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Aquarius

  • 2016
  • Not Rated
  • 2 घं 26 मि
IMDb रेटिंग
7.4/10
22 हज़ार
आपकी रेटिंग
Aquarius (2016)
Trailer for Aquarius
trailer प्ले करें1:36
1 वीडियो
47 फ़ोटो
ड्रामा

65 वर्षीय क्लारा, अपने परिवार और दोस्तों के साथ भरपूर जीवन जीती है. एक निर्माण कंपनी उसका रेसिफ़ ओशनफ्रंट कॉन्डो लेना चाहती है, क्योंकि वे पहले ही 3 स्टोरी बिल्डिंग में सभी खरीद चुके हैं. क्... सभी पढ़ें65 वर्षीय क्लारा, अपने परिवार और दोस्तों के साथ भरपूर जीवन जीती है. एक निर्माण कंपनी उसका रेसिफ़ ओशनफ्रंट कॉन्डो लेना चाहती है, क्योंकि वे पहले ही 3 स्टोरी बिल्डिंग में सभी खरीद चुके हैं. क्लारा रह रही है.65 वर्षीय क्लारा, अपने परिवार और दोस्तों के साथ भरपूर जीवन जीती है. एक निर्माण कंपनी उसका रेसिफ़ ओशनफ्रंट कॉन्डो लेना चाहती है, क्योंकि वे पहले ही 3 स्टोरी बिल्डिंग में सभी खरीद चुके हैं. क्लारा रह रही है.

  • निर्देशक
    • Kleber Mendonça Filho
  • लेखक
    • Kleber Mendonça Filho
  • स्टार
    • Sonia Braga
    • Maeve Jinkings
    • Irandhir Santos
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    7.4/10
    22 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Kleber Mendonça Filho
    • लेखक
      • Kleber Mendonça Filho
    • स्टार
      • Sonia Braga
      • Maeve Jinkings
      • Irandhir Santos
    • 50यूज़र समीक्षाएं
    • 171आलोचक समीक्षाएं
    • 88मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 47 जीत और कुल 48 नामांकन

    वीडियो1

    Aquarius
    Trailer 1:36
    Aquarius

    फ़ोटो47

    पोस्टर देखें
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    + 40
    पोस्टर देखें

    टॉप कलाकार32

    बदलाव करें
    Sonia Braga
    Sonia Braga
    • Clara
    Maeve Jinkings
    Maeve Jinkings
    • Ana Paula
    Irandhir Santos
    Irandhir Santos
    • Roberval
    Humberto Carrão
    Humberto Carrão
    • Diego
    Zoraide Coleto
    • Ladjane
    Carla Ribas
    Carla Ribas
    • Cleide
    Fernando Teixeira
    • Geraldo
    Buda Lira
    • Antonio
    Paula De Renor
    • Fátima
    • (as Paula de Renor)
    Bárbara Colen
    • Clara em 1980
    Daniel Porpino
    • Adalberto…
    Pedro Queiroz
    • Tomás
    Germano Melo
    • Martin
    Julia Bernat
    • Julia
    Thaia Perez
    • Tia Lucia
    Joana Gatis
    • uma jovem Tia Lucia
    Tavinho Teixeira
    • Augusto
    Arly Arnaud
    • Letícia
    • निर्देशक
      • Kleber Mendonça Filho
    • लेखक
      • Kleber Mendonça Filho
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं50

    7.421.5K
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    फ़ीचर्ड समीक्षाएं

    Red_Identity

    Very well-acted

    This is a very interesting film. I didn't really know anything about it and I found its narrative structure and plot pretty minimalist but still very impactful for its characters and for its themes. There seems to be a lot of controversy surrounding the film and its nonselection as the Best Foreign Language Film by its country into the Oscar category. I do hope that all of that controversy doesn't end up hurting the film in terms of viewership. The biggest reason to see this is probably Sonia Braga's performance. On the surface it doesn't really look like a particularly demanding or challenging role, but to say that would also be to discount and diminish the power on the things she does throughout. More than anything, it's an intriguing performance and the film is definitely recommended.
    10massashihosono-1

    Don't judge this movie by trolling reviews

    Aquarius is a movie that tries to catch the audience by showing our almost forgotten resilience, commitment to individual values and beliefs. The main plot is a story about a wealthy lady facing a frequent and "polite" invitation to sell her apartment for a greedy and ruthless real state company who wants to put down her old building. Meanwhile, she not only tries to keep her place, but to buy other units.

