IMDb रेटिंग
7.3/10
28 हज़ार
आपकी रेटिंग
पहले अफ्रीकी अमेरिकी सुप्रीम कोर्ट जस्टिस थर्गूड मार्शल की कहानी और उनके करियर परिभाषित मामलों को दर्शाया गया है.पहले अफ्रीकी अमेरिकी सुप्रीम कोर्ट जस्टिस थर्गूड मार्शल की कहानी और उनके करियर परिभाषित मामलों को दर्शाया गया है.पहले अफ्रीकी अमेरिकी सुप्रीम कोर्ट जस्टिस थर्गूड मार्शल की कहानी और उनके करियर परिभाषित मामलों को दर्शाया गया है.
- 1 ऑस्कर के लिए नामांकित
- 5 जीत और कुल 21 नामांकन
Jeremy Bobb
- John Strubing
- (as Jeremy Lowell Bobb)
फ़ीचर्ड समीक्षाएं
Growing up one of the first influential black figures I learned about was Supreme Court Judge Thurgood Marshall. While my life didn't veer in the path he took, it was a chance for me as a young black male to see the dedication and time he took to his craft and where it could take you. Almost 2 decades have passed since then, and found myself surprised to see a film finally based on him and his capabilities. While the younger me was excited, I found myself wondering how this film would hold up side by side with other black period films like itself in recent history.
Thurgood (Chadwick Boseman) is working in the NAACP when he is tapped for a court case of the accusation of a black male rumored to have raped a woman and thrown her off into the river and left for dead. While he travels to Connecticut for the trial, he finds himself hard pressed given he is a out of town lawyer unfamiliar to the client, and is left to have a inexperienced attorney (Josh Gad) to speak on his behalf in court. While Thurgood knows most of the material and how to move in court, he has to show Josh's character the way to observe things his way.
The performances are all relatively solid by no surprise given the cast. Josh Gad is able to sell the inexperienced character almost having to be hand held through every decision made in the courtroom. Also the development of him progressively becoming more confident as time goes forward. The writing in the courtroom is interesting enough to keep you invested in knowing what's the truth and the holes in one plaintiff and defendants stories.
Alas, my biggest issue with the film is really the lasting impact. While it is perfectly watchable in the moment, I felt as if a story like this should have had more lasting impact than what I saw given it's a film in a movie theater. It's not as riddled with clichés like preceding films I've seen in the past, but misses a strong distinctive voice. For some the issues I had with Hidden Figures, I at least know who the target audience was for the film and what they wanted to take from the movie. Marshall doesn't really have that same feeling. The writing is never bad, but never as sharp as it feels like it should be until the second half when more gets revealed.
Marshall in a nutshell I would say is "almost there" as a movie. Fine within the moment but leaves a bit desired when the credits rolled. I wouldn't turn anyone away from seeing this, but may be best suited seen at home.
Thurgood (Chadwick Boseman) is working in the NAACP when he is tapped for a court case of the accusation of a black male rumored to have raped a woman and thrown her off into the river and left for dead. While he travels to Connecticut for the trial, he finds himself hard pressed given he is a out of town lawyer unfamiliar to the client, and is left to have a inexperienced attorney (Josh Gad) to speak on his behalf in court. While Thurgood knows most of the material and how to move in court, he has to show Josh's character the way to observe things his way.
The performances are all relatively solid by no surprise given the cast. Josh Gad is able to sell the inexperienced character almost having to be hand held through every decision made in the courtroom. Also the development of him progressively becoming more confident as time goes forward. The writing in the courtroom is interesting enough to keep you invested in knowing what's the truth and the holes in one plaintiff and defendants stories.
Alas, my biggest issue with the film is really the lasting impact. While it is perfectly watchable in the moment, I felt as if a story like this should have had more lasting impact than what I saw given it's a film in a movie theater. It's not as riddled with clichés like preceding films I've seen in the past, but misses a strong distinctive voice. For some the issues I had with Hidden Figures, I at least know who the target audience was for the film and what they wanted to take from the movie. Marshall doesn't really have that same feeling. The writing is never bad, but never as sharp as it feels like it should be until the second half when more gets revealed.
Marshall in a nutshell I would say is "almost there" as a movie. Fine within the moment but leaves a bit desired when the credits rolled. I wouldn't turn anyone away from seeing this, but may be best suited seen at home.
A look at the career of Thurgood Marshall. Maybe more people will know who he is and what exactly he accomplished.
Kudos entire cast was riveting!
Kudos entire cast was riveting!
