वारसॉ में, मत्स्यांगना बहनों की एक जोड़ी को कैबरे में गोद लिया जाता है. एक इंसानों से प्यार चाहता है तो दूसरा शहर की इंसानी आबादी पर खाना खाने को तरसता है.वारसॉ में, मत्स्यांगना बहनों की एक जोड़ी को कैबरे में गोद लिया जाता है. एक इंसानों से प्यार चाहता है तो दूसरा शहर की इंसानी आबादी पर खाना खाने को तरसता है.वारसॉ में, मत्स्यांगना बहनों की एक जोड़ी को कैबरे में गोद लिया जाता है. एक इंसानों से प्यार चाहता है तो दूसरा शहर की इंसानी आबादी पर खाना खाने को तरसता है.
- पुरस्कार
- 22 जीत और कुल 19 नामांकन
फ़ीचर्ड समीक्षाएं
The film is about two beautiful mermaids who befriend a rock band and then use their condition to become part of the group and entertain fans. Along the way one of the mermaids falls in love with a group member and longs to become a human to win his affection. The other has blood lust and is out to slash the throats and eat the hearts of men. Visually the performance scenes and the presentation of other dark scenes are done wonderfully.
I thought the film had a nice mix of being a horror film, a fantastical film, and a rock opera. The music was often catchy although I wasn't sure about the lyrics at all times (since they were very literal). The film is fairly erotic and captivating mainly due to the beauties of the two leads. The film does well to bring in mermaid lore and showing them as violent even if they may look beautiful. It basically felt like a horror take of The Little Mermaid at times.
My only concern is the film felt kind of imbalanced since it seemed fluid and didn't have a strong sense of accomplishing anything. Scenes just occur one into the next and seem like a progression without any real motivation. It's still a highly imaginative venture one that left an imprint, as I am sure was the intention. I'm not sure if I will pick it up on Criterion blu-ray but I am pretty pleased with the sort of outlandish nature of what was presented.
7.5/10
The film starts on the banks of a dirty river where a family are singing and drinking. They encounter two young girls in the water, sirens who sing about wanting to be lifted out of the water. The family, who turn out to form a band in a sleazy cabaret, see an opportunity to use the girls for their own purposes and they soon have them performing as a sort of singing/strip tease act the highlight of which is when at the end of their song they dive into the water and their land legs transform bag into their fish tails.
Let's get one thing straight: the script for The Lure isn't big on making sense. Characters drop in and out to explain exposition in a ham-handed fashion, the musical numbers are scattered infrequently throughout the movie and the English lyrics are difficult to parse and seem to have little relation to what's going on on screen.
Yet somehow the movie still contains a lot of charm. First time director Agnieszka Smoczynska seems to be having a ball co-ordinating the cheap glitzy glamour of the musical numbers. Actresses Marta Mazurek and Michalina Olszanska are great in their roles as sister sirens Silver and Gold imbuing them with innocence even when their sleazy guardians use them both sexually and financially.
The movie flits with deeper themes like emotional heartbreak, sisterhood, exploitation, sex, work etc. but the script never gives more than a handful of minutes to each issue so they're never fully explored. That's too bad but at the same time if you turn your brain off and just try to enjoy the movie you're in for a wild ride like nothing you've ever seen before.
Set in Warsaw during the 1980s, The Lure follows a pair of mermaid sisters who are adopted by a family of musicians and are soon enlisted for gigs at the nightclub they regularly perform at. While one of them seeks companionship with the humans, the other is unable to escape her bloodthirsty nature and kills people with zero remorse.
Directed by Agnieszka Smoczyńska, The Lure is no doubt arresting from the visual standpoint and adds few new things to the mermaid lore but it also becomes repetitive after a while and is unable to immerse the viewers into its tale or make them invest in the characters inhabiting it. Also, there is no explanation for the significance of its 1980s setting.
The atmosphere is mysterious & sexually charged, songs are intriguing & tuneful, romance subplot feels forced, while the horror part is only present in bits n pieces. The chemistry between the two girls playing the mermaids is electric and fascinating to watch but the rest of the cast barely has any meat on them, and their presence makes no difference whatsoever.
On an overall scale, The Lure is a finely envisioned & well conceptualised idea but it's also poorly executed. Its plot is intriguing but never engaging, its images are aesthetically pleasing but never alluring, and although the effort is commendable, it's never emotionally involving. Promising & flavourful at first, it doesn't take long for The Lure to turn into a pungent smelling sea foam.
क्या आपको पता है
- ट्रिवियाThe mermaid tails were six feet long and weighed over fifty pounds. According to Agnieszka Smoczynska, they were designed to look "repulsive" and different from depictions like Splash (1984) or H2O: Just Add Water (2006).
- गूफ़Even though the drummer had his thumb bitten off by Golden, both of his thumbs are visible in the wedding scene when he is playing with the life preserver.
- भाव
Zlota: [singing] It's been a long time since I've felt this lonesome/It can't be the weather though it's pretty loathsome/At night I get cravings that aren't quite wholesome/It's been a long time since I've felt this lonesome/It can't be the weather though it's pretty loathsome/At night I get cravings that aren't quite wholesome/Because I'm sad and so are you/Now he's sad cause we're sad too/You're all sad and they're all sad/We're all gloomy as hell/Bid farewell to cheerful smiles/Dark thoughts eat me up alive/I'm a fly facing winter/Heavy, black, and sleepy/Because I'm sad and so are you/Now he's sad cause we're sad too/You're all sad and they're all sad/We're all gloomy as hell/You're all sad and they're all sad/We're all gloomy as hell
- क्रेज़ी क्रेडिटThe opening credit sequence is an animation by the painter Aleksandra Waliszewska, known for her nightmare-inducing takes on fairy-tale characters-our first indication that we are in waters far from Disney. Skulls bob around the mermaid sisters as they swim sinuously about their aquatic serial killers' den, their sweet singing voices and long gold and raven locks in stark contrast to their grim surroundings.
- कनेक्शनFeatured in Off the Hook: The Making of 'The Lure' (2017)
- साउंडट्रैकSyreni Calling
Music by Barbara Wronska
Lyrics by Zuzanna Wronska
Performed by Marta Mazurek, Michalina Olszanska & Barbara Wronska
टॉप पसंद
- How long is The Lure?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Córki dancingu
- फ़िल्माने की जगहें
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- US और कनाडा में सकल
- $1,01,657
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $7,370
- 5 फ़र॰ 2017
- दुनिया भर में सकल
- $1,08,846
- चलने की अवधि1 घंटा 32 मिनट
- रंग
- पक्ष अनुपात
- 2.39 : 1