Journeyman
- 2017
- 1 घं 32 मि
IMDb रेटिंग
7.0/10
5 हज़ार
आपकी रेटिंग
अपनी भाषा में प्लॉट जोड़ेंBoxer Matty Burton suffers a serious head injury during a fight. This is the story about the impact on his marriage, his life, and his family.Boxer Matty Burton suffers a serious head injury during a fight. This is the story about the impact on his marriage, his life, and his family.Boxer Matty Burton suffers a serious head injury during a fight. This is the story about the impact on his marriage, his life, and his family.
- पुरस्कार
- 7 कुल नामांकन
Lexie Duffy
- Mia
- (as Lexi Duffy)
फ़ीचर्ड समीक्षाएं
Very moving film brilliantly acted and directed by Paddy Considine.
The story begins with World Champion Matty Burton (Considine) and the build-up to his fight with brash, unbeaten and mouthy prospect Andre Bryte (Anthony Welsh). Supporting Burton is his wife, Emma (amazing Jodie Whittaker), and the two have a young child together. The opening montage establishes Burton's life showing he has everything to fight for including: family, friends, pride, career and community.
After the fight in the ring Considine and Whittaker take centre stage in a deeply moving portrait of a family coming apart due to tragic circumstances. Their performances as two characters battling to stay in love, together and just fighting to keep going is remarkable. There are so many startling scenes and moments which punch and wind you; this story moved me beyond words.
The story begins with World Champion Matty Burton (Considine) and the build-up to his fight with brash, unbeaten and mouthy prospect Andre Bryte (Anthony Welsh). Supporting Burton is his wife, Emma (amazing Jodie Whittaker), and the two have a young child together. The opening montage establishes Burton's life showing he has everything to fight for including: family, friends, pride, career and community.
After the fight in the ring Considine and Whittaker take centre stage in a deeply moving portrait of a family coming apart due to tragic circumstances. Their performances as two characters battling to stay in love, together and just fighting to keep going is remarkable. There are so many startling scenes and moments which punch and wind you; this story moved me beyond words.
To my surprise, 'Journeyman (2018)' isn't so much a typical 'boxing film' as it is an unexpectedly realistic and heart-wrenching examination of how a single, blindsiding moment can change your life, for the worse, forever. It's also an exploration of one of the darker, less emphasised sides of a sport in which the participants consistently receive blows to the head, any one of which could end their careers or, worse, their lives (either as they know them or entirely). The film really is powerful. It's sobering stuff delivered through a phenomenal, award-worthy central performance and an incredibly nuanced, tactile screenplay that never feels heightened or 'Hollywood', instead feeling pretty much 'real' and incredibly raw right the way through. I was totally taken by surprise and on the edge of my seat throughout, watching through gritted teeth and teary eyes. It truly is brilliant, unbelievably compelling work, even if it isn't always easy to sit through. 8/10.
Paddy Considine really out did himself this time. What a spectacular film. The acting from everyone in this feature is outstanding and Paddy who also wrote and directed undoubtedly is a star when wearing all 3 hats.
The videography was sharp and well crafted the sound effects along with intense music made you feel the emotions from the characters, unfortunate as it was even when his head felt like it was going to explode.
I don't do spoilers so I won't speak much about the storyline you can read the synopsis yourself, but Paddy wrote this so superbly there won't be enough time in the day to pursue every offer he will soon be receiving to act, write and or direct.
Congrats to everyone involved in this film you should be proud of yourselves.
I give this a Totally Awesome movie rating at 9 for 'Journeyman' meaning someway somehow this needs to be the next film you see. It packs a heartfelt punch.
The videography was sharp and well crafted the sound effects along with intense music made you feel the emotions from the characters, unfortunate as it was even when his head felt like it was going to explode.
I don't do spoilers so I won't speak much about the storyline you can read the synopsis yourself, but Paddy wrote this so superbly there won't be enough time in the day to pursue every offer he will soon be receiving to act, write and or direct.