    Movie's director, Kleber Mendonça, is a very skilled storyteller when it comes to expose the most bitter side of Brazilian's contradictory elite society. I've watched all his movies and shorts and I must tell, they are not comfortable. Yet they disclose things that either we don't talk about or we don't clearly see. It's a mind blowing criticism over our cultural trends and social costumes.

    As for the main actress, Sonia Braga is one of the most iconic actresses in Brazil. She moved to US to live a relationship with Robert Redford, another great actor and director. As years passed by, she did connected with America's movie industry, though she never left her carrier in Brazil entirely.

    In 2013 Kleber wrote a script that according to Sonia, while reading it, was a "present" from its author. So he invited her and she promptly replied. The result is this movie where, as The Telegraph correctly said, "will make you want to move to Brazil".
    8ferguson-6

    Sonia's finest

    Greetings again from the darkness. If you were an avid movie-goer in the 1970's, you likely fell in love with Sonia Braga while watching Dona and Her Two Husbands (1976) and Kiss of the Spider Woman (1978). Those movies catapulted the Brazilian actress to global stardom, and a long career limited only by some regrettable script choices.

    Writer/director Kleber Mendonca Filbo wisely casts Ms. Braga in the lead of his latest, and she delivers what may be her best performance ever … and certainly one of the best by any actress this year. Clara is the lone holdout in a beachfront apartment complex against a corporate developer intent on modernizing the old building in order to maximize profits.

    The film is divided into three parts: "Clara's Hair", "Clara's Love", and "Clara's Cancer". The initial segment is set in 1980 when Clara is recovering from cancer treatment and is attending the 70th birthday party for her beloved Aunt Lucia (Thaia Perez). Lucia's flashbacks to her younger days bring a subtle smile to her face, while providing parallels to what we see later with Clara. Some secrets from family are treasured memories, not meant to be shared. As the story moves forward, we grow to admire and respect Clara and join in her defiance of the smirky hotshot developer.

    The big company bullying the old lady would be an interesting and predictable story, but here it's secondary to the story of a strong woman – a woman who overcomes cancer, carries on after the death of her husband, fights to keep her home, and generally lives life on her own terms. She maintains her strength and dignity despite outside influences.

    A recurring theme throughout is "old vs. new". From the first sequence with the "old" Aunt passing the baton to her younger niece, to the old lady battling the young developer in order to prevent the historic building from being turned into a modern co-op, to the contrast of the vinyl records of Clara's collection to the digital music of the younger generation, to Clara's preference for actual phone calls to texting. It's the classic now versus then argument, and it's summed up by Clara's line to her kids: "When you like it, it's vintage. When you don't, it's old." There are some similarities to Sebastian Lelo's 2013 film Gloria, which featured an exceptional performance from Paulina Garcia, and this one utilizes some terrific "little" scenes … conversations with family and daily life with her housekeeper – all while staying close to a glass of wine, her favorite music, a cozy hammock, and her Barry Lyndon poster. While the ending is a bit disappointing, and Brazilian politics prevented it from being that country's Oscar submission, those don't negatively impact the strength of Sonia Braga's Oscar worthy performance as we rejoice in the strength of an independent woman.
    9wel2005

    Aquarius is more than a film, it's an experience.

