In the Life of Music

I can't watch the movie, can someone help me please??

The miracle of this film that Caylee So and Sok Vishal brought into timeless existence, is that it breaths not only life into one of the darkest experiences of humanity - but exhales love. It draws on the creative prowess of young Cambodian actors, blends seamlessly a story told in both English and Khemer, and reverberates with hope that love, like music endures... I feel the partnership of Caylee and Sok who brought such breathtaking performances from the children actors in the film, with their talented crew of editor, cowriter, sound and cinemagraphic artists, in partnership with producers and the heart and soul of the Cambodian community in America, and those in Cambodia who made this film happen - achieved a beautiful miracle. This is a priceless addition to the film record of the contribution to our human family by Cambodia and Cambodians.

In the Life of Music is a deeply stirring and touching film that demonstrates how powerful a song is. Songs transcends time and thread the pieces of our lives to create stories. Songs connect us to the past, make meaning of the present, and give us hope for the future. The beautiful cinematography stirs the imagination of the stories and evokes emotions through the film's signature music of Champ Battambang. This emotionally captivating film contributes to putting Cambodian American filmmaking on the map. I am so proud of Caylee, Visal, and all those who contributed to making this film!

"In the Life of Music" is an incredibly beautiful and touching story. Wonderfully woven, the music composition, sounds, and narrative...So many layers of emotion---humor, sadness, nostalgia, and hope---I felt it all. I hope everyone has a chance to see it. As a second generation Khmer American, it is incredibly uplifting to see the arts, particularly the cinematic arts, growing in the Khmer diaspora. Pre-war Cambodia, the Khmer Regime, and post-genocide to now...I think we are seeing the start of a new era of stories and artists emerging alongside paying homage to the music, language, and traditions of Cambodia. When people think of "Cambodia", it won't just be about the killing fields or Angkor Wat, but because of films like these, we can also show the richness, potential, and resilience of a people.

As a second-generation Cambodian-American, "In the Life of Music" struck a chord with me. No pun intended. Great feature films made by ethnic minorities are a rare treat. A feature film made by a Cambodian-American is even rarer, and I savored every moment of it.

I was particularly struck with Ellen Wong's performance as a Cambodian-American trying to gather up pieces of her family's history despite the English-Khmer language barrier between her and the older generation. It's an issue I identify with in my own life since many older Cambodians refugees struggle with English due to a combination of immigrating at an older age, severe trauma and hardship from war, lack of financial resources, and access to education. A lot of second-generation Cambodian-Americans, like myself, have difficulty communicating with the older generation because our Khmer language skills diminish due to overworked parents trying to make ends meet don't have much personal time for family, and/or formal language classes in Khmer aren't really available in our communities.

What ends up happening is a huge language and cultural gap between 1st generation and 2nd generation Cambodian-Americans. 1st Generation Cambodian-Americans have trouble speaking about their past history and experiences either because of language difficulty or the experience was too painful to talk about. 2nd Generation Cambodian-Americans have trouble asking and learning/understanding about those experiences.

This film, "In the Life of Music" tries to create a cultural bridge between the two generations who have trouble understanding one another through the shared experience of music. And I think the film does a great job at it since 1960s Cambodian pop music was one of the few things the older generation had and held onto in America. And it's also one of the few things 2nd Gen Cambodian-Americans can use to relate to our parents since it's often part of our childhood experience at family events or restaurants. The only other thing that remotely comes close to it would maybe be ...the Southern California donut.