Nosferatu

The 1922 film masterfully manages to touch on themes such as death, impermanence, innocence, sacrifice, inevitability, eroticism, love... The 2024 film is just a vampire movie. Nothing less, nothing more. It has a good start. Or, rather, the aesthetics manage to favor a novel, immersive experience for a while. But as time goes by, the aesthetics lose their novelty, and the film becomes tedious, boring, ridiculous and a little cringe-inducing. I don't regret having seen it, but I wouldn't watch it a second time. I would recommend the original even to those who don't like horror or vampire movies. The 2024 film, no. It can be entertaining to watch at home, on cable, without expectations, on a night when there's nothing to do.

I was very excited to see this movie and finally went to see it. And it is....... Fine.

I've read other reviews saying it was beautiful and emotional but I honestly didn't feel very connected to these characters.

It also wasn't very scary. Very creepy! But not very scary.

The monster is constantly seen. He doesn't give me the creeps that the old Nosferatu still gives me appearance wise.

The actors are good but overall the majority of the film feels pointless.

The shaking of the characters particularly the lead is incredible and they do seem to show genuine dread. But again it felt like it was building and nothing happens. Also the ending is kind of just whatever. I think if the characters meant more to me by the end it would've been a good ending but also I kind of didn't care about the characters as they tell you intimate details about the characters which is why you should care but do nothing to build the characters so that you do care.

I usually love Robert Eggers' work - his films have this unique ability to pull you into eerie, unsettling worlds that linger with you long after the movie has finished. But his take on Nosferatu just didn't land for me.

The pacing was painfully slow, to the point where it felt like it was dragging for the sake of atmosphere rather than tension. And while I can appreciate deliberate storytelling, this just felt uninspiring, like it was going through the motions without that signature spark Eggers usually brings to his projects.

To make matters worse, I couldn't stop seeing Dr. Robotnik from Sonic the Hedgehog every time Nosferatu was on screen. It's probably not fair to the film, but the resemblance was so distracting that I found myself more amused than unsettled.

Ultimately, Nosferatu lacked the sharp, visceral energy that made Eggers' previous work so compelling. Instead of feeling haunted, I left the theater feeling underwhelmed.

This film did nothing that Coppola's 1992 Bram Stoker's Dracula didn't already do. Coppola's film both thematically, and visually broke ground (costumes, creature design, set pieces, etc.), and had a far more expository, but also sinister and apprehensive feel. Not to mention it was also far more carnal. Nosferatu on the other hand, just felt like a tamer, "nothing new to see here" re-make, with nothing remotely original in any depictions. Maybe if Nosferatu looked scarier than a bald Vlad Teppish ("The Impaler", "Dracul"), that might've helped. I give it a 5-6 with a "I wouldn't watch it again" rating.

The movie doesn't quite live up to the hype it has built over time. While the cinematography, costumes, and sound design are impressive, the film falls short where it matters most-delivering real horror. Lily shows promise as an actress, but her tendency to over-exaggerate certain scenes takes away from the immersion. The slow pacing and lack of genuine scares make you double-check if you're even watching a horror movie. Despite a few good moments, it ends up feeling underwhelming and forgettable. Nosferatu felt less of a creepy vampire but more of a old man with a deep and weird voice. Not the worst, but definitely not memorable.