The Florida Project

I had the privilege to catch an early viewing of this film along with a Q&A with writer/director/editor Sean Baker. Many know him from his breakout hit Tangerine (2015); I was sucked into his world since the release of Starlet (2012). Something that he never ceases to portray is the messed up realism that is hidden within our world and the Florida Project capture this in the most purest and colorful of ways.

The story follows a ruthlessly mischievous 6-year old named Moonee who, along with a couple friends, explore, disrupt, criticize and takeover a simple hotel complex just on the outskirts of Disney World. She lives with her young, tattooed mother, who seems to have issues of her own, but seems content and manages to pay rent (almost) every week.

Taking place over the summer, these kids are free to do as they please, that is, since there parents are not too strict. And being around tourists who can't afford the Disney Resort, they can make a lot of fun out of it. From panhandling money for ice cream to turning off the electricity in the hotel, these badmouthed hoodlums do it all. One thing this film captures well is the freedom children have and how far they go to test the waters of life.

It was very easy to get lost in this film, making it completely enjoyable. I was worried about the kids being a bit over exaggerating, but they really weren't and every thing they did seemed natural and true to their character. I especially want to point out Halley, Moonee's mother, and her performance. I have never seen a character like her played so superbly and so factual. You will see as the story unfolds that she is a very complex person who, like a child, struggles to maintain complacency with the people around her.

Another element I would like to touch up on is the camera work. By far one of the best storytelling methods for a film such as this that is mostly from a child's point of view. The colours being so vibrant and wide angles that show how big the world really is. The gorilla-style as well really depicts how on-the-go they are and trivial most disruptions are.

One last thing I want to touch up on is that there is a number of great shots with a helicopter zooming away. I am unsure if it was intentional or if there was a popular helipad near by, but this was a great part of the film that was subtly used. To me it represented freedom, and escape from the world, referring to how fast it can get away.

It is not everyday you come across a film like The Florida Project and I definitely intend on seeing it again, as it is simply rewatchable. Getting a taste of authentic realism in art nowadays is one of the most beautiful gifts we can receive. Enjoy!

Boy, did I hear some great things about this from film festivals and from critics I follow on social media. Trailer didn't blow me away but I knew there had to be something special about this film. I haven't seen Sean Baker's previous effort, Tangerine, so I didn't really have a barometer for what to expect. I can safely say the film works so well. It's incredibly well acted, and utilizes a charming and emotional script to convey an experience you won't soon forget.

The film follows a young girl named Moonee (played by a really good young Brooklynn Kimberly Prince) and her mom who live in an extended stay motel managed by Bobby (Willem Dafoe). Halley, Moone's mother, has trouble making ends meet and does whatever she can to raise her daughter but her brash personality and lifestyle makes life difficult during their stay at the motel. Bobby tries his best to watch over them but realizes how tough it is keeping them as guests.

Its hard to say much more without giving away key plot points. I have to say this film is a joyous good time. The kid performers are mostly yelling loudly and running around on adventures. you know, being typical hyper kids. Its done so well though. I think Baker may have legitimately had the child actors improvise their lines because everything felt extremely natural. Newcomer Bria Vinaite, wow. She is livewire. Love or hate her character, she is loudly unapologetic and rebellious and just wonderfully portrayed. Defoe is also typically great. Bobby is such an identifiable character.

Baker uses his lenses to study a part of under-represented America. We don't get a lot of films about struggling families who find it hard to get by, definitely not the typical "Hollywood" character story. The film is definitely going to hit a lot of viewers hard at the end. Its a rather beautiful ending that reflects the innocence of the mischievous but ultimately innocent children. This could really be an Oscar contender.

8/10

Many years ago I remember being in a shop where a rough-as-stones mother was there with a 5 or 6 year old girl who was so well spoken and friendly that I barely believed they were together. A bit snobbish of me, but at the time I felt for the child as I assumed her path was more or less chosen for her. Life is not as simple as that, and it wasn't fair of me to judge, but it is a memory recovered while watching this film. The Florida Project takes us into a motel mostly housed by those down on their luck (to say the least). We go there via the perspective of the child Moonee, who mostly runs around with other children while her mother Halley smokes and lies around. Money comes from stripping when she can, but mostly from selling knock-offs to tourists. For Moonee though, it is a world of wonder and color.

It is important to say that it does this in a way that is very slow, and does spend a bit too long lingering in some scenes or ideas. This makes the film a bit harder for those (like myself) expecting something with more purpose, but if you know this then it is easy to go with it and be engaged by what it does. The film enjoys the nostalgic playing and fun of the children, and doesn't push the sadness of the situation. Likewise the extent of the poverty and desperation are not directly shown or labored other than the way a child would observe them. The personal drama plays out though, and in the end it is a depressing film for how it does come over as very real - and ultimately how Moonee probably doesn't have that bright future that she deserves; not to say people cannot escape poverty - but there is almost nothing here to help them do it.

The performances are strong through, which is important for a film which spends so long letting the characters just be on camera. Prince is as good as everyone says she is; utterly convincing and challenging. Dafoe is the only real 'name' in the film, but he doesn't let that be what he is there for, and he is an engaging presence. Vinaite is very good as Halley - had the performance come from an established actress then this would have been Oscar material; I wonder if her tattoos etc made people assume that she was essentially just doing what came naturally? Regardless she is nuanced, unsympathetic, but yet human - the film doesn't pander or patronize her.

The Florida Project is not an easy sell as a film, and it is perhaps a bit too slow for its own good, but it has a heart and honesty that make it work. The performances are natural and convincing throughout, and the film allows the child's wonder and fun come through, while never denying the depressing and oppressive reality of it all.

This is not a happy, fun film. At all. But they don't all have to be, nor should they all be fluff.

I saw it on the last day it was on Netflix and only watched it because it was the last day. Am I glad I did? I am still trying to figure that out.

It is as uncomfortable as Disney is saccharine. Oops, I mean happy.

The unique buildings on the streets, the colors all around are shown to their Sunday best in the bleak lives of the people who live near them.

Willem Defoe is, as ever, brilliant and restrained and brings humanity to the group. I wish I could say the kids bring hope, but they do not. And the helicopter, to me, brought the humor and "in your face" moments.

Would I have paid to see this film and not been mad about it? Probably - a few days after viewing it. Would I recommend it to friends who appreciate films (versus movies)? Absolutely, but with reservations.

I am not sure if I will ever know what I truly think about this film. And, frankly, that's a good thing. It made me think. It made me uncomfortable. It made me question things.

It made me very uncomfortable in my own skin. So, yes. That's a good film.

Beautifully humane film that at times recalls Italian Neo-Realism, at other times the child-based films that are so popular in Iran. That it was made in the USA, with a real if humble budget, seems surprising and is a testament to the commitment of the filmmakers.

Subtly going back and forth between the perspectives of the child and adult characters, the film has, at times, an almost magical realist vibe, though nothing remotely supernatural or surreal transpires. Indeed, this is a film steeped in harsh reality, but also one that captures the almost mystical sense of discovering life on the part of the children and sometimes, momentarily at least, even the adults.

On the other hand, the film also offers a very visceral sense of the stress of trying to survive amidst the scarcity of the margins of American capitalism.

The acting is incredible, all the more so given that, with the very notable exception of Willem Dafoe, the performers are all either non- actors or unknowns.