Split

We need more of James McAvoy on the silver screen that's for sure. He plays the role of a person with MPD (multiple personality disorder) and he plays the role(s) so darn well. The movie is the second in a trilogy of an adult comic series and comparing it to it's older brother (Unbreakable 2000) it's more refined and perhaps with a more interesting plot.

I was surprised to see that this movie was released last year (as I'm writing this) and I didn't heard about it, taking in consideration how promising the plot is.

Split is about three girls get kidnapped by a man with dissociative identity disorder (DID) that has 23 personalities. I have to say that this movie does not represent what DID really is and how people who struggle with it are, mainly because this movie gets a bit too fantastical sometimes. It doesn't try to be strictly realistic though, so it's an awesome thriller anyway.

The movie gives you chills since the very start with an awesome acting by James McAvoy and some seriously good still scenes. The overall scenes make you have a weird feeling, something it succeeds to transfer to the viewer that you probably won't be able to describe. That makes this thriller stand out in a good way.

Maybe Split makes a unrealistic representation of dissociative identity disorder, and that can be a big turnoff, but this is a great movie nonetheless.

James McAvoy gives what could have potentially been an award-worthy performance if it had appeared in a different film.

He plays a man with multiple personalities who kidnaps three young girls as a part of a plot two of the personalities have hatched to unleash a powerful and unstoppable identity. Betty Buckley, in a better performance than the role necessarily needed, plays a therapist working with him and who begins to unravel the alarming plot. Writer/director M. Night Shyamalan, who hasn't made a movie I've wanted to see since "Signs," crafts a nifty and effective thriller with three fourths of his film, and then sort of if not completely ruins it by taking his idea too far and pushing the supernatural elements to the point where we realize we're not even watching the same kind of movie we were at the beginning. This particular story, and especially McAvoy's performance, would have been compelling enough without Shyamalan's characteristic inability to understand when he's ruining his own premise.

Grade: B

After watching this movie, I have to say, I don't understand all the one and two star reviews. This is a return to form for the director of the excellent SIXTH SENSE and UNBREAKABLE. I haven't enjoyed most of his output since those first two films, but only titles like his misguided LAST AIRBENDER and the truly terrible THE HAPPENING are deserving of such low marks. I've seen a few real one star movies, and SPLIT isn't one of them. It's definitely worthy of higher marks. I can only assume those who didn't like it are trying to lower the average rather than rank it realistically somewhere closer to 4 or 5 stars (although I'd rank it higher).

It's a lot of fun. James MacAvoy is great in a subgenre that is normally pretty insipid (ie dissociative identity disorder movies). He deliveres a great performance that really helps to carry this film, and Betty Buckley also gives a notably outstanding performance in her supporting role.

Is it as good as THE SIXTH SENSE? No. Is it worth seeing? Absolutely. I'd happily see it again.

As for those reviewers who are upset that movies like this distort the public perceptions about mental illness, I can only assume they are too close to that subject to be truly objective.

What a remarkable film! The premise of the film seems quite superficial at first but as the layers are peeled back there's so much more beneath.

It's a horror film without special effects gore, an action flick without any car chases. A high-tension psychological thriller for viewers with active imaginations, who don't need to be spoon-fed every explanation.

The acting is top-notch, the script sympathetic, the cinematography and set fantastic, and the music/sound subtle enough not to be noticed, consciously, while building the tension inexorably. It's gripping, un-turn-away-able.

Seriously impressive. I don't give 10's lightly.