I hate to say most, but there's a lot of biopics that are very formulaic in nature. And come to think of it, every genre deals with that issue. I can acknowledge that it's immensely hard to make a film that feels fresh and relevant at the same time. But I think the reason I tend to feel this way about biopics is because a lot of them seem to be directly aimed for the Oscar audience. And while that could be the case with Marshall, it's nothing less than a delightful film to watch.
As with so many biopics, the main reason Marshall succeeds is Chadwick Boseman's unsurprisingly good turn as the famous lawyer, Thurgood Marshall. Whether or not Thurgood was this way in real life, I absolutely loved the sheer display of confidence in Boseman's portrayal. It was almost to the point of cockiness, without being arrogant. It's that balance that made me appreciate what this man brought to the table.
Of course, there's also the dynamic of having a story that is still relevant to this day. Not only are people of color still discriminated, underestimated, and not believed in the court of law, but the idea of pitting race against race in the courtroom is something that is still unfortunately an issue today. So in a way, it was disheartening to watch the injustices happening throughout Marshall, as we know they are far from being over in the 1940's, but it's always nice to see something stick up for their people no matter what time period they are from.
Boseman isn't the only one who gives a good performance as Josh Gad, Sterling K. Brown, Kate Hudson, James Cromwell, and a few others give valuable turns as their respected characters. I think my only issue with the film is that it ultimately felt very safe. I'm not one to know how these real life cases played out, but Marshall definitely feels like it took a guarded approach to the subject matter. Because of that, you can appeal to a mass audience, but I don't know that it was as detailed or thorough that it needed to be. Don't get me wrong, Marshall is a powerful film, but I think it could have taken an even further step forward into that realm.
8.2/10
As with so many biopics, the main reason Marshall succeeds is Chadwick Boseman's unsurprisingly good turn as the famous lawyer, Thurgood Marshall. Whether or not Thurgood was this way in real life, I absolutely loved the sheer display of confidence in Boseman's portrayal. It was almost to the point of cockiness, without being arrogant. It's that balance that made me appreciate what this man brought to the table.
Of course, there's also the dynamic of having a story that is still relevant to this day. Not only are people of color still discriminated, underestimated, and not believed in the court of law, but the idea of pitting race against race in the courtroom is something that is still unfortunately an issue today. So in a way, it was disheartening to watch the injustices happening throughout Marshall, as we know they are far from being over in the 1940's, but it's always nice to see something stick up for their people no matter what time period they are from.
Boseman isn't the only one who gives a good performance as Josh Gad, Sterling K. Brown, Kate Hudson, James Cromwell, and a few others give valuable turns as their respected characters. I think my only issue with the film is that it ultimately felt very safe. I'm not one to know how these real life cases played out, but Marshall definitely feels like it took a guarded approach to the subject matter. Because of that, you can appeal to a mass audience, but I don't know that it was as detailed or thorough that it needed to be. Don't get me wrong, Marshall is a powerful film, but I think it could have taken an even further step forward into that realm.
8.2/10
Marshall is a great movie that delivers on an old-fashioned courtroom drama. Great story with really good acting from the leads. Great cast overall. So far I have loved every role I have seen Chadwick Boseman play, he is a great actor and has this sort of swagger when acting. Sterling K Brown is great and one of the greatest actors in recent years. It was different but enjoyable seeing Josh Gad in a drama. I wish they would make more of these movies that follow Thurgood Marshall's journey. The only negative thing is that it felt a bit long.
Marshall is a sleek legal drama with great performances from Chadwick Boseman as the title character and Josh Gad. Don't be fooled by the snazzy vintage costumes, the real heart of Marshall's success is its screenplay and the chemistry between its lead actors.
This film follows pioneering Supreme Court Justice Thurgood Marshall in his earlier years as a lawyer for the NAACP. A white socialite in Greenwich, Connecticut, accuses a black man of rape and attempted murder. The NAACP believes the man, Joseph Spell, is innocent and sends Marshall to defend him. Marshall enlists local lawyer Sam Friedman (Josh Gad) whose previous track record involves tax or insurance cases. Friedman worries about his family's safety due to the unrest the controversial trial causes. Sam and Thurgood must work together to defend Spell and each other.
This film is very good and so is its screenplay. The touches of comedy bring a welcome balance to its serious topic and difficult history. There is an array of good lines for Boseman and Gad. Several other actors get a chance to shine as well. I appreciate that Marshall takes its subjects seriously, but doesn't take on a dreary tone doing it. The scenes in the courtroom are intense and keep you interested in the action. As the case develops, these scenes get more and more engaging.
