Mobile Homes

Mobile Homes (2017) follows a mother and her young son as they drift between motels with the mother's toxic boyfriend. This was a beautiful and heartfelt film with great meaning. The cast did an amazing job, and the film was so visually stunning! This film felt like The Florida Project (2017) meets Nomadland (2020).

Firstly, the cinematography was beautiful and not overwhelming, and the visuals in general were pleasing to the eye. There were a lot of pretty colours and I especially liked the pale blue shots, also the lighting was calm and relaxing. In addition, I liked the framing too. The setting for the film was pretty and a good fit!

The sound was fairly good, I wasn't too fussed about the score but it definitely wasn't bad and it fit the mood well. However, I was genuinely very impressed with the sound design as there was a lot of attention to detail and a lot of effort had gone into it.

The characters felt so real, and all the acting was impressive and brilliant. This film was an intimate character study of a flawed yet relatable protagonist that was easy to root for. Imogen Poots really gave her best performance in Mobile Homes (2017). The mother-son relationship was beautiful and both actors had a lot of chemistry. I'd also like to mention the costuming, which I really liked too.

The film as a whole wasn't consistently engaging, but I still believe it succeeded as a slow-burn. The pacing was very steady and it was packed full of emotional moments. The ending was a nice close to the film and brought me to tears!

I won't give anything away. The mother and son are both portrayed by extraordinary actors. Opinions seem polarised regarding the story; if you can't relate then - hey, lucky you! Anyone with any similar experience will find this gut-wrenching, but ultimately uplifting. Reading other reviews I wonder why some pepole watch anything other than shiny happy family films.

This film tells the story of a woman with a young son and a irresponsible boyfriend. They drift around because they have no money.

The story is slow, and it is not very engaging. They seem to leave a trail of destruction wherever they go, and I just cannot feel for the family. It is hard to feel sorry for the woman because she just can't change her ways, for example she even has to keep stealing little items from the guy who helps her.

This is a very well crafted film with compelling performances all the way around. Imogen is once again outstanding.

We see a single mother, her 8 year old son and her criminal boyfriend in a random and aimless series of scams and hustles. The mother found her way here by a series of terrible life choices that are just beginning to have dire consequences for her son who has reached the age for first grade. Her relationship with her boyfriend is simply toxic. He has started to involve the child in his criminal endeavors.

The film begs the question, can she turn her and her son's lives around when presented with a good opportunity? Its easy to judge these characters harshly, especially the mother. If that's all one gets from this then one is missing a lot.

Ali (Imogen Poots) and her son Bone live with her volatile boyfriend Evan drifting from place to place as they perform petty scams for money. They get into cock fighting and barely escape a police raid. She manages to run away from Evan with her son and hide in an empty mobile home.

The first part with the boyfriend is so muddled that it becomes flat. The narrative drive isn't there. It's in a faux docu-style filming until it gets to Callum Keith Rennie. It feels like the acting and the story is allowed to be unleashed at that point. The story still meanders around but without Evan, it is allowed room to breathe. This is not a movie with a destination. Of course, there is the inevitable reunion because the story has nowhere else to go. It's not that compelling to watch the destructive relationship between maddening Evan and the co-dependent Ali.