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Museo

  • 2018
  • 2 घं 8 मि
IMDb रेटिंग
6.9/10
6.3 हज़ार
आपकी रेटिंग
Museo (2018)
Tráiler [OV] देखें
trailer प्ले करें1:39
3 वीडियो
50 फ़ोटो
अपराधड्रामा

1985 में, अपराधियों का एक समूह अपनी शोकेस से 140 पूर्व-हिस्पैनिक टुकड़ों को निकालने के लिए मेक्सिको सिटी में नृविज्ञान के राष्ट्रीय संग्रहालय की सुरक्षा का मजाक उड़ाता है।1985 में, अपराधियों का एक समूह अपनी शोकेस से 140 पूर्व-हिस्पैनिक टुकड़ों को निकालने के लिए मेक्सिको सिटी में नृविज्ञान के राष्ट्रीय संग्रहालय की सुरक्षा का मजाक उड़ाता है।1985 में, अपराधियों का एक समूह अपनी शोकेस से 140 पूर्व-हिस्पैनिक टुकड़ों को निकालने के लिए मेक्सिको सिटी में नृविज्ञान के राष्ट्रीय संग्रहालय की सुरक्षा का मजाक उड़ाता है।

  • निर्देशक
    • Alonso Ruizpalacios
  • लेखक
    • Manuel Alcalá
    • Alonso Ruizpalacios
  • स्टार
    • Gael García Bernal
    • Leonardo Ortizgris
    • Alfredo Castro
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
  • IMDb रेटिंग
    6.9/10
    6.3 हज़ार
    आपकी रेटिंग
    • निर्देशक
      • Alonso Ruizpalacios
    • लेखक
      • Manuel Alcalá
      • Alonso Ruizpalacios
    • स्टार
      • Gael García Bernal
      • Leonardo Ortizgris
      • Alfredo Castro
    • 24यूज़र समीक्षाएं
    • 65आलोचक समीक्षाएं
    • 86मेटास्कोर
  • IMDbPro पर प्रोडक्शन की जानकारी देखें
    • पुरस्कार
      • 7 जीत और कुल 32 नामांकन

    वीडियो3

    Tráiler [OV]
    Trailer 1:39
    Tráiler [OV]
    Museo
    Trailer 1:55
    Museo
    Museo
    Trailer 1:55
    Museo
    Museo
    Trailer 1:40
    Museo

    फ़ोटो50

    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    पोस्टर देखें
    + 43
    पोस्टर देखें

    टॉप कलाकार49

    बदलाव करें
    Gael García Bernal
    Gael García Bernal
    • Juan Núñez
    Leonardo Ortizgris
    Leonardo Ortizgris
    • Benjamin Wilson
    Alfredo Castro
    Alfredo Castro
    • Dr. Núñez
    Simon Russell Beale
    Simon Russell Beale
    • Frank Graves
    Leticia Brédice
    Leticia Brédice
    • Sherezada
    Bernardo Velasco
    Bernardo Velasco
    • Bosco
    Ilse Salas
    Ilse Salas
    • Silvia
    Lisa Owen
    • Sra. Núñez
    Eduardo García
    • Lalo
    Maite Suarez Diez
    • Jimena
    • (as Maite Suárez)
    Amaya Suarez Diez
    • Adriana
    • (as Amaya Suárez)
    Camila Robertson Glennie
    • Camila
    • (as Camila Robertson)
    Iker Brehm Mondragón
    • Iker
    Pilar Brehm Mondragón
    • Pilar
    Vanessa García Figueroa
    • Vanessa
    Esteban Garay
    • Esteban
    Gabriel Nuncio
    Gabriel Nuncio
    • Igor
    Natalia Garcia Agraz
    • Gaby
    • (as Natalia García)
    • निर्देशक
      • Alonso Ruizpalacios
    • लेखक
      • Manuel Alcalá
      • Alonso Ruizpalacios
    • सभी कास्ट और क्रू
    • IMDbPro में प्रोडक्शन, बॉक्स ऑफिस और बहुत कुछ

