आलोचक समीक्षाएं

The Untamed does that very rare thing in cinema in that it blends mystery, horror and pseudo-reality with a kind of dark subconscious arousal.

The director’s strength is in crafting fully drawn, sympathetic characters you root for — a big accomplishment when they have to compete for audience attention with a sex monster.

Each brief glimpse of the creature’s fleshy, slithering mass imbues the character drama with an aching sexual desire and, as the violent potential of the entity becomes clear, a mounting sense of dread.

Rather than use his trademark raw style to expose and eviscerate social injustice, here Escalante puts it in service of a kind of cautionary fable about both the healing power of sex and the harming power of sexual hypocrisy, and he uses a tentacled alien to do it.

The Untamed is an examination of the strange otherworldly nature of desire, the way sex is often out of joint with our desires and expectations, even with our identities.

Even if The Untamed comes perilously close to sabotaging itself at times, this generic tightrope walk is a ferociously individual, highly intelligent piece and a superb, very affecting cast ensure that the human factor remains dominant, however creepily inhuman things may become at times.

In all honesty The Untamed doesn’t seem to go anywhere special. But connoisseurs of oddness may cherish it.

Escalante struggles to illuminate how sex and violence are connected and what this, in turn, means for more specialized types of aggressiveness and oppression, such as misogyny and homophobia.

This is a fascinating and outrageous next step for Escalante, with a strong central concept and some oozily plausible special effects. It’s just a pity that its human side doesn’t measure up to its inhuman one.

While shot through with pointed jabs at chauvinism and mainstream homophobia in Mexican society, The Untamed never quite exceeds the sum of its intriguingly opposed parts.