The Square

First thought after leaving the cinema, what the f**k did I just watch?

If you are on the fence about watching The Square, here are a few things to keep in mind. First of all, you don't just watch The Square, you experience The Square. All 2 hours and 22 minutes of it, this movie is looong. The first half of the movie is brilliant and creative, in the second half you just get run over by Ruben Östlunds full force of artistic fury. Yes this movie is artsy, super artsy. If you are a fan of modern art then this is the movie for you, you will experience some of the most powerful artistic scenes in modern movie history.

second, this movie does not give a f**k about your feelings, The Square is not created for the plot, the movie is created to deliver a message. When the movie is finished the employees of the cinema you will be visiting won't have to clean up leftover popcorn from the floor, they will be scraping your jaws from it.

My girlfriend was crying on the way home after watching this, not because it is heartbreaking but because she had trouble processing what she just had experienced.

There you have it, I hope that a few of you have second thoughts about watching the movie now and that the rest of you can't wait to get hold of a ticket!

Fred out

This is a hard film to describe and an even harder film to review but I'm going to try my best to express how I felt about it.

In an attempt to put it simply, The Square follows a modern art museum curator named Christian (played by Claes Bang), and some increasingly strange experiences which shape his views and understandings of the world he lives in and the people around him.

I had the chance to see this film on opening night at the New Zealand International Film Festival, and I am so glad I did. The Square plays like an increasingly bizarre farce, and while the film is indeed very funny (sometimes in shocking ways) it provides a consistently fascinating look at our behavior as people in society. Now I realize that isn't necessarily innovative for a film in 2017, but that said, The Square dares to pose increasingly uncomfortable questions to its audience.

From the inherent narcissism of even the most ordinary of people, to the shallowness of popular culture, to the complex behaviors and interactions between people of disparate backgrounds. Again, these ideas are not necessarily novel, but the film presents them in a way that is consistently entertaining - even when certain exchanges on- screen are uncomfortable. There is a scene that takes place at a gathering of elite artists and sponsors that is as squirm-inducing as anything I've seen all year. I also must point out the constant use of dead-pan humor with verbal and visual gags throughout as one of the film's secret weapons.

I would warn that this is not a film for everyone. The pacing is uneven, the structure is unusual, and there isn't a whole lot of forward momentum to propel the film forward. But, if you are willing to meet the film halfway, I think you're in for a fascinating, shocking, hilarious and uncomfortable (skewered) mirror into the society we live in.

Like almost everyone else reviewing here, my wife and I found this way, way too long. Maybe 45 minutes too long. Maybe an hour.

Scene after scene we found ourselves remarking to each other, "what was the point of that?" Just one example: the scene with the ape street performer ran for something like 7-8 minutes. We thought it could have been done in a fraction of that and nothing would have been lost. Then I later thought they could have done without it entirely and I'm not sure anything would have been lost.

The scene with the museum director given the speech on the steps of the foyer? What was the point? What did it add? Nothing that we could see.

Scene after scene we turned to each other and asked the same question.

So instead of being a tight 1:30 to 1:45 movie, this ran on for a tedious 2 and a half hours.

I have a personal rule of thumb when it comes to films. Movies that are written and directed by the same person are so often self-indulgent. I'm going to have to amend that to: movies written, directed and edited by the same person are invariably self-indulgent and way too long.

A good director here would have told the writer what was wrong with the script and suggested what needed to be rewritten. A good editor would have gone back to the director and told him that it was running too long and that by cutting this or that that the result would have been better.

Unfortunately this film has, needless to say, the same person in all three roles. and as a result, it's way too long and was just tedious.

Sorry, but I just don't understand the rave reviews some have given this. Yes, this is ALMOST a good film. But only ALMOST.

A clever, and insightful, but somewhat meandering, social satire that, in hindsight, feels more like a series of vignettes loosely connected by the films protagonist, a well-known museum curator. The satirical sections that focus on the Modern Art world are dead on, although with, perhaps too much restraint. For the most part they are so understated you might find yourself wondering if the filmmakers were intentionally being satiric; except for, obviously, the film's high-point "Welcome to the Jungle" - both its most humorous and chilling sequence - which literally has a punchline at the end. It could easily be argued the film is worth watching for this section alone. Primarily concerned with how individuals interact with society and the world around them, scenes often play out with the camera focused on one character's reaction as opposed to the action, or conversation, occurring off-screen. This can be a disorienting choice, and, at times, confusing, yet undoubtedly all that is intentional. But be warned, the film will make no attempt to tie up all its lose ends: some characters just drop out of sight, storylines are left dangling and the movie just comes to a stop as opposed to having a real climax. You can be left feeling poked and prodded by the film for having watched it, as opposed to rewarded. But, hey, it's Art.

Hard to classify this movie, after watching it at the New Zealand International Film Festival just a few hours ago.

Humorous? Certainly. In some moments even hilarious. Yet, this movie has some very u-boat layers to its seemingly light-hearted making-fun-of-arts theme. Even though it is tempting, I am not going to be an artsy-fartsy-smartarse trying to deliver a holistic explanation of this flick (all I'm saying is: "Swedish society" and "human nature").

The acting is superb and sometimes massively ("Oleg-style") impressive.

My only criticism is that the movie is too long. Clipping some minutes here, and some minutes there, would have streamlined the viewing experience.

A complex movie. Recommended to watch whenever you have some spare brain capacity at hands. ;-)