    उपयोगकर्ता समीक्षाएं24

    6.96.3K
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    10

    फ़ीचर्ड समीक्षाएं

    9jkeen

    A deep dive into a slice of Mexican society and culture

    Museo (screenplay by Manuel Alcalá and Alonso Ruizpalacios; direction by Ruizpalacios) is the most cinematically stimulating movie I have seen so far this year. The film dramatizes an actual 1985 theft at the National Museum of Anthropology in Mexico City but then shifts to focus on the emotional impact of the theft on the two perpetrators. About ten minutes into the film I found myself thinking, "They don't make movies like this anymore." Why did I feel that way? Both the subject matter -- the anomie of the middle-class in a nation with profound social divisions -- and Ruizpalacios's wide-screen composition recall Fellini and Antonioni films of sixty years ago. So do the dramatic Saul Bass-like titles, the symphonic score and sound design. Seek this movie out!
    7rcmuzayedeankara

    Combined film types

    I like the tone of the movie, the characters are funny, the story is serious, the events are tense. You won't regret watching. The film was adapted from a real story, but came to me a little exaggerated. Especially when I was watching the robbery scene. I hope our museums are better protected.
    8aysebetul-78072

    Nihilism or the reason why

    Nihilism in the film captivated me from beginning to end. While there are implications of cultural imperialism, the culture poisoning of the individual has also been shown. The institution of 'family' has been included in the dilemma as the institution to which the individual both wants to move away and which he remains attached. Many people have criticized the lacuna in the script, but I think this was left on purpose because the movie rejected the causality principle from the beginning. Sound editing tooks part in the movie as an actor/actress. The black woman with a bleeding nose at the party, the rubik's cube, and the people jumping into the water... Each symbol is skillfully placed.
    5vaguira

    A missed opportunity

    I looked forward to watching this movie for taking on a fascinating story. Having such an incredible base to work on gave this film so much potential. Gael's involvement usually entails quality. Not in this case. Other than some good performances (including Gael's), the rest is mediocre. The script, the flow, the adaptation. They did not even stick to the story! That was the easy part and it was such a good story. All in all, a missed opportunity.
    7alex_with_a_P

    A fool's story

    The movie left me with very mixed feelings. I'm a sucker for this kind of movies, that are slow paced, have lots of symbolic imagery and but told in a light-hearted way. I admire the movie more for it's technical achievements: It's great use of sound and editing. A good sense of visuals that stick with you. It's the story part that left me a bit disappointed, especially after reading about the real story.

    Our protagonist is one of the dumbest individuals out there but at the same time he comes up with a pretty intricate way to devise a heist. We get a good view of the psychology of a good-for-nothing guy who wants to prove himself to himself, his family, to the world and to history. The movie has some interesting things to say about the ethics of museums and heritage of cultures. But it's more like an afterthought than an actual deep dive. I don't now if it was intentional but Juan never really does become likeable throughout the journey, not even a bit (not like his sidekick at least). He stumbles through his life and close calls like Peter Sellers. In fact, a lot of the images and music is very reminiscent of the 60's, although the movie is supposed to be taking place in the 80's which kind of confused me several times. The last half of the movie is kind of meandering in my opinion and the movie could have easily be trimmed down to 100 minutes. But it was still an interesting experience/insight into Mexican culture, although emotionally it didn't really grab me.

    इस तरह के और

    Güeros
    7.5
    Güeros
    A Cop Movie
    7.0
    A Cop Movie
    La cocina
    7.1
    La cocina
    Temporada de patos
    7.2
    Temporada de patos
    Me estás matando Susana
    6.4
    Me estás matando Susana
    No
    7.4
    No
    Por la libre
    6.9
    Por la libre
    Chicuarotes
    6.7
    Chicuarotes
    Sueño en otro idioma
    7.4
    Sueño en otro idioma
    Párpados azules
    6.8
    Párpados azules
    Pedro Páramo
    6.3
    Pedro Páramo
    Technoboys
    5.3
    Technoboys

