IMDb रेटिंग
6.4/10
14 हज़ार
आपकी रेटिंग
दो षडयंत्रकारी दानव भाई, वेंडेल और वाइल्ड, लैंड ऑफ द लिविंग में आने के लिए तेरह वर्षीय कैट इलियट की सहायता लेते हैं.दो षडयंत्रकारी दानव भाई, वेंडेल और वाइल्ड, लैंड ऑफ द लिविंग में आने के लिए तेरह वर्षीय कैट इलियट की सहायता लेते हैं.दो षडयंत्रकारी दानव भाई, वेंडेल और वाइल्ड, लैंड ऑफ द लिविंग में आने के लिए तेरह वर्षीय कैट इलियट की सहायता लेते हैं.
- पुरस्कार
- 3 जीत और कुल 26 नामांकन
Lyric Ross
- Kat
- (वॉइस)
Jordan Peele
- Wild
- (वॉइस)
James Hong
- Father Bests
- (वॉइस)
Sam Zelaya
- Raul
- (वॉइस)
Tamara Smart
- Siobhan
- (वॉइस)
Seema Virdi
- Sloane
- (वॉइस)
Ramona Young
- Sweetie
- (वॉइस)
Michele Mariana
- Sister Daley
- (वॉइस)
- …
फ़ीचर्ड समीक्षाएं
The idea of Key&Peele as stop-motion characters was enough to draw me in, the problem with the movie is they're not the main characters even though the title says Wendell & Wild, the main character is the school girl Kat, and because her life's trauma left her cold, she hard to like, the animation has high production value, it looks good, but the story is about too many different things, and the title characters fade into the background, Kat is supposed to be some kind of hell something lol, and her mentor played by Angela Bassett has the same powers but it's not fleshed out enough to understand what the purpose of those powers are, overall a cute Halloween movie for a family to watch, parents turn off your brain and let the kids enjoy the animation.
'Wendell & Wild (2022)' is adaptation of Henry Selick's own book about a troubled girl who meets her demons shortly after being enrolled at an all-girls catholic school in her home town. It's the director's first film since his much-loved classic, 'Coraline (2009)', and it features many of the hallmarks of his delightfully macabre style. Teaming up with Jordan Peele (who takes on co-writing, producing and acting as the titular Wild) seems like a match made in heaven - or, perhaps, hell - and a lot of the movie lives up to that potential. However, ultimately it's one of the weaker entries in either filmmakers' filmographies because it simply can't get a handle on what it wants to be. Straight away, something seems off with the pacing. The editing is very elliptical, even in the most straight-forward sequences, and the overarching structure is very unfocused. The piece bounces around between its various elements, never quite coming together as a cohesive whole. These elements are mostly excellent in isolation, but the fact that they never quite gel leads to an experience that's difficult to get fully immersed in. The flick deals with a lot of interesting ideas, touching on themes of family and guilt while commenting on important societal issues such as the prison-industrial complex, and it's also awash in positive representation (even though I could have done without the deadnaming of one of its characters). It's a bit heavy-handed, sure, but it mostly works and actively enhances the narrative. It's a shame that these subtextual, and even textual, aspects get a bit lost in the overall muddled nature of the affair. There are, I suppose, too many for any one of them to be fully fleshed out, leading to moments in which certain things pop up and affect the plot - despite never having been set-up properly - and then fizzle away just as quickly as they appeared. Despite its issues, though, the film is enjoyable throughout. Its aesthetic is distinct and and appealing, with its fluid animation combining with its colourful characters to bring its gleefully grotesque world to life. It has a tangible vibe to it, which is one of its most valuable assets. Regardless of how messy its story is, it's undeniably entertaining, and it conveys several good messages that are as expected as they are necessary. It often deals with familiar elements in an unfamiliar way, at its best when playing with its more subversive scenarios. The picture is a solid effort, even though it certainly has a few narrative issues. If it were more focused, it could have been great. Still, it's a good time overall.
Very little charm, not scary or creepy, and lacking any heart. This was wholly disappointing. I had trouble connecting with any of the characters, although I tried my best to! Kat, the movie's protagonist and an orphan, should've been SO much more sympathetic than she was. Even the titular characters Wendall & Wild were pretty one-dimensional.
The story lines also felt very jarring and disjointed. The only thing keeping me engaged was the stop motion and the occasional laugh, but even that wasn't enough to make me care. There's something seriously wrong with this movie. It should've been amazing, but ultimately, there's no magic to be had here.
The story lines also felt very jarring and disjointed. The only thing keeping me engaged was the stop motion and the occasional laugh, but even that wasn't enough to make me care. There's something seriously wrong with this movie. It should've been amazing, but ultimately, there's no magic to be had here.
I usually love Henry Selick's work. In fact the Nightmare Before Christmas and Coraline are two of my favourite movies. But this just didn't hit the mark.
There was far too much going on, and many of the additional story points feel unnecessary, which ultimately ends up taking away from the quality of a film that could've been great, but really wasn't.
This film would've been so much better if the story was simplified and streamlined a bit.
Pretty disappointing overall.
The animation style was nice though, although not my favourite of his work, and it was nice to have diversity in the characters.
There was far too much going on, and many of the additional story points feel unnecessary, which ultimately ends up taking away from the quality of a film that could've been great, but really wasn't.
This film would've been so much better if the story was simplified and streamlined a bit.
Pretty disappointing overall.
The animation style was nice though, although not my favourite of his work, and it was nice to have diversity in the characters.
As a fan of stop-motion animation as well as Keegan Michael-Keys and Jordan Peeles electric chemistry I was greatly anticipating this film when it was announced.
However I was overhyped for its release. The only aspect that is truly outstanding about this movie is stop motion animation.
The story is chaotic and introduces lore without a hint of context. The finale? Condensed. The solutions? Convenient. And for a movie called "Wendell & Wild" the title characters do not get as much screen time as you might imagine. Which is a shame because Key and Peeles voice delivery is stellar.
As a movie? It's middle of the road. As a stop motion movie? It's kinda bad.
However I was overhyped for its release. The only aspect that is truly outstanding about this movie is stop motion animation.
The story is chaotic and introduces lore without a hint of context. The finale? Condensed. The solutions? Convenient. And for a movie called "Wendell & Wild" the title characters do not get as much screen time as you might imagine. Which is a shame because Key and Peeles voice delivery is stellar.
As a movie? It's middle of the road. As a stop motion movie? It's kinda bad.
क्या आपको पता है
- ट्रिवियाJack Skellington from "The Nightmare Before Christmas" makes a brief cameo during the credits. In the scene going down in the ground, Jack's skull appears among other skulls. He is also seen as a topper on the antenna of the juvenile justice van.
- क्रेज़ी क्रेडिटIn a post-credits scene, an animator working in the middle of the night films on his camera the model of Kat coming to life and is amused by it.
- कनेक्शनFeatured in AniMat's Crazy Cartoon Cast: Mushroom Kingdom, Here We Come! (2022)
- साउंडट्रैकMa and Pa
Written by Kendall Jones (as Kendall Rey Jones) and Angelo Moore (as Angelo Christopher Moore)
Performed by Fishbone
Courtesy of Columbia Records
By arrangement with Sony Music Entertainment
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Wendell & Wild?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Wendell y Wild
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- उत्पादन कंपनियां
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- चलने की अवधि1 घंटा 45 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 1.85 : 1
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