वारसॉ में, मत्स्यांगना बहनों की एक जोड़ी को कैबरे में गोद लिया जाता है. एक इंसानों से प्यार चाहता है तो दूसरा शहर की इंसानी आबादी पर खाना खाने को तरसता है.वारसॉ में, मत्स्यांगना बहनों की एक जोड़ी को कैबरे में गोद लिया जाता है. एक इंसानों से प्यार चाहता है तो दूसरा शहर की इंसानी आबादी पर खाना खाने को तरसता है.वारसॉ में, मत्स्यांगना बहनों की एक जोड़ी को कैबरे में गोद लिया जाता है. एक इंसानों से प्यार चाहता है तो दूसरा शहर की इंसानी आबादी पर खाना खाने को तरसता है.
- पुरस्कार
- 22 जीत और कुल 19 नामांकन
फ़ीचर्ड समीक्षाएं
If there's any small criticism I have of this film, it's that a couple times there are characters that appear suddenly, do something, and then vanish, only to reappear later. There is no explanation of these characters, sometimes not even a name. I don't mind the lack to linear reality, but I did find myself asking questions about how these individuals fit into the greater story, and whether explanatory scenes had been cut. The only other not-positive thing I could say is that the dolphin noises are maybe a little silly.
That's honestly it. I really really enjoyed this movie, and I'm so glad the Calgary Underground Film Festival showed it. It needs more publicity!
In fact, I'm currently very frustrated because I can't find this movie or its soundtrack available anywhere. There's a song in the middle of the film that I'd love to listen to again, the 'Bloody Gloomy' song, and neither the clip nor the audio seem to exist online. Actually, I would love to watch the whole movie again; it's a very rich film, visually, with a lot of attention paid to little details like props and blocking and costumes. Especially as I was reading subtitles, I feel like I could gain a lot from a second viewing. I can only hope a North American distributor picks it up, as I would like to legitimately buy it and support Ms. Smoczynska. Good cinema deserves to be supported!
Which brings me to my last point.
This is actually my first review on IMDb, and I have to admit I'm leaving it partly out of frustration with the only other review for this film. If you don't like musicals, don't go see musicals! And if you see that a movie is classified as a musical, and you don't like musicals, and you go and see the musical anyway, PLEASE don't leave a negative review on the internet just because the MUSICAL that you CHOSE to see had MUSIC in it. That's like giving a horror movie a low score because it was scary! Come on now. You're discouraging people from going to see a perfectly good film because you don't like its genre, rather than any inherent flaw in the film itself. That's hardly fair. I hope people looking this movie up will give it a chance - it deserves much, much higher than a 3. I promise!
Set in Warsaw during the 1980s, The Lure follows a pair of mermaid sisters who are adopted by a family of musicians and are soon enlisted for gigs at the nightclub they regularly perform at. While one of them seeks companionship with the humans, the other is unable to escape her bloodthirsty nature and kills people with zero remorse.
Directed by Agnieszka Smoczyńska, The Lure is no doubt arresting from the visual standpoint and adds few new things to the mermaid lore but it also becomes repetitive after a while and is unable to immerse the viewers into its tale or make them invest in the characters inhabiting it. Also, there is no explanation for the significance of its 1980s setting.
The atmosphere is mysterious & sexually charged, songs are intriguing & tuneful, romance subplot feels forced, while the horror part is only present in bits n pieces. The chemistry between the two girls playing the mermaids is electric and fascinating to watch but the rest of the cast barely has any meat on them, and their presence makes no difference whatsoever.
On an overall scale, The Lure is a finely envisioned & well conceptualised idea but it's also poorly executed. Its plot is intriguing but never engaging, its images are aesthetically pleasing but never alluring, and although the effort is commendable, it's never emotionally involving. Promising & flavourful at first, it doesn't take long for The Lure to turn into a pungent smelling sea foam.
Up to that point there is some pacing issues, some timeline jumping issues and some issues with people and the way they behave, when faced with ... well our female main characters. If you can call their characters female that is. There is nudity, there is violence and there is singing too. A lot actually, so if you have issues with one or more of those things, this may not be for you in the first place. Otherwise a modern day fairy tale is what you get ...
Most of the musical numbers and dancing were well-choreographed, but a couple of sequences didn't quite gel. A bit less time is devoted to developing the most critical romance of the movie than it needed, which unfortunately lets a bit of air out of the ending.
The visuals and effects were surprisingly good. The mermaid tails especially were well done, with details such as broken scales and scars adding chilling realism. Be warned that some parts of the movie are a bit gruesome; the critical difference between traditional mermaids and their darker cousins is made clear on several occasions. Younger children probably shouldn't watch.
There are quite a few movies written around mermaids, but this is the first I have seen about sirens. Hollywood, take note-"The Lure" demonstrates that this area has a lot of dramatic potential.
All in all, definitely worth a one-time watch.
क्या आपको पता है
- ट्रिवियाThe mermaid tails were six feet long and weighed over fifty pounds. According to Agnieszka Smoczynska, they were designed to look "repulsive" and different from depictions like Splash (1984) or H2O: Just Add Water (2006).
- गूफ़Even though the drummer had his thumb bitten off by Golden, both of his thumbs are visible in the wedding scene when he is playing with the life preserver.
- भाव
Zlota: [singing] It's been a long time since I've felt this lonesome/It can't be the weather though it's pretty loathsome/At night I get cravings that aren't quite wholesome/It's been a long time since I've felt this lonesome/It can't be the weather though it's pretty loathsome/At night I get cravings that aren't quite wholesome/Because I'm sad and so are you/Now he's sad cause we're sad too/You're all sad and they're all sad/We're all gloomy as hell/Bid farewell to cheerful smiles/Dark thoughts eat me up alive/I'm a fly facing winter/Heavy, black, and sleepy/Because I'm sad and so are you/Now he's sad cause we're sad too/You're all sad and they're all sad/We're all gloomy as hell/You're all sad and they're all sad/We're all gloomy as hell
- क्रेज़ी क्रेडिटThe opening credit sequence is an animation by the painter Aleksandra Waliszewska, known for her nightmare-inducing takes on fairy-tale characters-our first indication that we are in waters far from Disney. Skulls bob around the mermaid sisters as they swim sinuously about their aquatic serial killers' den, their sweet singing voices and long gold and raven locks in stark contrast to their grim surroundings.
- कनेक्शनFeatured in Off the Hook: The Making of 'The Lure' (2017)
- साउंडट्रैकSyreni Calling
Music by Barbara Wronska
Lyrics by Zuzanna Wronska
Performed by Marta Mazurek, Michalina Olszanska & Barbara Wronska
टॉप पसंद
- How long is The Lure?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Córki dancingu
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $1,01,657
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $7,370
- 5 फ़र॰ 2017
- दुनिया भर में सकल
- $1,08,846
- चलने की अवधि1 घंटा 32 मिनट
- रंग
- पक्ष अनुपात
- 2.39 : 1