Happy Death Day

I saw a pre-screening of Happy Death Day and let me tell you, it was one of the most fun theater experiences I've had. The movie doesn't take itself too seriously, which is definitely for the best. If anyone walks into a movie about a sorority girl living the same day over and over and being killed over and over and expects it to be some genre-defying horror perfection, that's on them.

However, that doesn't mean this is a bad movie by any means. Jessica Rothe as Tree Gelbman and Israel Broussard as Carter Davis are fantastic as the two leads. They have excellent chemistry and make us root for them. Rothe's character wasn't the typical horror movie sorority girl, either. She was cunning and badass. She made us believe she could actually figure this mess out. If you don't change your mind on who the killer is at least twice throughout the film, you aren't paying attention.

There are curveballs thrown left and right, which made my theater gasp and yell numerous times. You think the movie is about to end on at least two different occasions. The script is smart, there's horror, there's comedy, there's drama. Happy Death Day takes you in numerous directions, while also making sure you have fun along the way. This is definitely one of my all-time favorite campy horror flicks out there. It even pokes fun at Groundhog Day, which it very clearly took some inspiration from. I recommend this to anyone who enjoys horror; again, it doesn't redefine the genre and there are definitely an abundance of clichés. With that, though, there are still a handful of clever moments I certainly was not expecting.

Saw 'Happy Death Day' as somebody who was fascinated by the concept, found the advertising interesting and good enough to warrant a view and who appreciates horror when done well. Seeing it just before Halloween as part of my Halloween celebrations, will admit to not being as bowled over by the film as would have liked but enjoying it a good deal.

As surprisingly interesting as the advertising was (and there has been some dreadful advertising this year, a notable recent example being the completely mis-marketed 'Geostorm'), it is also misleading. One would expect a truly frightening film judging from the trailers, but actually 'Happy Death Day' happened to be much more than what was indicated and wasn't what one would call terrifying or sleep-with-the-light-on-for-a-week. The good news is that 'Happy Death Day' actually makes the most of its concept, refreshing having seen films recently that had concepts that they didn't do anywhere near enough with. The not so good news is that as enjoyable as it was it did feel like something was missing.

It is easy to see why lots of people will like, and have liked 'Happy Death Day'. It is just as easy to see why it will be, and has been, a let-down for others. My opinion has shades of both, leaning towards the former. 'Happy Death Day' may be somewhat standard (while the concept is a pretty unique one, some of the story elements aren't), superficial (other than the lead character, the characters are developed very flimsily) and some parts don't make as much sense as they could and feel unfinished.

Was expecting more from the killer twist reveal, which is not as clever and surprising as one would like and the whole ending felt rather silly and rushed to me (the killer's motive also came over as really trivial for an elaborate set-up). A little slow to begin with too, it's once the concept kicks in when 'Happy Death Day' properly comes to life and maintains that energy for the rest of the film.

For all those faults though, 'Happy Death Day' is also refreshingly self-aware, almost very much aware of its standard-ness and superficiality and acknowledges it, and manages to be lots of fun, creepy-suspenseful and surprisingly thought-provoking. Gruesomely funny sums it up very well.

'Happy Death Day' is a long way from amateurish visually, the photography is stylish rather than slapdash, the editing has suitably unnerving moments and the lighting is atmospheric. Christopher Landon never lets it get too heavy while not diluting the fun or scares, and the at times haunting and at others times funky soundtrack adds a lot.

When it comes to the script, 'Happy Death Day' is full of knowing humour and never removes its tongue from its cheek, instead keeping it firmly intact throughout which proved to come off really well. It also really makes one think. The story execution is not perfect, but it's never dull and has some neat twists and turns that stops it from being predictable and repetitive.

Jessica Rothe should become a bigger star after her excellent lead turn here, she has been acting a few years before this but this is the first time where she really held my attention and allowed me to take proper notice of her. Israel Broussard is also very believable and the two have great chemistry together. The acting on the whole is solid but essentially it's all about Rothe and she is one of the main reasons why 'Happy Death Day' is worth a viewing.

Overall, a long way from perfect but quite enjoyable. 6/10 Bethany Cox

I had low expectations and I have to say they were totally exceeded .

This is an enjoyable Romantic Horror with more than a passing reference to GROUNDHOG DAY - and the occasional reminiscing of the 15 year old Shaun of the dead . Plus a bit of Scream , scary movie and a number of other slasher movies .

Jessica Roshe was brilliant in the starring role , you believe in her character , her charm was endearing and despite the 10 years between her character and actual age she played the combination of innocent romantic with a touch a modern feisty independent female in control of her own destiny .

The only poor point was how the inevitable twist was handled - that could have been slightly better but definitely worth seeing .

Pad.A 7/10

I think people going to see this movie are expecting wayyyy to much from a slasher movie. I'm rating it based on what I expected, and I was certainly impressed. This movie wasn't trying to be anything more than another murder movie, but what made me want to see it was the idea of taking Groundhog Day (which it fully admitted to ripping the idea from) and turning it into a slasher film. I was actually surprised it held back on gore and blood. I was fully expecting it to be all the tropes of gross-out killings, but it was instead focused more on character development and the story. I admit the characters are a bit one-dimensional, but again, it's a slasher movie. It's trying to win any academy awards here. In many ways I think it's parodying those one-dimensional characters of college trope characters and the "last girl" in horror movies because it goes all-in on establishing the main characters as somebody you're meant to hate at first. The ending genuinely took me in a direction I didn't anticipate, and then it took me back to what I was expecting, but did it in a way that I felt fresh. All in all, I had fun watching this movie, which I think what this movie was meant to be: Fun.

Jessica Rothe is amusingly pithy and savvy playing a selfish college beauty, a spoiled sorority sister who rules the school until she is stabbed and killed on her way to a surprise birthday party by a masked lunatic. But fate plays this campus cutie an unusual hand once she discovers she's living her birthday over and over again, each time attempting to cheat death but always running into her attacker. Screenwriter Scott Lobdell isn't trying to sneak a slasher variant of "Groundhog Day" passed us--he's upfront about the similarities, even exalts in them, while toying with all the possibilities such a scenario can offer. It takes Rothe three tries to fully comprehend what's happening to her; once she formulates a plan (creating a suspect list), Lobdell mixes things up, so that the movie rarely feels repetitive. Our heroine, snarky to start, follows Bill Murray's example and becomes a better person on her twisted journey (reestablishing contact with her father, apologizing to her roommate, even causing her own demise on one occasion to prevent the cute nerd from the boys' dorm from losing his life). Director Christopher B. Landon deserves credit for delivering a modern-day thriller with lots of action but no gore and no nudity. If it isn't quite a family-friendly slasher flick, it certainly is a squirrelly, sassy one, with some big laughs counterbalancing the suspense. Good show! *** from ****