डेबी ओशन न्यूयॉर्क सिटी के वार्षिक मेट गाला में एक असंभव चोरी करने के लिए, सात महिलाओं की एक टीम बनाती है.डेबी ओशन न्यूयॉर्क सिटी के वार्षिक मेट गाला में एक असंभव चोरी करने के लिए, सात महिलाओं की एक टीम बनाती है.डेबी ओशन न्यूयॉर्क सिटी के वार्षिक मेट गाला में एक असंभव चोरी करने के लिए, सात महिलाओं की एक टीम बनाती है.
- पुरस्कार
- 3 जीत और कुल 17 नामांकन
फ़ीचर्ड समीक्षाएं
The theatre was near full and there were more than a few large groups of girls and women who were clearly out on the town for the night. I read the poor IMDB reviews while waiting for the movie to start and perhaps that lowered my expectations, however, the movie was great. These sorts of things shouldn't be compared to their priors, like a new partner, you take them for what they are in the present. Were there better heist movies yesterday, sure there are. This was another decent heist movie, it hit all the notes a heist movie should, including a slight of hand surprise twist at the end. You leave feeling good, what more could you ask for. Nice to see a couple original oceans characters brought back for cameos and a lovely surprise with you trying to place the older wealthy women gala guests popping up near the end, Marlene, Ethel (Coma), Diana. The theatre emptied out with everyone happily chattering away. No academy awards here but that's nothing any sane person is expecting.
In this soft reboot--outside of a character connection, the idea of a heist/recruitment, and some scenes that they clearly wanted to serve as a mash note to O11--it really did not feel too much like O11. In fact, its plot felt more like Tower Heist with a tone closer to O12 and a deliverance that played out a bit like Logan Lucky. It opens up with a score similar to that of what David Holmes used in the past, but outside of the different score bits this film has an actual soundtrack as well to give it its own style (personally, I would have preferred an "only score" flick).
It's a very female-driven film. Not just by cast, but also with themes. A lot of this movie involves fashion and high society (as the heist itself takes place at the Met Gala, that's probably expected), and that lost me a bit. Even the target, although more tangible than that of what O13's objective was, felt a bit too small-scale. No, they didn't need to knock over another Vegas casino, but there was something great about that in O11 and O13 that was lost in O12, and it did the same again here. They didn't spend any time making the city backdrop become a staple or character in this film either. Everything was always shot very close and with a lot of interiors.
As I outright claim in my review title, the weakest aspect of this film was the writing. I just don't think they were really all that clever, at least in that I had seen it all before. What do all heist films tend to have in common? The suckers around the protagonists eat up everything they are fed. Everything has to work in such a convenient way for it to all be pulled off. In 2018, I'd like to see a heist film that sets up a lot of contingencies when things don't go right, and this one felt very linear. Also, one thing the previous Ocean's films did really well was kept the audience in the dark about a lot of what the protags were doing--that they weren't just tricking innocent bystanders, but they were tricking us along the way as well. I'll admit they got me once, but on two other occasions it seems like they tried and I just didn't fall for anything there. The rest of it was all very plainly laid out and we were just going along for watching them attempt to execute it.
These writers also simply didn't know how connect the (male) audience with its characters the same way as its predecessors. The players served their parts just fine, but only a couple of them had actual personalities. Plus, George Clooney and Brad Pitt developed such a "cool" dialogue with each other all of the time and always knew what the other was thinking. Maybe I'm actually looking for them to be closer to that film more than the writers wanted to, but this felt a little generic as a result. Plus, they upset me with one of their tie-in decisions to the previous trilogy, but I'm sure that was a decision that looms far above their control.
