आडू जीवितम

The film's narrative is gripping, capturing the essence of Najeeb's journey in the harsh desert landscape, where he is forced to live as a shepherd under inhumane conditions. The screenplay, also penned by Blessy, stays true to the essence of the novel, conveying the agony and hope of Najeeb with an unflinching honesty. The dialogues are sparse but powerful, resonating deeply with the audience and evoking a wide range of emotions.

Aadujeevitham's cinematography is another highlight, with the expansive deserts and harsh environments beautifully captured by the lens. The film's visual storytelling complements its narrative, making the audience feel the isolation and desolation that Najeeb experiences. The use of natural light and the sweeping shots of the desert landscape create a hauntingly beautiful backdrop that enhances the story's emotional impact.

The music and background score by A. R. Rahman add an additional layer of depth to the film, subtly underscoring the narrative's highs and lows. Rahman's compositions are evocative and poignant, perfectly aligning with the film's tone and enhancing the overall viewing experience.

All things considered a neat adaptation of Aadujeevitham. I read the novel around 15 years ago and loved it. I don't remember everything from it but there were some standout moments from the novel that I missed here. Maybe those were the more fictional aspects of the novel and this could be closer to Najeeb's real life, I don't know. But it really felt like that in the first half there was so much focus on certain aspects that could've been shortened with more impact even if they didn't include the parts from the book that I wanted to see since it's already three hours. The initial portions of Prithviraj as the newly arrived immigrant were also not as convincing as I would've liked. But the film fully commits in every department in the second half and makes such a beautiful experience. Prithviraj's transformation and his suffering are portrayed as a person who is very normal and innocent in contrast to the similar character in Mariyan (which took a lot of inspiration from this novel) who was essentially portrayed as a hero. Periyone song was incredible but it was too short and didn't fully give the impact it could've. In fact, a lot of scenes suffer from this because of poor editing. Other than Periyone, most of the music is either too much or just not matching what is going on. Honestly disappointed with the music. Even the ending of the movie felt a little abrupt, especially considering how the flashbacks were set up but it ended without the full payoff.

Even with all the problems I had Aadujeevitham is a solid movie and a neat adaptation of the novel with incredible performances, especially from Prithviraj. As someone who had read the novel, there were a lot of things that were easier to understand and also other things that I was disappointed with. It felt like it would be an entirely different experience for those who haven't read the novel.

This story is totally based on Real Life and not for faint hearted. The elements used in this entire cinema is totally believable and close to reality of Gulf-Countries Slavery Lives. One of my close one also faced same kind of situations over there and fortunately escaped from that misery but it's sad to see that in this 21st century as well some peoples are going there in search of Good Life and Ended up after becoming a Slave of some Sheikhs'. A beautiful movie that everyone should go for..

People are calling it overhyped! But let me clear you that you must have patience to watch it completely because the duration of this movie is around 3hrs with extremely slow level of Screenplay. Although Cinematography is quite rich and extremely beautiful still it could have been 20-25Min Short for sure. The survival instincts are shown very clearly and the way the Director paid attentions to minute details are praise worthy. Storyline is extremely simple and interesting to feel. The Best part of this movie is Leading Actor's Performance. I guess 90% of the time Camera focused on the main character and yeah our Hero nailed his role brilliantly. Music was also extremely good as A. R Rehman was associated with it's music.

Overall a Good movie and not for Family audiences as it have a love making scene in the movie and a total naked body of our leading character is shown in very details. And of course those who are soft-hearted shouldn't go for it.. From my side it will be 7 Out of 10 Stars for it..

The movie probably went a bit overboard in telling its story. The actor's performance was too much, almost like they were trying too hard, and the film made the characters' problems seem bigger than they really are. I get that sometimes a movie needs to amp up the emotions to make a point, but here, it kept that intense level from start to finish and didn't even wrap up the story well. This made the movie feel like it was just trying to make us feel sorry for the characters, rather than telling a good story.

However, the movie does have a meaningful message at its core, and in some places, the over-the-top acting might have been necessary to get the emotions across. But sticking with that approach all the way through, without giving the story a proper ending, was a mistake that turned the movie into what felt like a long plea for sympathy.

There's one good thing that might come out of this movie, though. It could make people think twice about making reckless decisions, like jumping into something risky without thinking it through. If the exaggerated struggles shown in the movie make viewers more cautious about taking big risks without planning, then at least the movie has done something useful. In a roundabout way, the movie's over-the-top take on its story could end up being a warning to think carefully before diving into something dangerous.

The film is worth watching, but there are many superior survival movies that offer a more rewarding experience for the same three-hour investment. "Society of the Snow" stands as a recent benchmark in the genre, and unfortunately, this film falls short of that.

The narrative suffers from a lack of a compelling theme, with certain segments dragging on unnecessarily. The romantic subplot is particularly weak; it's not only poorly crafted but also fails to contribute meaningfully to the overall story, despite occupying a substantial portion of the first act.

The pivotal elements of the film commence too late, by which time the audience may have already lost interest due to the earlier lackluster content. However, the desert sequences stand out, showcasing commendable performances by the trio of actors portraying the survivors.

The conclusion of the movie is jarringly abrupt, leaving viewers without any insight into the lives of the enigmatic character who joined the trek or the Malayali individual who offered aid.

In summary, the romantic elements are excessively drawn out, the desert scenes are satisfactory, and the ending feels rushed, as if the production was constrained by budget limitations and had to hastily wrap up, akin to the final moments of writing an exam.