Good Kids

This movie is really a lot more than just about the relationship between an older brother and younger brother. Of course, it centers around this relationship, but it really probes the depth of human pain that results from promises unfulfilled and dreams dashed. What seems sunny and clear is in reality often obscured by a clouded human nature that celebrates self before others, and these clouds are not easily dispelled. What really is love? How is it authentically expressed? How is it so easily betrayed? What are the real-life consequences of vengeful actions? All these--and more--are explored in this short but insightful story.

Yes, there are some rough edges. The audio level sometimes varies inexplicably. Certain scenes require a modest suspension of disbelief. These rough edges, however, do not detract from the fact that this is quite a good movie about fundamentally good kids in a world that challenges even the most mature adults.

While not a flashy film by any means, this indie drama boasts a fantastic cast, a great and investing story, and a touching and real relationship between its two central brothers. Jason Olree plays the younger of the two with finely-tuned charisma, ease, and maturity, and Michael Ridley fills the shoes of the big brother, and commands the film with both energy and raw emotion. The chemistry between the two of them combined is so tangible it makes even the films several moments of silence feel full and alive, and drives the story even when the pacing hits a trough. The movie as a whole(clocking in at just over an hour and four minutes) is strung together carefully by a small handful of supporting characters, each of whom are portrayed with individual flair, a beautifully atmospheric score, and intimate direction by Douglas Rowland II. "Good Kids" makes no attempt to exercise overly-artsy traits, but instead keeps its focus on love, youth, and the unique strength of brotherhood. Overall a great little film.