Now, it probably seems like I'm majorly harping on this film, yet really when all was said and done I'd actually say that I enjoyed watching it. It wasn't a great film by any means, but I certainly did enjoy it. What I think saved it was one Sandra Bullock and one Anne Hathaway, with heavy emphasis on Hathaway. Though let me first say, Sandra played so low-key that I wouldn't be hard-pressed to claim this might be my favorite performance of hers. It's not her best performance, but she didn't feel as much like a "try-hard actor" in this film as she normally does, so it made me like it a lot more. However, the REAL show-stealer in this was Anne Hathaway, and I didn't even remember she was in this film before she showed up. I LOVED Anne Hathaway in this. I mean she was the really redeeming quality of every scene that she appeared in. If I rewatch the film any time soon (which I likely won't), it will be for her alone. Her delectable presence got me to go with the idea of the female-ish tone that was being played out. Rihanna got into her character nicely as well. I did not like Cate Blanchett or Helena Bonham Carter, sadly enough. Mindy was kind of "there" as was Sarah Paulson (who they tried to give some character to, but forgot along the way), and I liked Awkwafina but honestly didn't know who she was before this. Lots of celebrity cameos and a few callbacks to the previous films as well.
Time will tell where this ranks with the other Ocean films, but right now I'd place it at the bottom. At least O12 had an artsy appeal of filming in Amsterdam and it felt like there were a lot of high stakes risks given Isabel, Benedict, and The Nightfox. Sodebergh did enough in that one and the dialogue was witty to still keep it at #3 on the list. Though gents, please feel free to take your significant other though if you'd like; they'll probably dig the fashionable aspects and you'll enjoy enough of the caper aspects to leave like I did, saying that you liked it and move on. If there is one other nice takeaway for this film, it's that everyone looked like they had fun filming it, which is an important staple of the Ocean's series.
It's a very female-driven film. Not just by cast, but also with themes. A lot of this movie involves fashion and high society (as the heist itself takes place at the Met Gala, that's probably expected), and that lost me a bit. Even the target, although more tangible than that of what O13's objective was, felt a bit too small-scale. No, they didn't need to knock over another Vegas casino, but there was something great about that in O11 and O13 that was lost in O12, and it did the same again here. They didn't spend any time making the city backdrop become a staple or character in this film either. Everything was always shot very close and with a lot of interiors.
As I outright claim in my review title, the weakest aspect of this film was the writing. I just don't think they were really all that clever, at least in that I had seen it all before. What do all heist films tend to have in common? The suckers around the protagonists eat up everything they are fed. Everything has to work in such a convenient way for it to all be pulled off. In 2018, I'd like to see a heist film that sets up a lot of contingencies when things don't go right, and this one felt very linear. Also, one thing the previous Ocean's films did really well was kept the audience in the dark about a lot of what the protags were doing--that they weren't just tricking innocent bystanders, but they were tricking us along the way as well. I'll admit they got me once, but on two other occasions it seems like they tried and I just didn't fall for anything there. The rest of it was all very plainly laid out and we were just going along for watching them attempt to execute it.
These writers also simply didn't know how connect the (male) audience with its characters the same way as its predecessors. The players served their parts just fine, but only a couple of them had actual personalities. Plus, George Clooney and Brad Pitt developed such a "cool" dialogue with each other all of the time and always knew what the other was thinking. Maybe I'm actually looking for them to be closer to that film more than the writers wanted to, but this felt a little generic as a result. Plus, they upset me with one of their tie-in decisions to the previous trilogy, but I'm sure that was a decision that looms far above their control.
Now, it probably seems like I'm majorly harping on this film, yet really when all was said and done I'd actually say that I enjoyed watching it. It wasn't a great film by any means, but I certainly did enjoy it. What I think saved it was one Sandra Bullock and one Anne Hathaway, with heavy emphasis on Hathaway. Though let me first say, Sandra played so low-key that I wouldn't be hard-pressed to claim this might be my favorite performance of hers. It's not her best performance, but she didn't feel as much like a "try-hard actor" in this film as she normally does, so it made me like it a lot more. However, the REAL show-stealer in this was Anne Hathaway, and I didn't even remember she was in this film before she showed up. I LOVED Anne Hathaway in this. I mean she was the really redeeming quality of every scene that she appeared in. If I rewatch the film any time soon (which I likely won't), it will be for her alone. Her delectable presence got me to go with the idea of the female-ish tone that was being played out. Rihanna got into her character nicely as well. I did not like Cate Blanchett or Helena Bonham Carter, sadly enough. Mindy was kind of "there" as was Sarah Paulson (who they tried to give some character to, but forgot along the way), and I liked Awkwafina but honestly didn't know who she was before this. Lots of celebrity cameos and a few callbacks to the previous films as well.