Congrats to everyone involved in this film you should be proud of yourselves.
I give this a Totally Awesome movie rating at 9 for 'Journeyman' meaning someway somehow this needs to be the next film you see. It packs a heartfelt punch.
It started about 20 minutes into the film. It then reoccurred every 10 minutes or so for the remainder of the duration. I've not cried like that at a film for I don't know how long. Like an emotional dementor Paddy Considine's second picture as a director takes so much, and give it back in equal measure.
I could say it was a like a punch to the face. A knockout of a film. It took me the full 12 rounds. It had me up against the ropes and... I could say these things. But they'd be naff -especially when describing this bruiser of a film.
It follows Matty Burton, an ageing boxer who knows his times spent and is ready to take his last steps into the ring before hanging up the gloves. But fate has another idea. Sounds familiar right? That's what I thought. Benefitting from having not seen the trailer, which I'd strongly advise avoiding if possible, I was of course shocked at the tale that followed.
Matty revives an injury which alters the course of his life. The film is really about how it affects not just him but those around him, namely his two friends and most of all his devoted wife, portrayed by Doctor Who's Jodie Whitaker, in a career best role. It's a boxing film but more than that it's a film about those we love and who care for us. It's about identity in some ways, fight in others, but love in every way.
Set mainly in the family home of Matty, his wife and their baby daughter Mia, the film is, for the most part, a domestic tale about a man recovering from a traumatic injury and a family recovering from the fallout of it.
When I say domestic I mean in the sense that the action is all contained within the confines of the house; not the ring. As a director Considine creates tension from the most ordinary of sights and sounds, a crying baby, the call of a name. He also crafts more than a couple of shocking moments, also within the house. These really shock. They're sudden, viscous and yet they create no feelings of anger, only anguish and desperation for our two leads.
Considine proved himself as a more than competent director with Tyrannosaur, and also a capable writer with Shane Meadows' Dead Mans Shoes. Here he goes beyond that. The original score is used when necessary and removed entirely at just the right moments, a certain phone call scene is one of the films standouts. It never tips into the melodramatic or pandering which I was very worried it would.
However above all this directorial talent which produces and almost insist on such incredible emotional response, it's the acting of Considine and Whitaker which truly blew me away. Considine is utterly convincing, scarily so at times. Whitaker more than matches him too in what is a very different but no less enthralling portrayal. Being a small British film (small only in the sense of it not getting a wide release) I don't expect any awards to come raining down. But I also don't think I'll see another pair on screen this year who put as dynamic and heartfelt a performance as these two. Absolutely stellar.
Yes it is a knockout. It did hit me with an emotional guy punch. And yet it's so much more than the cliches thrown its way would have you believe. See it.
I could say it was a like a punch to the face. A knockout of a film. It took me the full 12 rounds. It had me up against the ropes and... I could say these things. But they'd be naff -especially when describing this bruiser of a film.
It follows Matty Burton, an ageing boxer who knows his times spent and is ready to take his last steps into the ring before hanging up the gloves. But fate has another idea. Sounds familiar right? That's what I thought. Benefitting from having not seen the trailer, which I'd strongly advise avoiding if possible, I was of course shocked at the tale that followed.
Matty revives an injury which alters the course of his life. The film is really about how it affects not just him but those around him, namely his two friends and most of all his devoted wife, portrayed by Doctor Who's Jodie Whitaker, in a career best role. It's a boxing film but more than that it's a film about those we love and who care for us. It's about identity in some ways, fight in others, but love in every way.
Set mainly in the family home of Matty, his wife and their baby daughter Mia, the film is, for the most part, a domestic tale about a man recovering from a traumatic injury and a family recovering from the fallout of it.
When I say domestic I mean in the sense that the action is all contained within the confines of the house; not the ring. As a director Considine creates tension from the most ordinary of sights and sounds, a crying baby, the call of a name. He also crafts more than a couple of shocking moments, also within the house. These really shock. They're sudden, viscous and yet they create no feelings of anger, only anguish and desperation for our two leads.
