The Sisters Brothers

The Sisters Brothers is a superb narrative driven western that doesn't hold back on it's true colors. John C Reilly and Joaquin Phoenix star as an incredible dynamic brother duo, working as assassins chasing Riz Ahmed along with Jake Gyllenhaal, a pair recent pair from Nightcrawler (2014). With outstanding performances all around, the actors create a terrific sense of realism in the relationships between characters, John C Reilly stands out, as he delivers one of his most outstanding serious and heartfelt performances yet. The film takes it times establishing itself as a true but unique western with charm and intensity, but the film hits it's prime in the third act delivering brutal and vigorous scenes. The score fits perfectly into the vibe and tone and elevates scenes to higher and more emotionally gripping spectacle. The cinematography is also notable, with exception use of gun flashes in the dark, and alluring composition. As an entirety, the film is extremely compelling and is one of the best westerns in the past decade.

'The Sisters Brothers' is one of those films that just sort of exists, without really trying to do or say anything of note. There's no real through-line to the narrative; it just follows seemingly unrelated events that the brothers experience, with the only real link being that they follow on from each other. The lack of a 'proper story' means that it's never really all that engaging or interesting. That being said it's far from boring, with some of the sequences being quite entertaining. Phoenix and Reilly are excellent throughout, too, and the assured direction means that it's a confidently crafted piece, so there's always a base level of investment there. The protagonists initially seem to be well-grounded, realistic characters, and their similarities and differences lead to a convincing brotherly duo. It's unfortunate, then, that despite their strong formation they aren't necessarily 'good characters'. Throughout the film they don't really change, and this lack of arcs makes the whole affair seem kind of pointless in the end. It could have, and probably should have, been a character study; most pictures of this ilk - those not following a traditional 'three-act' narrative, that is - tend to focus on delving deep into developing core characters, so it's a shame that this picture doesn't even manage that. Like I said though, it never manages to be boring - even if you can feel the length at times - and the direction and performances (Gyllenhaal and Ahmed are good, too, despite being severely underused) are always engaging. I guess what I'm trying to say is that it has all the right pieces, but it unfortunately just doesn't know what to do with them. 6/10

Not my wife's kind of movie, I watched this at home on DVD from our public library. All-in-all I don't find it to be a very good movie but it is well made and accomplishes its purposes very well.

Naming the two main characters the "Sisters Brothers" hints at the healthy dose of absurdity in this movie. The brothers are traveling gunfighters, paid to kill certain people. They take jobs for pay and systematically hunt down their targets. This slice of their story is set in Oregon and Northern California although all filming was done in Europe.

John C. Reilly is Eli Sisters, the more sensible and thoughtful one, at some point wondering if they should retire and take their money to start a business, maybe run a store. Joaquin Phoenix is Charlie Sisters, the younger and more impetuous of the two, he scoffs at Eli's thoughts.

They are hired to hunt down a man who has not repaid a debt, they end up at odds with Jake Gyllenhaal as John Morris and Riz Ahmed as Hermann Kermit Warm who has developed a chemical that, when poured into a river or stream, will make the gold shine brightly, and easy to harvest.

The story gets a bit convoluted, there are a number of brutal, point-blank killings. I can't say the movie itself came to an entirely satisfying end but for the most part it was entertaining. The actors are very good in their roles.

This movie is by all means different of the others westerns movies you could have seen. It is funny by moments, rough by moments, calm maybe too calm sometimes. But the story is great and entertaining, and the actors are just a perfect fit. Cinematography is also great and it made us feels like we are with them!

A stud line-up produces a solid modern western in a time when the genre has certainly lived way passed its prime. Never really dead, The Western, proves time and time again that even with its typical tropes, run-of-the-mill grizzled outlaws, and the learned sheepish "city" man that set out to settle for a better life; to risk all they knew to find the dream, that the genre still has something to give us.

The Sisters Brothers gives us a character study that focuses on the fraternity of brotherhood, and in this case, a very close look at a twisted one that at its core finds the fundamental values of what it means to be a brother. We have all seen Joaquin Phoenix play this type before; reckless and obstreperous, while we find Jake Gyllenhaal and Riz Ahmed sharing screen time (again). But this is truly John C. Reilly's movie, who at first, is certainly overlooked and shown to us as the "lesser" brother. As we come to find out the truth we see the foils of Reilly's and Phoenix's character come full circle; ultimately seeing how their past has affected them. We notice (indirectly) how father figures are important role models, and to some extent we even get a taste of the affect mothers have on their kids as well as we see traits of either parent in both brothers as they film goes on. Reilly gets his iconic moment and really the final statement of how far he will go to protect his brother when the time comes, and it is awesome. Certainly the highlight of the entire film for me.

At times slow, the film has moments of wittiness and subtle humor that remains fresh throughout. The Sisters Brothers is definitely worth seeing as it makes its statement as a film of its genre with great performances, especially from Reilly.