Time will tell where this ranks with the other Ocean films, but right now I'd place it at the bottom. At least O12 had an artsy appeal of filming in Amsterdam and it felt like there were a lot of high stakes risks given Isabel, Benedict, and The Nightfox. Sodebergh did enough in that one and the dialogue was witty to still keep it at #3 on the list. Though gents, please feel free to take your significant other though if you'd like; they'll probably dig the fashionable aspects and you'll enjoy enough of the caper aspects to leave like I did, saying that you liked it and move on. If there is one other nice takeaway for this film, it's that everyone looked like they had fun filming it, which is an important staple of the Ocean's series.
There were a few laughs and maybe one twist, but otherwise there just wasn't anything special about this script. The main thing that was special was having that many fabulous actresses in one film.
It's not funny, the characters aren't charming, and worst of all for a thriller - there's no suspense. Even the sound tracking lacked punch. The characters also lack believability - they don't convince anyone they are criminals, hackers, grifters or anything of the sort. I can't really think of anything good to say about this film - it'll genuinely put you to sleep.
Ocean's 8 (3 out of 5 stars).
Ocean's 8 is a spin off from the reboot Ocean's trilogy starring George Clooney. And an all female cast of a spin off. I was not a huge fan of the Ocean's trilogy. The first one was eh. The second was okay. And the third one was a lot of fun. Now, this spin off does not improve over the original trilogy. It was decent. The cast ensemble was good. The plot brings in Danny (George Clooney) sister who is played by Sandra Bullock. She gets out of prison and plans her next heist of stealing diamond necklace that is worth 150 million dollars. I did feel like this film was lacking in fun and stand out characters.
The plot follows Debbie (Sandra Bullock) who is out of prison. She plans her next heist of stealing a diamond necklace that has not been seen by the public's eye. She needs the help from Lou (Cate Blanchett), Amita (Mindy Kaling), Tammy (Sarah Paulson), Constance (Awkwafina), Nine Ball (Rihanna), and Rose (Helena Bonham Carter). The team will try to use a fashion model Daphne (Anne Hathaway) to sponsor in wearing the diamond necklace at a fashion event.
The original trilogy at least stood out for its quirky fun humor and interesting characters. Ocean's 8 is missing out on that opportunity. We get Debbie Ocean, who cons her way to get what she wants. She cons the hotel receptionist to getting a free room, a fragrance store customer service, ect. Lou is Debbie's partner in crime that will always be by her side and helps to organize this team. Amita is a jeweler expert. Tammy is a suburban mom, who has lots of over stock supplies of home appliances in her garage. Constance is a pick-pocking thief. Nine Ball is a hacker. And Rose is the fashion designer and awkward in person. The cast that plays these characters are great choices. But the script does miss the opportunity in making these characters interesting and lacking in fun humor. We get more fun humor from James Corden's character that shows up in the dead end of the second act playing an insurance investigator.
The concept and plot was okay. It adds nothing new to the serious. Besides Debbie's desire to challenge herself into stealing a high price jewelry that has private security guards a few feet away. And there are a couple of twists, which does not give the surprise factor at all. Plus there are a couple of cameos from the original trilogy. I was really hoping for more that could have made it fun at least.
Gary Ross direction with the film is slightly dull. It does not have the fun energy like the previous films. It is a heist movie that seems like it is bored with its script.
Overall, Ocean's 8 is a fair heist film. The cast ensemble was great and the plot was decent and entertaining. It just was lacking the energetic direction and has uninteresting characters which can be a little boring at times.
Ocean's 8 is a spin off from the reboot Ocean's trilogy starring George Clooney. And an all female cast of a spin off. I was not a huge fan of the Ocean's trilogy. The first one was eh. The second was okay. And the third one was a lot of fun. Now, this spin off does not improve over the original trilogy. It was decent. The cast ensemble was good. The plot brings in Danny (George Clooney) sister who is played by Sandra Bullock. She gets out of prison and plans her next heist of stealing diamond necklace that is worth 150 million dollars. I did feel like this film was lacking in fun and stand out characters.
