Chappaquiddick

The movie is well made, moves a little slowly but is compelling due to it's subject. The actors do a superb job. Even Ed Helms and Jim Gaffigan manage to make you forget who they are.

Kennedy and his handlers do not come off well, of course. It's a not a documentary and I do not trust Hollywood or the media to portray anyone historical character completely accurately.

For me, there are 2 take aways from the movie:

1. This was a sincere young lady whose life was cut much too short. It was difficult for me to watch her on screen knowing what was about to happen to her. She deserved better. Sadly, she is a footnote in history. We should refer to it as the Mary Jo Kopechne scandal, not Chappaquidick.

2. The end of the film featured "person on the street" interviews from 1969. It was amazing to listen to the ones who dismissed his short-comings and continued to support him. Seeing those interviews in the Trump era makes for an interesting perspective. Ted Kennedy, Bill Clinton or Donald Trump, the American voter on both sides of the aisle will look past a man's sins if they think that person will advance their political agenda. The opposite is also true: People will mercilessly and unflinchingly condemn a person for his shortcomings if they don't agree politically. This was true during the 2016 election cycle. It was never about Hillary or Trump's demons, it was always politics. Until that is understood, people will never get why Trump has support.

The biggest unanswered question for me is: how did Kennedy get out of the car. If the doors were jammed shut and the windows unbroken, which kept anyone from getting Mary Jo out of the car, then how did he get out?

This film disappoints. I remember the event quite well and most of the true happenings were covered up and this movie does nothing to add to the truth.

We will never know the complete truth, but money talks and happened in the cover up, but this was not even included in this film. It appears that even 50 odd years later, it is still impossible to get the whole truth, so the Kennedy power still reigns.

A sad day. I feel this movie should not have been released as the speculation will continue, yet a person lost her life and the culprit got away with it.

Growing up in the 60's, and a fan of JFK, I recall reading about this event as an unfortunate driving accident involving Kennedy's younger brother Ted and his secretary Mary Jo, who had been drinking at a party, and were probably having an affair. Seeing this movie, I can't help but think it should have been made a long time ago, as so much is revealed about what really happened. But, I still think this is an important film for my generation and younger people who tend to hero worship without uncovering the tragic flaws. It's also a dramatic eye-opener about the political machinations used to retain power. The actors are good, the story is compelling, but more time spent on Ted before and after would have made it better. And I came away sad about Mary Jo and her family in view of her dedication to a worthy cause.

The facts speak for themselves in this sober and sardonic telling of Senator Ted Kennedy's infamous late night car crash that drowned "Boiler Room Girl" staffer, Mary Jo Kopechne along with the subsequent cover up mostly stage managed by two of JFKs "best and brightest" Bob McNamara and Theo Sorenson. It is mostly a restrained telling as it displays less cynicism than pointing it out as the old gang huddles at the Hyannis Kennedy compound to plot and strategize for what they hope is a future President. Brother from another mother Joe Gargan attempts to get Ted to do the right thing but he is no match for the Realpolitik of Robert McNamara who is clearly running the interference, pulling strings and creating scenarios while local Sheriff Arena bungles his investigation, much of it in the favor of the Senator as a Kennedy flunky is dispatched to the deceased Ms Kopechne's parents to block access. It is a Humpty Dumpty make over and an unpleasant reminder of "justice" bought through power and influence in this democratic nation of ours.

There's an Oscar worthy performance to be found in tarnished angel's Ted played by Jason Clarke with a smarmy false bravado and unctuous cowardice while garnering great sympathy as he panics and leaves the girl to drown. Clearly the linch pin to the tragedy he is also responsible for some of the dark humor as says too much too soon, fails to re-new his license, comes up with far fetched attempts to elude blame and models a neck brace for effect before tussling on the floor with a fed up Gargan.

