Pyewacket

The story does start out at a slower pace however the dynamics between the mother - daughter, their fight and her reaction reminded me of the tense relationship I had growing up at times with my own mother. Unfortunately she makes a rash decision and the consequences play out in a very creepy and disturbing manor.

I really liked her time in the gift shop, the idea that the evil is within etc. Well done. Will look for more from this writer.

This movie, as it has been accurately described, is a slow burn. It is no question that this low budget indie horror title is driven by solid performances, specifically by Nicole Munoz and Laurie Holden. The dynamic between these characters is believable and could pass as a standalone drama if the horror elements weren't included. The most impressive aspect of this film is how Adam MacDonald used his low budget to create a piece of film that uses effective storytelling and edge-of-your-seat suspense. If you're an individual who prefers the louder, high budget horror shows, I'm sad to say you will be slightly disappointed with this film. But if you enjoyed films like The Witch or It Follows, I can definitely recommend this movie, as I believe it is truly something special.

Adam Macdonald really arrives with Pyewacket. I was a bit put off by the idea of 'teen angst' being a center piece of the plot, but once I saw the type of angst Macdonald was talking about and the absolute realism and dramatic conflict (external and internal) that he divines from it, well I might never look at 'teen angst' the same way again.

It's well worth noting that 'slow burn' is a very apt description, and Pyewacket requires some patience, but luckily it thoroughly nails the delivery of its final act in a way that pays off the viewers endurance as well as the story.

Great film and should advance Macdonald up the charts in the horror genre. Can't wait to see what comes next.

The first noticeable aspect of PYEWACKET is its cold, somber tone. The atmosphere is thick and heavy with foreboding from the first frame. Nicole Munoz never overdoes her role as Leah, the angst-ridden teen / dabbler in the occult. If her character had been over the top, it would've ruined the whole movie. Her friends are equally sedate.

When Leah decides to call upon the entity of the title, it's done in a natural, non-hyperbolic way. Her rash motive for doing so fits the age of the character. Laurie Holden puts in a solid performance as Leah's heartbroken mum, who never really knows what's going on until it's too late.

An unsettling, supernatural cautionary tale about the consequences of hasty decisions...

The last twenty minutes felt a bit rushed and disorganized, compared to the languid, but tightly thought-out, slow-burn pace of the first 3/4 of the movie. But this meditation on impulsivity in the context of peer and parental relationships results in a very fine entry nonetheless. Yes, it is a "horror" movie (particularly towards the end). But it is also about human relationships.

That said, this is not a dialogue-intensive feature. Rather, there is heavy reliance on mood, lighting and subtle gestures to move the plot along (if you don't pay attention, it can be easy to miss important clues). As a result, this movie could have been a bomb. But I was VERY impressed with Nicole Muñoz, who manages to carry the weight of a near-100% screen time admirably. She is able to give us a very realistic depiction of a struggling teenager who swings between hope, anger, boredom and curiosity, as she negotiates a move with her mother away from her former home. Recommended for sure.