Considine proved himself as a more than competent director with Tyrannosaur, and also a capable writer with Shane Meadows' Dead Mans Shoes. Here he goes beyond that. The original score is used when necessary and removed entirely at just the right moments, a certain phone call scene is one of the films standouts. It never tips into the melodramatic or pandering which I was very worried it would.
However above all this directorial talent which produces and almost insist on such incredible emotional response, it's the acting of Considine and Whitaker which truly blew me away. Considine is utterly convincing, scarily so at times. Whitaker more than matches him too in what is a very different but no less enthralling portrayal. Being a small British film (small only in the sense of it not getting a wide release) I don't expect any awards to come raining down. But I also don't think I'll see another pair on screen this year who put as dynamic and heartfelt a performance as these two. Absolutely stellar.
Yes it is a knockout. It did hit me with an emotional guy punch. And yet it's so much more than the cliches thrown its way would have you believe. See it.
10asdlkfjq
Journeyman is a near perfect film, in my opinion. It's simple, but elegant, allowing the characters to breathe and develop. It's *beautifully* acted by Paddy Considine and Jodie Whittaker, who frankly should have had awards thrown at them for the scene that you probably came to the review page to read about, and it's directed to perfection by BAFTA-winning writer and director Paddy Considine, who allows every actor to give the best performance possible and who has a great eye for framing.
Considine's career-defining performance is what will draw most people into watching Journeyman- he's nothing short of amazing- but it's Jodie Whittaker who steals the show. She's just heartbreaking, conveying the subtleties of Emma's situation masterfully. It's a remarkable, understated performance that looks effortless, and the fact that she only received an Evening Standard Award nomination for her performance in this film is just criminal. Doctor Who fans should consider themselves lucky to have her as the 13th Doctor.
Laurie Rose is the director of photography for this film, and while most of it stays focused on the characters, Journeyman is quite beautifully shot. The editing by Pia Di Ciaula is sharp, and the score and sound design are pretty good too.
Journeyman is a remarkable film: it's devastating, yet hopeful; it's beautifully acted, directed, and filmed; and it's a showcase for two of Britain's finest acting talents. Once again, Paddy Considine proves himself to be an actor, writer, and director to watch.
9.5 out of 10
Considine's career-defining performance is what will draw most people into watching Journeyman- he's nothing short of amazing- but it's Jodie Whittaker who steals the show. She's just heartbreaking, conveying the subtleties of Emma's situation masterfully. It's a remarkable, understated performance that looks effortless, and the fact that she only received an Evening Standard Award nomination for her performance in this film is just criminal. Doctor Who fans should consider themselves lucky to have her as the 13th Doctor.
Laurie Rose is the director of photography for this film, and while most of it stays focused on the characters, Journeyman is quite beautifully shot. The editing by Pia Di Ciaula is sharp, and the score and sound design are pretty good too.
Journeyman is a remarkable film: it's devastating, yet hopeful; it's beautifully acted, directed, and filmed; and it's a showcase for two of Britain's finest acting talents. Once again, Paddy Considine proves himself to be an actor, writer, and director to watch.
9.5 out of 10
क्या आपको पता है
- ट्रिवियाPaddy Considine and some of the crew visited a centre run by UK brain injury charity Headway in 2016 while preparing for and researching the role. Paddy spent time talking to their clients about their lives, both pre and post brain injury in order to grasp how their brain injuries had affected them. In the film, Matty displays some mannerisms that Paddy observed during the visit. They also made a donation of £500 to the charity.
- कनेक्शनFeatures The Jeremy Kyle Show (2005)
- साउंडट्रैकShutdown
Performed by Skepta
Licensed courtesy of Boy Better Know
Written by Joseph Adenuga and Daniel Mukungu
Licensed courtesy of Warner Chappell Music Ltd (PRS) and Domino Publishing Co Ltd, (PRS)
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