While Boseman is very good as Thurgood Marshall, his performance is disappointing considering how hyped his portrayal has been in the film's ad campaign. He gives Marshall a suave personality but the script limits his ability to show off his range and really take the character on a journey. On the other hand, Josh Gad is a standout as Sam Friedman. He plays to his comedic strengths as Marshall's sidekick while also giving a genuinely good dramatic performance as a central and evolved character. He is a nice foil to Boseman and their chemistry reminds me of a buddy cop comedy.
The lesson I take from the film is that you have to follow your moral compass even when it's hard. Sam's unwillingness to join the case makes sense. He is just starting out and worried that it could ruin his reputation. The fact that he does it anyway is a testament to the person Friedman must have been in real life.
I give Marshall an age rating of 14 to 18 because of some racial and offensive language and suggestive and violent content, including depictions of the alleged assault. And my verdict on Marshall? 4 out of 5 stars. Marshall opens in theaters on October 13, 2017 so go check it out.
Reviewed by Benjamin P., KIDS FIRST! Film Critic.
This film follows pioneering Supreme Court Justice Thurgood Marshall in his earlier years as a lawyer for the NAACP. A white socialite in Greenwich, Connecticut, accuses a black man of rape and attempted murder. The NAACP believes the man, Joseph Spell, is innocent and sends Marshall to defend him. Marshall enlists local lawyer Sam Friedman (Josh Gad) whose previous track record involves tax or insurance cases. Friedman worries about his family's safety due to the unrest the controversial trial causes. Sam and Thurgood must work together to defend Spell and each other.
This film is very good and so is its screenplay. The touches of comedy bring a welcome balance to its serious topic and difficult history. There is an array of good lines for Boseman and Gad. Several other actors get a chance to shine as well. I appreciate that Marshall takes its subjects seriously, but doesn't take on a dreary tone doing it. The scenes in the courtroom are intense and keep you interested in the action. As the case develops, these scenes get more and more engaging.
While Boseman is very good as Thurgood Marshall, his performance is disappointing considering how hyped his portrayal has been in the film's ad campaign. He gives Marshall a suave personality but the script limits his ability to show off his range and really take the character on a journey. On the other hand, Josh Gad is a standout as Sam Friedman. He plays to his comedic strengths as Marshall's sidekick while also giving a genuinely good dramatic performance as a central and evolved character. He is a nice foil to Boseman and their chemistry reminds me of a buddy cop comedy.
The lesson I take from the film is that you have to follow your moral compass even when it's hard. Sam's unwillingness to join the case makes sense. He is just starting out and worried that it could ruin his reputation. The fact that he does it anyway is a testament to the person Friedman must have been in real life.
I give Marshall an age rating of 14 to 18 because of some racial and offensive language and suggestive and violent content, including depictions of the alleged assault. And my verdict on Marshall? 4 out of 5 stars. Marshall opens in theaters on October 13, 2017 so go check it out.
Reviewed by Benjamin P., KIDS FIRST! Film Critic.
क्या आपको पता है
- ट्रिवियाBoth Chadwick Boseman and Thurgood Marshall went to Howard University.
- गूफ़In the early 1940s, Marshall gives Friedman, whose experience is in civil law, books to get him up to speed on criminal law. However, none of the books focus on criminal law. The first, A Concise Restatement of Torts, Second Edition, about civil law, was published in 1965. The two volumes of Wigmore on Evidence are the McNaughton Revision, published in 1961. Evidentiary law discussed in Wigmore applies in both criminal and civil cases, so Friedman, a trial lawyer, would already be familiar with it. The fourth was Volume 308 of the United States Reports, which published all the US Supreme Court opinions for the 1939 October term.
- भाव
Thurgood Marshall: The Constitution was not written for us. We know that. But no matter what it takes, we're going to make it work for us. From now on, we claim it as our own.
- कनेक्शनFeatured in Andra Day Feat. Common: Stand Up for Something (2017)
- साउंडट्रैकKeep a Knockin'
Written by J. Mayo Williams, Robert Mays (as Bert Mays)
Courtesy of Universal Music Publishing
Performed by Louis Jordan & The Tympany Five (as Louis Jordan & His Tympany Five)
Courtesy of Geffen Records under license from Universal Music Enterprises
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Marshall?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Tuổi Trẻ Của Marshall
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $1,20,00,000(अनुमानित)
- US और कनाडा में सकल
- $1,00,51,659
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $30,00,805
- 15 अक्टू॰ 2017
- दुनिया भर में सकल
- $1,01,16,816
- चलने की अवधि1 घंटा 58 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.00 : 1
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