    I did not react to Aquarius session end, I left the movie anaesthetized, not knowing what to think. Complex films like this do not involve value judgments. As the scenes were sat in memory (pictures, lines, track, details), things became more Clear. Clara (Clear, in Portuguese), by the way, is the name of the character of Sonia Braga, an old woman, a retired music critic, who decides to fight against a conglomerate of construction, preventing the building is demolished. With this wisp of plot, the young and talented director Kleber Mendonça, speaks of memory, time, social, loss, resistance, prejudice, ethics, preservation ... It's such a rich work that would need to be watched more times for an accurate and faithful analysis. There are moments of delicacy that made me breath away. The first part of the film, Clara's hair is bright. Unable to hold back tears. Aquarius is authorial film, which does not follow formulas, is not related to cinematographic conventions, is not entertainment. It was done to annoy, make the viewer to think and question. Do not expect the impact of City of God, or the catharsis of Central Station, Aquarius has another footprint.
    8lasttimeisaw

    a rapier-like social critique welded with an endearingly patient character study

    Brazilian film critic turned filmmaker Kleber Mendonça Filho's second feature AQUARIUM, after his well-acclaimed debut NEIGHBORING SOUNDS (2012), has already received Cannes main competition treatment, which could be boosted by the consequential involvement of one of Brazilian cinema's living legends, Sonia Braga, who dauntlessly takes its central role of Clara, a retired music critic and refuses to move out of the film's titular building in Recife even if she is the only resident remains.

    The film's vintage prologue takes us back to 1980, we are first introduced to a young Clara (Coleen), celebrates both her victory over cancer (later a briefing scene will inform us it is breast cancer) and her aunt's (a sprightly silver-haired Perez) 70th birthday, who reminisces of her wild youth (a carnal liberation in particular) when she clocks to an inconspicuous cabinet, which will become a mnemonic to trigger Clara down to her own memory lane 35 years later.

    In the present time, Clara has outlived her husband for 17 years (life has its unpredictable quirks, who could image a seemingly healthier husband would be gone so soon) and now lives alone, she takes the leisurely pace to continue her daily life, as an independent, mature and loving woman: schmoozing with the lifeguard (Santos) on the beach where she routinely swims; enjoying a dancing night with her girlfriends and having no qualms to engage in a spur-of-the-moment making-out with a widower, who politely recedes to decency when he is aware of her physical condition (how shallow a man could be?). And obviously she has become much closer to her nephew Tomas (Queiroz) than her three adult offspring (a married son, a divorced daughter and a gay son), especially her relationship with her daughter Ana Paula (Jinkings) is strained, because of the status quo: the Aquarius building, erected in the 40s, is acquired by a construction company for a complete reconstruction except for Clara's apartment, and Ana Paula doesn't understand the reason why Clare won't sell it.

    So what is the reason? Clare cannot be bought off by money because as she claims that she has 5 apartments under her name, therefore she has no financial exigency to exchange her favorite property into cash, which marks her a different case from the usual hungry-for-pecuniary-gain mass. Aquarius adumbrates her fondness, nostalgia and affections of her long winded past, all the happenings (like the B-day party in the prologue) comprising her entire life, in her sense, they live and die with the building itself. There is no denying it is a somewhat selfish reason to sabotage a project might be beneficial to assuage the local housing problem. But Mendonça Filho is trenchant and adamant to exercise the disproof, a final startling revelation will jolt Clara into the self- righteous action of hauling the evidence right in front of these corporate crooks. This is a tub- thumping censure to a society festered with sleaze and corruption, and utterly relatable in most corners of our world.

    What hits the unusual mark of extraordinary is the filmmakers' impeccable tact and devotion of playing out an unbiased portrait of a woman of certain age who, more often than not isn't even be considered to assume the cynosure of a movie, and Mendonça Filho welcomes her with the full treatment including the often dismissed libidinous department, when you find out there is a raucous orgy organized in the empty apartment above yours, what is the best rebuttal other than calling an escort to quench that aroused thirst?