The plot follows Debbie (Sandra Bullock) who is out of prison. She plans her next heist of stealing a diamond necklace that has not been seen by the public's eye. She needs the help from Lou (Cate Blanchett), Amita (Mindy Kaling), Tammy (Sarah Paulson), Constance (Awkwafina), Nine Ball (Rihanna), and Rose (Helena Bonham Carter). The team will try to use a fashion model Daphne (Anne Hathaway) to sponsor in wearing the diamond necklace at a fashion event.
The original trilogy at least stood out for its quirky fun humor and interesting characters. Ocean's 8 is missing out on that opportunity. We get Debbie Ocean, who cons her way to get what she wants. She cons the hotel receptionist to getting a free room, a fragrance store customer service, ect. Lou is Debbie's partner in crime that will always be by her side and helps to organize this team. Amita is a jeweler expert. Tammy is a suburban mom, who has lots of over stock supplies of home appliances in her garage. Constance is a pick-pocking thief. Nine Ball is a hacker. And Rose is the fashion designer and awkward in person. The cast that plays these characters are great choices. But the script does miss the opportunity in making these characters interesting and lacking in fun humor. We get more fun humor from James Corden's character that shows up in the dead end of the second act playing an insurance investigator.
The concept and plot was okay. It adds nothing new to the serious. Besides Debbie's desire to challenge herself into stealing a high price jewelry that has private security guards a few feet away. And there are a couple of twists, which does not give the surprise factor at all. Plus there are a couple of cameos from the original trilogy. I was really hoping for more that could have made it fun at least.
Gary Ross direction with the film is slightly dull. It does not have the fun energy like the previous films. It is a heist movie that seems like it is bored with its script.
Overall, Ocean's 8 is a fair heist film. The cast ensemble was great and the plot was decent and entertaining. It just was lacking the energetic direction and has uninteresting characters which can be a little boring at times.
क्या आपको पता है
- ट्रिवियाDebbie Ocean speaks German as part of her cover. Sandra Bullock spent most of her childhood in Nürnberg, Germany and is fluent in the language. She holds dual citizenship in both Germany and the United States.
- गूफ़When Amita is introduced she is grading diamonds. Shortly after she uses a Jeweler's loupe to look out the window at Debbie who is at least across the street. A jeweler's loupe has a focal range of between 1.5" and 10". Anything beyond 10" would be blurry beyond recognition.
- भाव
Debbie Ocean: If you're going to have a problem with stealing, then you're not going to like the rest of this conversation.
- कनेक्शनFeatured in Good Morning Britain: 20 दिसम्बर 2017 को प्रसारित एपिसोड (2017)
- साउंडट्रैकBest Friend
Written by Sophie Hawley-Weld, Tucker Halpern, Hiromi Kawanabe, Miriam Nervo, Olivia Nervo, James Patterson and Alisa Ueno
Performed by Sofi Tukker featuring Nervo, Alisa Ueno & The Knocks
Courtesy of Sofi Tukker LLC
By arrangement with Zync Music Powered by Round Hill Music
टॉप पसंद
रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
- How long is Ocean's Eight?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- आधिकारिक साइट
- भाषा
- इस रूप में भी जाना जाता है
- Ocean's 8: Las estafadoras
- फ़िल्माने की जगहें
- Arthur Kill Correctional Facility - 2911 Arthur Kill Road, स्टेटन आइलैंड, न्यूयॉर्क सिटी, न्यूयॉर्क, यूएसए(where Debbie is released; as "Nichols Women's Prison")
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
बॉक्स ऑफ़िस
- बजट
- $7,00,00,000(अनुमानित)
- US और कनाडा में सकल
- $14,02,95,726
- US और कनाडा में पहले सप्ताह में कुल कमाई
- $4,16,07,378
- 10 जून 2018
- दुनिया भर में सकल
- $29,77,95,726
- चलने की अवधि1 घंटा 50 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1
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