लुसी और देसी एक संकट का सामना करते हैं जो उनके करियर को समाप्त कर सकता है और दूसरा जो उनकी शादी को समाप्त कर सकता है.लुसी और देसी एक संकट का सामना करते हैं जो उनके करियर को समाप्त कर सकता है और दूसरा जो उनकी शादी को समाप्त कर सकता है.लुसी और देसी एक संकट का सामना करते हैं जो उनके करियर को समाप्त कर सकता है और दूसरा जो उनकी शादी को समाप्त कर सकता है.
- 3 ऑस्कर के लिए नामांकित
- 13 जीत और कुल 61 नामांकन
सारांश
फ़ीचर्ड समीक्षाएं
Everyone else is very good. The music got on my nerves as it was it was too overly dramatic in places. This wasn't the Titanic going down.
The script is just okay, but it's an interesting story even if timelines are conflated. I sort of feel Sorkin doesn't "get" comedy writers, which I also felt with "Studio 60."
Javier Bardem doing "Cuban Pete" was really, really great and fun, one of my favorite moments - but again, wrong age for Desi. Would have been amazing if he were the right age, and if NK could move her face. Not being snide here.
Of course, there is such a thing as dramatic license - okay. However, this went above and beyond. I will cite a few things here, but by no means ALL:
Ricky and Lucy didn't meet the way as shown in the film. Lucille showed up at a rehearsal to say hello to the director of whatever movie Ricky was doing, and she was a mess from her previous film, all as shown. When she came back another time, Ricky didn't realize it was the same woman. When he did, he said, "That's a hunk of woman!"
Immediately before the filming of episode 68 ("The Girls Go Into Business") of I Love Lucy (which did not include fixing Fred up with a woman), Desi Arnaz, instead of his usual audience warm-up, told the audience about Lucille and her grandfather. Reusing the line he had first given to Hedda Hopper in an interview, he quipped:
"The only thing red about Lucy is her hair, and even that is not legitimate."
Lucille Ball was 31 when she made the Big Street at RKO, not 39. RKO had suspended her when she refused to be billed fourth in a film. Her good reviews for The Big Street brought a better offer from MGM.
What was the deal with mentioning Judy Holliday? Holliday wasn't around, even on Broadway, until the mid-40s and didn't make a splash in film until circa 1949. She was no rival to Lucille Ball.
Jean Arthur and Barbara Stanwyck were sought for The Big Street; Runyon insisted on Ball.
Aaron Sorkin's script is a muddled mess, combining the Communist scare and little Ricky's birth, which happened in two different years. The result for me anyway is that they both got lost amid Lucy's staging of one scene in the show, which was episode 22, not 37.
Also, in real life, Lucille Ball was referred to as Lucille, not Lucy.
Regarding the performances, I thought Nicole Kidman had the voice and personality down flat. As far as her face being frozen, I'm not sure that much makeup was necessary. Bardem looks nothing like Arnaz, so why the pressure to have Kidman look exactly like Lucy? She had the hair, the eyes, the voice, the essence. A little less makeup would have been fine.
I know people say she was miscast because they wanted a lookalike. Debra Messing would have been fine for the "I Love Lucy" part but she is not the actress that Kidman is. Bardem was excellent. J. K. Simmons and Nina Arianda were fabulous as Fred and Ethel. Actually the whole cast was excellent and totally wasted.
Couple of comments: this is the latest from writer-director Aaron Sorkin ("Molly's Game", "The Trial of The Chicago 7"). Here he goes behind the curtain to give us a glimpse of what life for Lucille Ball and Desi Arnaz was like both within the TV hit show, and outside. Not that the film isn't titled "Being Ball and Arnaz", but instead "Being the Ricardos" (the TV characters). Despite what looks to be an amazing production set and a massive amount of other talent attached to this film, I found the overall viewing experience strangely off-putting. I never did buy into Nicole Kidman's role as Lucille/Lucy, nor for that matter into Javier Bardem's role as Desi/Ricky. It all felt so... clinical, and very much 'staged' (in fact, the scenes involving the making of the weekly TV show felt as if it was a theater production). All of this is a bit surprising as Aaron Sorkin's track record not only as a director but even more so as a writer ("The Social Network", "Moneyball", "Steve Jobs", just to name those) is nothing short of stellar, but here the sum of the parts simply doesn't add up.
"Being the Ricardos" was given a limited 2 week theater run before shifting a few days ago to Amazon Prime, where I caught it. I couldn't help but be disappointed with this film. But you don't have to take my word for it, and I encourage you to check it out, be it on Amazon Prime, Amazon Instant Video, or eventually on DVD/Blu-ray, and draw your own conclusion.
