Non uccidere

The lead actress is so clearly able to think that you can see her insights and perceptions developing right onscreen.

These comments are based on watching the first season.

This Italian crime drama is set in the northern city of Turin and centred on Valeria Ferro. She is a detective investigating various 'murders of the week'. These tend to feature more personal motives rather than murders that take place as part of another crime.

As well as these murders there is an ongoing storyline regarding Valeria's mother. Early in the series she is released from prison having served seventeen years for the murder of Valeria's father. She has never denied the crime but her former cell mate claims she is really innocent. Valeria initially wants nothing to do with her mother but inevitably gets drawn into looking into the case. Things are somewhat complicated by the fact that her boss, who she is involved with, arrested her mother.

I really enjoyed this series; the cases of the week very much dominate the episodes but the ongoing story regarding her mother nicely serves to link the episodes and make key characters more interesting. The weekly cases are interesting and the identity of the killer isn't obvious. There are always plenty of suspects and motives to keep the viewer guessing.

Miriam Leone is solid in the role of Valeria and the supporting cast also impresses. I liked the setting; the only other Italian shows I've seen have been set further south, mostly way down in Sicily... this feels like different country. Overall I'd definitely recommend this to fans of subtitled crime drama... assuming you don't speak Italian! I hope we don't have to wait too long before season two becomes available here in the UK.

My wife and I watched all 4 seasons (48 episodes) and we both thoroughly enjoyed the series which is usual as we often don't like the same shows. It had interesting murder plots in most all episodes mixed with an ongoing family related mystery theme that weaved through all four seasons. The cast and acting was decent and the Turin area scenery was scenic and interesting. While there was a lot of in-office romantic nonsense among the key players, as well as questionable procedural practices at times, the cast and plots kept things moving for us both. My wife liked the romantic stuff more than me and I enjoyed the many attractive Italian women who appeared throughout. The final episode was a bit of a disappointment to us both and we wondered what the writers and producers were thinking with a series wrap like that. Two thumbs up anyway.

Overall I really liked this crime series, having watched many others from the UK, Sweden, and France. Some of the stories are better than others, and the switch off to background drama between Valeria and her mother got a bit boring after awhile, for some reason. I think it is because the mother is so passive and calm that you can't imagine she was ever fired up enough to kill someone, and the switching around just interrupts the flow of the crime investigation. Valeria herself can get tiresome with her inability to ever relax or smile, and her refusal to take more realistic caution (such as having her partner with her to investigate someone dangerous in remote locations- really?) And why is she "sort of" with that much older guy, and living at home, when she could be with her obviously smitten partner or someone like him? But these are minor points of an intriguing series showing me interesting aspects of life in Turin, Italy (and do their grown children always live with their parents?) Looking forward to the second series being on PBS soon!

'Non Uccidere' is a rather solemn Italian detective series, set in a Turin that always feels cold, a drama that feels closer in style and substance to a Scandi-noir than to 'Inspector Montalbano'. It's well plotted, with a young-ish female detective at its centre who is stubborn but talented, quietly-spoken but unyielding to anyone. There's also a background story, not resolved even after 12 episodes, about her mother's involvement in a murder many years before. There are few moments of light relief here, or even action sequences, and it can seem slow - but I liked the fact that its heroine is neither a classical female sterotype nor an extreme opposite. I'd recommend watching it, but it might have been even better if its makers had had just a little more sense of urgency as they put it together.