    It goes without saying Ms. Braga's towering performance is of tectonic import to the success of the film, so much composedly immersed herself in the character, she takes Clara's prosaic daily life in stride, and not for one second, slackens her dignified defiance or renders it patronizing or haughty (which would very likely occur in lesser hands), she holds court whether there is a tacit awkwardness in her bungled sex-in-the-car diversion, or a whiff of disappointment toward her self- serving daughter, not to mention when she lets rip with a tirade in front of Diego (a smugly educated Carrão, admirably fending off Braga's all-out verbal offensive), the young representative of the company, that sequence alone can give 2016 Best Actress hopefuls a run for their money!

    AQUARIUS is ultimately a rapier-like social critique welded with an endearingly patient character study, manufactured with deliberation, consideration and integrity, a transcendent sophomore piece presages an auteur in the making. On a less rigorous note, it is a cautionary tale exhorting us not to mess with a refusenik who has a hammock in her apartment, which means that she has both strength and means to stick it to the end.

    इस तरह के और

    O Som ao Redor
    7.1
    O Som ao Redor
    Bacurau
    7.3
    Bacurau
    Que Horas Ela Volta?
    7.8
    Que Horas Ela Volta?
    Retratos Fantasmas
    7.6
    Retratos Fantasmas
    Bicho de Sete Cabeças
    7.7
    Bicho de Sete Cabeças
    Pays
    6.3
    Pays
    Burn Country
    4.7
    Burn Country
    Estômago
    7.8
    Estômago
    Central do Brasil
    8.0
    Central do Brasil
    Los decentes
    5.8
    Los decentes
    Smrt u Sarajevu
    6.3
    Smrt u Sarajevu
    Carandiru
    7.6
    Carandiru

    संबंधित रुचियां

    Mahershala Ali and Alex R. Hibbert in Moonlight (2016)
    ड्रामा

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The movie received an 18 rating from Brazilian Ministry of Justice for "drugs" and "explicit sex". On appeal, the age rating was changed to 16. But in 2024, after a complaint, it is 18 again.
    • गूफ़
      When Clara, who is annoyed by the noise from a party in the apartment above, decides to listen to a vinyl record, she picks up Queen's 1978 album "Jazz" and plays the second track, "Fat Bottomed Girls". But what is played is the shorter version of the song (released only as a single in 1978 and on the 1981 compilation "Greatest Hits") instead of the longer version from the album that is clearly shown spinning on the turntable.
    • भाव

      Clara: It's impressive what people say about lack of education, and they always refer to poor people, but lack of manners isn't in poor people, it's in rich, well educated people like you, the elite, who think they are elite, who think they are privileged, who don't stand in line, you know? People like you who took a "business" course, but lack basic human decency, who have no character, you know? No character, no I mean, you do have a character; your character is money, all you've got is your shit-eating smile; that's what you got.

    • कनेक्शन
      Featured in Retratos Fantasmas (2023)
    • साउंडट्रैक
      Hoje
      Written by Taiguara (as Taiguara Chalar da Silva)

      Performed by Taiguara

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल18

    • How long is Aquarius?Alexa द्वारा संचालित

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 1 सितंबर 2016 (ब्राज़ील)
    • कंट्री ऑफ़ ओरिजिन
      • ब्राज़ील
      • फ़्रांस
    • भाषा
      • पुर्तगाली
    • इस रूप में भी जाना जाता है
      • Водолій
    • फ़िल्माने की जगहें
      • 560 Avenida Boa Viagem, Pina, हेसिफी, पेर्नंबुको, ब्राज़ील(Aquarius building)
    • उत्पादन कंपनियां
      • CinemaScópio Produções
      • SBS Productions
      • Globo Filmes
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    बॉक्स ऑफ़िस

    बदलाव करें
    • बजट
      • R$25,00,000(अनुमानित)
    • US और कनाडा में सकल
      • $2,85,930
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $29,129
      • 16 अक्टू॰ 2016
    • दुनिया भर में सकल
      • $30,85,977
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    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      • 2 घं 26 मि(146 min)
    • रंग
      • Color
      • Black and White
    • ध्वनि मिश्रण
      • Dolby Digital
    • पक्ष अनुपात
      • 2.35 : 1

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