    कहानी

    बदलाव करें

    क्या आपको पता है

    बदलाव करें
    • ट्रिविया
      The movie is a fictionalized account of what was called "The Heist of the Century", with the obvious changes. In reality, it was performed by two veterinary school students, actual names Carlos Perches and Ramon Sardina. The movie portrays the events of the actual robbery quite accurately, including museum guards being careless due to a Christmas celebration, the amount and type stolen pieces, the method of escape, as well as the first suspicion of the heist being done by professionals working for international art dealers and the 50 million pesos reward offered by the museum. Later, the film comprises time periods and combines several characters into a single one. In reality, the thieves managed to avoid capture for four years: Perches and Sardina went to Acapulco, when they tried to sell the pieces to drug lord Jose Serrano and his mistress, a popular cabaret dancer nicknamed "Princesa Yamal". Serrano introduced them to Salvador Gutierrez a.k.a. "El Cabo", another drug lord, who promised to sell the artifacts and estimated a price tag of one billion dollars. Two of the pieces were given to Serrano in exchange for cocaine by Perches, while Sardina apparently gave him seven as evidence they were the actual robbers. The police, in the meanwhile, had lost track of the pieces and closed the file, in part by the fact of the Museum not having a complete inventory of the stolen artifacts until much later, with the first reports showing wrong or incomplete records. Finally, in January 1989, the Mexican Federal Police arrested "El Cabo", who gave them all the leads to find the robbers. Perches was arrested in April at his house, along with his brother and the rest of the stolen artifacts. Five more people were arrested, including Serrano's mistress, an Argentinean showgirl called Cristina Gonzalez -both later released- and an American named Nathan Clevenger, the apparent buyer. In total, 111 of 124 pieces were recovered and returned to the museum. However, the whereabouts of Ramon Sardina and the nine pieces he and Perches gave away is still unknown.
    • भाव

      Benjamin Wilson: What are Satelite-folk like, then?

      Juan Núñez: A Satelite-folk is a person so tired from work, they'd rather watch TV than be with their family. What's on TV tires them, so they go to bed more tired. Their dreams tire them too. They wake up looking like crap, so tired. And one day, just like that, they die from exhaustion.

    टॉप पसंद

    रेटिंग देने के लिए साइन-इन करें और वैयक्तिकृत सुझावों के लिए वॉचलिस्ट करें
    साइन इन करें

    अक्सर पूछे जाने वाला सवाल

    • How long is Museo?
      Alexa द्वारा संचालित
    • Where can I find this film? !! Definitely want to see it from looking at trailer!

    विवरण

    बदलाव करें
    • रिलीज़ की तारीख़
      • 26 अक्टूबर 2018 (मैक्सिको)
    • कंट्री ऑफ़ ओरिजिन
      • मैक्सिको
    • भाषाएं
      • स्पेनिश
      • अंग्रेज़ी
    • इस रूप में भी जाना जाता है
      • Museum
    • फ़िल्माने की जगहें
      • Palenque, Chiapas, मेक्सिको(location)
    • उत्पादन कंपनियां
      • Detalle Films
      • Distant Horizon
      • Panorama Global
    • IMDbPro पर और कंपनी क्रेडिट देखें

    बॉक्स ऑफ़िस

    बदलाव करें
    • US और कनाडा में सकल
      • $1,48,505
    • US और कनाडा में पहले सप्ताह में कुल कमाई
      • $16,554
      • 16 सित॰ 2018
    • दुनिया भर में सकल
      • $7,62,284
    IMDbPro पर बॉक्स ऑफ़िस की विस्तार में जानकारी देखें

    तकनीकी विशेषताएं

    बदलाव करें
    • चलने की अवधि
      2 घंटे 8 मिनट
    • रंग
      • Color
    • पक्ष अनुपात
      • 2.35 : 1

    इस पेज में योगदान दें

    किसी बदलाव का सुझाव दें या अनुपलब्ध कॉन्टेंट जोड़ें
    Museo (2018)
    टॉप गैप
    By what name was Museo (2018) officially released in India in English?
    जवाब
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