7 Days in Entebbe

I am reading many negative reviews. It seems people want the hijackers to be uni-dimensional zealots. Any effort to humanize them or give their back story is repulsive to most. I disagree with most of these views. The movie is thoughtful, gives different viewpoints, and is well executed. The interspersing of the dance sequence added emotion and tension to a compelling story. Those who don't appreciate the art in a picture should watch the shoot emotion up 1970's version.

The ending was annoying mostly because of the frequent crosscutting between the dancing sequences and the action taking place. I don't know what it was supposed to mean, but it was just irritating. And there was a subplot with one of the Israeli soldier and his girlfriend, that didn't add anything to the story, why it was included is a mystery to me. the storyline was good but the slow pace didn't help it.

On the contrary, 7 days in entembbe was well-acted, and the cinematography was awesome. the score was amazing but can be overbearing at times.

In July 1976, an Air France flight from Tel-Aviv to Paris gets hijacked on a stopover in Athens. The leaders of the group are Brigitte Kuhlmann (Rosamund Pike) and book publisher Wilfried Böse (Daniel Brühl). They are German revolutionaries trying to reclaim the initiative after their group faced setbacks at home. They are joined by Palestinians looking for revenge against the Jewish state. They force the plane to fly to Entebbe, Uganda where they have friendly unstable dictator in President Idi Amin. In Israel, defense minister Shimon Peres (Eddie Marsan) pushes for aggressive action while Prime Minister Yitzhak Rabin is cautious in the face of overwhelming odds.

This true crime thriller is 2/3 great and 1/3 meh. Certainly, the hijacking is compelling and the two Germans are fascinating in their naive radicalism. They are over their heads as they slowly drown in the pool of their own making. Even a minor character like Idi Amin is terrific. The second great thread is the Israeli political leaders. Eddie Marsan is a great actor in a juicy role. The least compelling is the Israeli soldier and his dancer girlfriend Sarah. While her concern is still life and death, it pales in comparison to the other threads. The modern dance show is a disruption in the story flow especially in the climatic action third act. Cutting back and forth between the airport and the modern dance is simply a failed attempt at an artistic flourish. Doing the airport straight would be more intense and more compelling. Also, Netanyahu should probably be the leading soldier character in the movie rather than the kid with his girlfriend. Overall, I really like the 2/3 and the 1/3 doesn't sink it.

Really intrigued by this rescue and also read books related to this hijacking. But the dance really created nonsense metaphor drama. Sorry but very pretentious. Anytime the dance comes on I just check my phone or use restroom except the last scene.

Written by Gregory Burke, and directed by José Padilha, Entebbe has met with near universally bad reviews (22% approval on Rotten Tomatoes at the time of writing), and while it is without doubt flawed, it's not nearly as bad as has been made out. Telling the story of the 1976 AirFrance hijacking by Palestinian and German revolutionaries, and subsequent Israeli Defence Force rescue mission (Operation Thunderbolt), the film is presented from multiple points of view; Revolutionäre Zellen members Brigitte Kuhlmann (Rosamund Pike) and Wilfried Böse (Daniel Brühl), Israeli Minister for Defence Shimon Peres (Eddie Marsan), Israeli Prime Minister Yitzhak Rabin (Lior Ashkenazi), IDF Pvt. Zeev Hirsch (Ben Schnetzer), AirFrance 1st Engineer Jacques Le Moine (Denis Ménochet), IDF Lt. Col. Yoni Netanyahu (Angel Bonanni), and Ugandan President Idi Amin (Nonso Anozie).

The problem is obvious; the film covers every point of view except the most important one; the Palestinian. Indeed, the only Palestinian given any kind of development is a fictional character played by Omar Berdouni, who talks of Israeli tanks driving over a car in which his family were trapped. And there are other strange omissions; the death of Dora Bloch (Trudy Weiss), murdered on Amin's orders after she was released in Kampala, is never mentioned, and Wadie Haddad is nowhere to be found. Additionally, the film doesn't have much of contemporaneous relevance to say in relation to the Arab-Israeli Conflict, other than alluding melancholically to the self-propagating nature of the violence, and the unlikelihood of peace (the closing legend points out that after he pushed for negotiations in 1995, Rabin was assassinated by a Jewish extremist). However, it's aesthetically very well put together, and the juxtaposition of Thunderbolt with a Jewish dance number works much better than it has any right to. True, it doesn't get to the heart of the matter by any stretch of the imagination, and it could be accused of taking a pro-Israeli stance, but it's enjoyable enough, and worth a look.