I suspect there are two different audiences and levels of appreciation for this movie - those who grew up watching "I Love Lucy" and those who didn't. My wife and I are the former, I was 12 when the show ended its run, I have a very clear memory of the TV show, a little from original shows and more from watching reruns. In the hit show, Lucille Ball as Lucy was a bit dimwitted.
In real life Ball was nothing like that. She was bright and driven and often attended too little to the feelings of others. She had high standards for episodes, while her husband Desi was the businessman behind it all. Together they formed quite a team and "I Love Lucy" was one of the most successful entertainment enterprises ever.
This movie focuses on a particular week during which they geared up for that week's episode, but also were hit with headlines that implicated Ball as a member of the Communist Party. Plus Lucille found out she was pregnant with her second child. When the episode was about to be filmed for the week there was a call from J Edgar Hoover to Desi, shared with the live audience, but that was creative license, in real life it didn't happen. The movie also shows some of the formative years, as far back as the 1940s, and the events that shaped her career direction.
Kidman and Bardem are wonderful in their roles and the whole movie is a superb glimpse into what "I Love Lucy" was all about, especially all the things we DIDN'T see during the telecasts. I viewed it again a few weeks later and enjoyed it even more because I had a clearer image of what all was going on. I will likely view it a few more times, it is that good.
Also worthwhile looking up is a 2020 documentary "Finding Lucy", 83 minutes long, now easily available for free viewing on the internet. I watched it also and it helps appreciate the movie even more. After she and Desi were divorced she bought out his share of Desilu studios. She became the boss, she made the tough decisions. To her credit it was during her watch that two groundbreaking TV series were approved - 'Mission: Impossible" and "Star Trek." I'd say she was overall a pretty successful lady in show business. I love Lucy.
क्या आपको पता है
- ट्रिवियाPrior to filming, Lucie Arnaz (daughter of Lucille Ball and Desi Arnaz) had told writer/director Aaron Sorkin that it was okay to make Lucille stubborn and headstrong in the movie, as this was how she was in real life. After seeing the movie, Arnaz released a video on her YouTube Channel on 17 October 2021, in which she called the movie "freaking amazing." She complimented Sorkin for making a great movie that really captured the time period and had wonderful casting. She also said that Nicole Kidman "became my mother's soul." She also said that Javier Bardem didn't look like her dad but, "he has everything that dad had. He has his wit, his charms, his dimples, his musicality."
- गूफ़The movie portrays Lucy's contract at RKO being dropped after her performance in The Big Street (1942) and has RKO's head of production state that at 39 years old she should try radio. In reality Lucy was only 31 when "The Big Street" was released in 1942. Her contract was not dropped by RKO, but rather bought out by MGM, who was impressed by her performance. While working for MGM, Lucy became a redhead. She remained under contract to them until 1946. Additionally, Lucy did not seek out radio until 1948 while concurrently working in movies as a freelance actress.
- भाव
Lucille Ball: I am the biggest asset in the portfolio of the Columbia Broadcasting System. The biggest asset in the portfolio of Philip Morris Tobacco, Westinghouse. I get paid a fortune to do exactly what I love doing. I work side by side with my husband, who's genuinely impressed by me. And all I have to do to keep it is kill every week for 36 weeks in a row. And then do it again the next year.
- कनेक्शनFeatured in The Late Show with Stephen Colbert: Javier Bardem/Gang of Youths (2021)
- साउंडट्रैकShe Could Shake the Maracas
Written by Lorenz Hart, Richard Rodgers
Produced by Michael Andrew
Performed by Javier Bardem with The Michael Andrew Orchestra
टॉप पसंद
- How long is Being the Ricardos?Alexa द्वारा संचालित
विवरण
- रिलीज़ की तारीख़
- कंट्री ऑफ़ ओरिजिन
- भाषा
- इस रूप में भी जाना जाता है
- Lucy and Desi
- फ़िल्माने की जगहें
- RMS Queen Mary - 1126 Queens Highway, लाँग बीच, कैलिफोर्निया, संयुक्त राज्य अमेरिका(Ricky's club interior)
- उत्पादन कंपनियां
- IMDbPro पर और कंपनी क्रेडिट देखें
- चलने की अवधि2 घंटे 11 मिनट
- रंग
- ध्वनि मिश्रण
- पक्ष अनुपात
- 2.39 : 1