. Its as if in seeing the last episode I am invited to their funerals, where I must mourn their passing from my life. Yup, its been that engaging. I feel changed by it, invigorated and exhausted, it was indeed deeply moving.

The Danes know how to tell a story and how to bring their characters to life. I slogged through the first 4 or 5 episodes but about then everything started falling into place and I was totally immersed in Danish National Church and life for the next five hours. I even caught myself thinking I understood what the characters were saying without reading the closed captions. Weird. I haven't decided whether or not to watch season two so I'll take some time out and watch a murder mystery. But, Season one was a total smash in my books. Thank you Netflix. I am continually amazed how much I have learned, watching foreign series, especially Danish, Mexican and French. I am a man of the world when I turn on Netflix.

This was one of those shows where I thought, worth a try. After the first episode I thought, yeah not bad. Now I'm sitting up late watching the end of the last episode in season 1.

An intelligent, engaging, very human drama. Really good.

In the allegedly new yet oddly 1980-ish landscape of the old Dickensian format of the Series that is offered by the new era of streaming media; In an age where we are offered nothing new really than the old ballads of cartoon creatures battling for power - This exceptional story stands out a beacon, carried by a miraculous script and an otherworldly performance by lead actor Lars Mikkelsen. This series offers something new, something totally unheard of in its genre: Its arena is not the traditional opera stage with its designed caricatures preforming allegorical roles of intrigues serving to produce the drama. On the contrary, this is the drama of the opposing forces that resides within each individual character; the true stage of the battle of good against evil suitable for a religious topic like Herrens veje, but more importantly this should represent the challenge given us in any depiction of true human Endeavour: To represent the human drama as a drama within. Fear, shame, guilt, jealousy, love, these are not persons - They are aspects of each individual persons life.