Touch Me Not

Movie that shocks for the love of shocking. Disappointing and at best few ideeas to keep in mind. Or i don t get contemporany cinema wich is really plausible.

This movie was outrageous fun, NOT to be taken too seriously. I was depressed and forced myself to watch this and laughed the whole way through. 7/10

A brave film that puts things, people, dimensions and perspectives on the table of truth, things that we do not look at easily, we do not look at at all or look with too much judgment and prejudice.

I loved Laura from start to end, she kept the film in her hand in an extremely difficult role, an excellent actress that I would love to see in other productions.

I also liked the music and cinematography, as well as the director's passion for innovation and experiment, her overall curiosity for life and courage to jump in the unknown.

"Touch me not" is not a movie to fall in love with and not for people who live life at its surface, but it is a necessary, human and useful film, a movie that stays with you and raises new questions if you leave yourself open and allow it, if you accept the journey the director proposes to you.

My opinion is that the film deserves its Golden Bear award, and because it's also a debut film for the director, the performance is even more impressive. I expect Adina Pintilie to return in the coming years with surprising productions as there's a lot of potential in her.

I am such a fan an supporter of contemporary Romanian cinema but this is below any expectation. I felt almost asleep countess times during this film and wondered why doctors don't prescribe this movie instead of sleeping pills. It's an artsy, indie wanna be movie, full of long abstract framing and too thought out scenery; feels like everything is not genuine and bad acting is ominous; far-fetched emotions and relations between characters; the story lacks any truthfulness and is not intriguing at all I would put in the bucket of contemporary cinema that implies that shocking issues and nudity would automatically make a movie artsy and festival-ready...

I am on the fence with this one. I could say that it brilliantly exposes deceit and vanity, and wouldn't be that far off. I could call it an honest, if flashy and sometimes arrogant, exploration of failed intimacy on a pedestal, and I think I'd have a point there. I felt at times that it was indeed full of vanity and self-importance. Since, luckily, I didn't see the movie on my own, and saw it without knowing anything about it, I found the experience led to an interesting conversation. In the end, I'd say it was a so-so movie, but a worthwhile experience.