Here After

The concept seemed good. A girl dies, reawakens inexplicably, and then behaves as if possessed by an evil entity. It's a basic plot, but I figured I'd be in for at least a C+ horror. The lead actress seems OK, and I guess the Italy setting seemed to mix with the religious theme

I just feel that the movie fails to execute. Instead of fully focusing on the girl and what's wrong with her, we get all these annoying and boring flashbacks involving the mother (they keep going back to some scratches on her arm too). At one point, she meets an individual who describes how he's seen people who came back from the dead, just as the girl did; and the movie just fails so badly in this scene. What should have been a scary exposition comes off as normal and mundane for some reason. Basically - my feedback is that movie should've focused more on the girl, not the mother and her past.

Greetings again from the darkness. Screenwriter Sarah Conradt must think mothers possess superhero emotional strength, if we are to judge by her two most recent films - this one and MOTHER'S INSTINCT (also 2024). In this feature film directorial debut from long-time producer Robert Salerno, the mom is really put through the ringer - and we are right there with her.

Claire (Connie Britton, "Nashville", FRIDAY NIGHT LIGHTS, 2004) beams proudly as her fifteen-year-old daughter, Robin (Freya Hannan-Mills), plays piano in church. Claire also rolls her eyes when her ex-husband/Robin's dad (Giovanni Cirfiera) walks in as the performance nears conclusion. We learn Robin has been non-verbal since age 5, yet she's a talented enough pianist to be invited to audition for conservatory.

Claire and Robin have a loving mother-daughter relationship, although Claire seems a bit overprotective at times. Things turn bonkers when Robin is involved in a horrible bicycle accident and is dead for 20 minutes before being miraculously resuscitated at the hospital. Claire is relieved her prayers were answered, however, as so often happens with 'miracles', there's a catch. See, Robin can now speak. Only that's not the catch. Claire begins to notice Robin's personality is nothing like it was before the accident. Is this due to the trauma or something more sinister from beyond? I believe the film's title provides a clue.

Religion is on display throughout the film and in many forms. Also on display is Connie Britton's RWF (in contrast to RBF). Ms. Britton excels at a constantly 'worried' look, and is well cast to play the mother role in a film written by Sarah Conradt. Of course, we do discover why Claire has been carrying around all this guilt. It's also the reason why Robin initially stopped talking at an early age. The final act works off of a tremendously interesting premise, and some will find the execution a bit too artsy for this type of movie, while others will appreciate the approach.

Opening in select theaters and on digital September 13, 2024.

A speech impaired girl plays the piano very well and lives with her mother. This girl has an accident during a trip. She is put into a coma. When she wakes up, she starts talking. But she wakes up with anger.

Shortly after the girl's waking scene, the whole movie can be easily predicted. This means that many similar scenarios have been written. The movie could not do anything different from these scenarios.

I personally did not enjoy the movie. Also, in these kinds of movies, there is apology in dreams and making amends, which is pure comedy. I can't say I enjoyed watching it.

There is no sexuality or nudity in the movie.

This movie might have worked if it had been released in the early 2000s, but by now, we've seen this story hundreds of times. There's nothing original in this film, no standout scene, or anything memorable, which makes it a forgettable, below-average flick. It's not awful by any means, but there's really nothing particularly enjoyable or unique about it. Probably the most interesting aspect of the movie is Connie Britton as the lead. It's rare that a movie below 90 minutes runtime feels that long.

The horror elements are also very light, which is disappointing since the trailer made it seem like this would be a proper horror movie. Unfortunately, there are no noteworthy scares or tense scenes. I can't imagine many people enjoying this movie, so I can't recommend it. [4.2/10]

Here After, starring Connie Britton, explores life, love, and the afterlife in a whimsical yet disjointed way. The film follows a man's journey in the afterlife, where he must find true love to move on, blending elements of romance and the supernatural. While the premise is intriguing, the execution falls flat, with pacing issues and dialogue that sometimes feels forced. Despite a solid performance from Connie Britton, the film struggles to connect emotionally, leaving you more aware of its flaws than invested in the characters. Overall, it doesn't quite deliver on its promise, making it a tough watch at 3/10.