Kate Mara's Mary Joe rings with a mature and melancholy sincerity, her scenes with Ted tastefully handled, more concerned with revealing two people at uncertain moments in their life than a just a roll in the sand. Helms as Gargan suffers nobly and humiliatingly much by way of reaction. Bruce Dern as paralyzed dad Joe does as well but in a much more severe way while Clancy Brown's former Defense Secretary McNamara is take charge impressive in a room of heavyweights.

James Curran's direction is well paced and edited as he smoothly moves the investigation along amid the chaos of what's at stake as well as provide jarring flashbacks and allowing Mary-Jo in her own way provide brutal testimony to the audience. Overall the direction and writing (Taylor Allen, William Logan) is neither venally strident nor smugly damning as the film portrays the tragically flawed Kennedy, justifiably in some way, as a victim for being less than a great man in a circle that would not settle for anything but before once again finding himself out of his depth.

There are two tragedies in this film. The first is the death of Mary Jo Koepechne, the young woman left to die in an upturned car in shallow water. The second is Ted Kennedy's ultimate refusal to accept responsibility for his negligence. The fact that the second tragedy works so well in the shadow of the first is a testament to how well the movie is written and performed.

The movie begins with a montage of Kennedy family photos and audio describing the achievements and deaths of Ted's three brothers, Joe Jr., Jack, and Bobby. The implication is that Bobby lives in a world of tragedy already, but that he also lives in the shadows of three brothers. Throughout the film, we hear from Ted, his cousin Joey, the secretaries (including Mary Jo), and even Joe Sr. that Ted either needs to find a way out of those shadows or that he will never be able to get out from them. Ted wants to be his own man, but he can't quite escape the gravitational pull of his family name that, a mere decade before, had dominated American political life.

In seeming preparation for what could be a presidential run, Kennedy rounds up Jack's secretaries in order to try and get them to work for him. He invites them to a small cabin in Martha's Vineyard to drink and participate in a boat race (that Ted embarrassingly loses). The secretaries as a whole, save Mary Jo, have bought into the Kennedy mystique completely, but Mary Jo is scarred by the deaths of the Kennedy brothers and is reticent about coming back into the "family", as Ted puts it. Ted drives her back to town in an effort to continue to try and convince her, but he takes the ill-fated turn and drives off the bridge, overturning the car.

One of his first lines of dialogue after exiting the car cuts right to him. He's gotten out of the car (he doesn't know how) and walked back to the cabin. When he sees his cousin Joey out of sight of everyone else, he says, "I'll never be president." It's not the safety of Mary Jo whom he's left behind, probably dead, that concerns him, but his political future and his ability to live up to the family's expectations.

What follows is something between a comedy of errors and a tragedy as Ted, Joey, and advisors brought in by Joe Sr. work to mitigate the situation with Ted making poor decisions left and right from a sloppily written statement to the police (that gets to the media) to a neck brace that brings nothing but scorn due to its obvious needlessness. All through this, Joey, the faithful cousin lawyer, is Ted's conscience, begging for Ted to do the right thing by calling the police right after the accident, telling the truth, and eventually resigning.

It's the final scene, Ted's address to Massachusetts and the nation, that shows Ted as completely fallen and Joey's complete degradation in the face of Ted's insistence on weathering the storm. Joey has begged Ted to resign, even writing a resignation letter at Ted's request with the expectation that Ted would read it. But it becomes obvious that Ted's not going to do it. His voice seems distant. The lighting is low. There's something wrong, and he tosses Joey's letter aside in favor of the message written by Joe Sr.'s advisors. Joey's ultimate disgrace comes when he is shanghaied into holding up the cue cards for Ted in his final half of the speech. Joey does his duty, but he simply cannot believe what he's seeing and hearing from his friend. He had expected Ted to rise up above the shadow of the Kennedy family by doing what was right, but Ted had fallen in with Joe Sr.'s view of greatness instead.

It's that final scene that really makes the movie, distilling the central conflict within Ted by using Joey perfectly in contradistinction to Ted's actions.