Another Mother's Son

A cheap asking price and the subject matter drew me to this film. Not just a WWII piece but one set on the channel islands during the German occupation. Until recently this subject matter has been thin on the ground, filmically (Although The Guernsey Literary and Potato Peel Pie Society is currently in cinemas). With an interestingly eclectic cast, I thought it was worth a watch. That said, I was also slightly wary of a possible tweeness and the fact that Bill Kenwright Productions are far better known on the theatre scene as opposed to the cinema screen. Those fears were, initially, justified- to start with the scripted dialogue was somewhat stilted and dealt in clichés but crucially, just as my attention started to wane, it slowly but surely began to win me over. This was due in no small part down to the fact this was based on a true story, a story of humanity and heart and one which, I am sure, Christopher Menaul and his cast felt a responsibility for bringing to the screen in as truthful a manner as possible. The central story concerns Jenny Seagrove's character agreeing to take in an escaped Russian P.O.W, because, as a mother of two grown sons away fighting (one of whom was killed in action) she feels a responsibilty to "Another Mother's Son." Seagrove sets the tone of the film in a stoic and quietly impressive performance, matched by Julian Kostov as the young Russian (a star in the making) and their chemistry in a surrogate mother and son relationship works well. They are surrounded by a cast of, mostly, British character players including John Hannah, Amanda Abbington, Nicholas Farrell, Peter Wight, Susan Hampshire, Joanna David, Gwen Taylor and...Ronan Keating! Yes, he of Boyzone fame. And yes, he does sing in this film but it is crucial to a plot point in the film and is a lovely edgy moment where we fear for our heroes. Keating, in fact, acquits himself well throughout, and this could be the start of a fine second career for him. Speaking of edgy moments, there is another wonderfully nerve jangling moment when Seagrove and Kostov are followed by a German officer when leaving a bookshop. In short, then there is action and suspense without overt 'pyrotechnics' and poignancy without overwroughtness. A fascinating true story that is really worth spending an hour and a half of your time on.

Jersey was the only British territory ever occupied by the Germans, it occurred in the Second World War, and this film makes a thorough realisation of how it was. There is no human German here. The Russian prisoners, collected from Europe to work in the quarries, are treated like beasts, and the pressure of the German authorities on the innocent population, mostly women, is horrendous. One mother, whose son is out in the war, finds no choice but to take care of and protect a Russian prisoner who has escaped, he lives under the protection of the family and becomes like one of them, learning English and giving practical service whenever he can. It almost becomes idyllic, but the Germans will not let them be. The liberation of Jersey was belated because it was not included in the invasion, with disastrous consequences for this family. The acting is superb, Sophie Skelton as the mother delivers credibility, and Julian Kostov in his constant turmoil between despair and happiness, makes a gripping performance. The whole production is watertight realistic, the realism almost becomes too much as it always does in 2nd world war films, which only affirms the grimness and truth of the realism. It's a strong film of almost documentary quality, but you would not willingly watch it again.

This film restores one's faith in people. It's about some residents of Jersey during the German occupation in World War II. We see the film through the eyes of a local shopkeeper. She bravely takes in Russian prisoner of war who manages to escape from forced labour in a quarry. Times are tough with rationing. Slowly but surely she forms a relationship with the POW, teaches him how to read English and he becomes like a son to her. The story is sensitively told with excellent acting from the principals. Although I note that the actor playing the part of 'Brian' is not mentioned the cast list. Without giving anything away the tensions mount as time passes with an inevitable conclusion. This film portrays the bravery and selflessness of ordinary people in helping others and opposing occupiers. A deep film and a well worthwhile film to see. When I saw it at the Clevedon Curzon members of the audience clapped at the end of the film.

This movie is a touching recount of heroism in the face of Nazi occupation. The bravery of some of the Islanders is on full display as well at the cowardess and fear. This story is one of many, but was very well written and acted. This is proof that it is the deeds we are remembered for and not just our words.

The plight of the Channel Islands during World War II is a relatively obscure footnote of World War II. As the only example of German occupation of British territory, it is certainly worthy of movie treatment. Though no large-scale battles took place there, citizens of the crown lived under German rule for years. This movie is based on a true story about a Jersey shopkeeper shielding a Russian prisoner of war who escaped from a brutal work camp on the island. The woman's two sons are fighting the Germans, as was this young man, who finds relative safety in the woman's house after enduring torture by his captors. The tension comes as she attempts to keep him hidden from the authorities, sometimes in plain sight. Relatives and neighbors are in the mix, some offering help, others warning of the consequences if they are caught. Collaborators and prying German soldiers provide some tension. This is not a bad movie, but it could have been much better. Instead, it suffers from a tepid script and uninspired direction. It is also weakened by implausible segments, such as how quickly the Russian learns English and the reckless actions of his protector, who often places him in danger by parading him throughout the countryside and in town. The acting is good, and the cinematography successfully places us in the quaint environment of a British populace with strong French influences. But the movie lacks a true climax, and what serves as one seems to be little more than an afterthought. That's too bad.