सात उचक्के

The only inspiration to consider this comedy was Vijay Raaz, but the film is so lifeless that even the huge list of cast members it boasts of cannot do anything to save it.

I will not go into details as to what the film is about because I myself couldn't fully understand it. There is apparently a plan masterminded by Pappi (Manoj Bajpayee) to rob rich merchant Diwan's (Anupam Kher) mansion of whatever gold he has stashed there. For this purpose, Pappi hires a group of men, who all have to then kick Inspector Tejpal (Kay Kay Menon) out of the way to succeed int he heist. The sequences surrounding this plan makes no sense. Kher is shown once in the first half and then disappears. Raaz comes around after 40 minutes and then the film starts spewing expletives like the script had nothing better to include.

There is no single scene anywhere in its 140-minute running time that will attract you to consider the film closely. It is just a bunch of characters fooling around without a clue as to their existence or the purpose. The makers have only relied on the structural old Delhi props and the cheesy language to attract the niche who may also be disappointed by the film's sheer incapability to produce entertainment or induce even a single chuckle.

BOTTOM LINE: Sanjeev Sharma's "Saat Uchakkey" is one of the highly disappointing films in recent times not because the poor film has no story but because so many good actors have wasted their time on it. You better don't waste yours on this garbage. Skip for life!

Can be watched with a typical Indian family? NO

This movie is underrated and killed by censor board, every character has given nice performance. not a cup of everyone's tea. Nice concept.

Recently saw Saat Uchakkey and loved it! It is in the league of Hera Pheri and Jane Bhi Do Yaro. It's writing is like Guy Ritchie meets Murakami. I am so glad this masterpiece kept the "A" certification and didn't let go of the language because the dialogues comes out best the way it is right now in the film. One character(Manoj Bajpayee) approaches another to get him to take the responsibility for a crime. As he can't do it, so he suggests someone else. The third character can't do it either. Soon a half dozen wackiest men are in search of someone to be the hoodwink and take the responsibility of a mock murder. They eventually meet a wannabe lawyer(Vijay Raaz) who sets the stage for an out of this world comedy drama. I had no idea it was going to be a comedy when I first started watching it but soon enough I was laughing out loud. It's a little slow, but WTF many caper films usually build slowly. But it is thoroughly enjoyable with some gags that I've never seen anywhere else in Bollywood films. Hats Off to the entire cast, you just can't say who is better than the other! If you've just recently watched bad films, and are depressed, this movie is the perfect antidote. It shows the lighter side of people who are down on their luck. Saat Uchakkey creates a fascinating world, wonderful characters, fantastic plot, stupendous soundtrack, amazing screenplay, wonderful production design and cinematography and it is funny, funny, funny....outrageously funny

Old ghosts and new dreams survive side by side in this Manoj Bajpayee, Vijay Raaz film as we get to see Old Delhi like we have never seen it before.

God who may be mad, an Anupam Kher who lives in a Havel a Muslim woman claims is hers, and a Kalawati who exists only in dreams. There is more going on in Sanjeev Sharma's Saat Uchakkey than meets the eyes and, yes — despite the Censor's objections — the ears. Sift through the abuses, those that have survived 90 cuts and a three-year wait for release, and the film is a delightful slice of life from that new pet haunt of filmmakers, Old Delhi.

However, it's not the Old Delhi of just pigeon contests, closely knit houses and kite- flying, with Red Fort and Jama Masjid alternatively peeping over the horizon. Sharma's Old Delhi is rather about the old ghosts and new dreams which co-exist here so organically, one feeding off the other, one fuelling the other. It's about men who make a living "making antique idols", or keys for "90-year-old iron locks"; the men who hawk wooden snakes alternatively as "engineering craft" or "sexual toy" to hassled but polite foreigners; the lawyers who fix cases through skinny, knife-wielding boys barely standing upright; and cops who must find order amidst this all. It's also about the women who find their way through this, giving back as good as they get. There are few ways out of this maze of narrow lanes, kachauris, card games, and hand-to-mouth survival. And one of the first offered to Pappi (Manoj Bajpayee) and company is a blithe deal: "bijli churani hai", they are told over roadside tea. The second is more esoteric, in the form of a lunatic, Bichchi (Annu Kapoor), of mythical reputation. In Bichchi's mutterings, Pappi sees the promise of a hidden treasure in that contested Havel of the diwan (Anupam Kher). Where gods co-exist snugly with "item numbers" organised for Purnima, day begins with a flower-seller setting shop for Kaali puja, a dacoity must take into account the neighbourhood mosque, mourners break into a dance, and havelis come with Mughal lineage, nothing is impossible. Manoj Bajpayee as Pappi; Aditi Sharma as Pappi's resourceful love and the neighbourhood heartthrob Sona; Vijay Raaz as Jaggi, the lawyer with a waistcoat, a ponytail, and that undulating henchman; and Kay Kay Menon as daroga Tejpal keeping the order while nursing a secret love for Sona, are all excellent. Annu Kapoor as the narrator/god can't help his dramatics, but Anupam Kher is just over-the-top.

Idiotic hack crooks, a babe, a safe, a plan and a mad mystic. Add them all up and you get the best comedy you've never heard of. Even with some a-list star power (at least a-minus...okay, b-plus?) this movie got very little publicity. But that does not diminish its genius. Terrific writing, solid delivery and a believable group of characters. Some truly classic lines, and a fun twist at the end.